CATCH THE BEST ANNUAL FREE SHOW IN L.A., Saturday, December 24, in the Dorothy Chandler Pavilion at the L.A. Music Center. Includes a rich, multicultural variety of music, even some dance, and Grammy and other top award winners and nominees. Starts at 3 pm - be very early to get in line (free entertainment on the plaza from noon, on). See Dec 24 listing, below, for details and link.
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Happy Tune-Filled Chrismakwanzika! Since the ancient Mayan Calendar extends only until December 20 of 2012, and according to some interpretations, that means the world is scheduled to end on December 21st next year, this might be the final year for us to celebrate with Holly and Ivy (aren't we lucky, having BOTH those girls here for the holidays! Ahh, yes...)
Oh, and the traditional holiday word, “NOEL”-? Well, that one is an ancient word that means “New light,” referring to the lengthening days after the Winter Solstice. It was drafted by Christians to represent the birth of Jesus, as in the carol, “The First Noel.” Things can indeed have origins different than their meanings today.
So, Happy Chrismakwanzika! Or if you prefer to observe the original thing celebrated on December 25th (before early Roman Christians under Constantine appropriated the date and started claiming it as Yeshua’s – Jesus’ – birthday), Happy Feast of Mithra. Of course, Hanukah has been celebrated for a very long time, though its eight days and nights are almost always concluded before December 25, so you still have time. Main thing is, whatever you choose to celebrate, let us all embrace Peace on Earth, and Good Will Among All People.
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Check back here often, as we add more events to each edition after it is first published.
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Welcome to the Guide's SPOTLIGHT EVENTS section, our roundup of concerts, club gigs, workshops, and acoustic music-related events.
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The Guide's next edition of NEWS FEATURES will post soon and will be available in its own section at
www.acousticamericana.blogspot.com
CHECK ON OR AFTER December 17, or read archived editions anytime.
...keep reading HERE for the comprehensive presentation of all the concerts, club gigs, workshops, and live acoustic music EVENTS!
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Acoustic Americana Music Guide's
SPOTLIGHT EVENTS
December 16, 2011 edition
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Friday, December 16
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Fri, Dec 16:
6:30-8 pm Annual “MUSIC CENTER HOLIDAY SING-ALONG” on the plaza at the L.A. Music Center, downtown L.A. is free and a lot of fun. It's led by professional vocalists and always includes some instrumental accompaniment from members of the L.A. Phil. Only trick is, a free admission ticket is required to get a seat and a songbook, and tix are distributed beginning at 6 pm (one per person in line). Go, and you'll satisfy your hankering to vocalize all the holiday classics, and those around you will make you sound good. There's a complete song list at www.musiccenter.org/events/aa_singing.html
An indoor holiday music concert follows in the Walt Disney Concert Hall at 8 pm, but that's an expensive ticket and this one is free.
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Fri, Dec 16; ongoing, Dec 12-23:
Annual “TWELVE NIGHTS OF CHRISTMAS” with live music, ice skating, holiday programs,” at Pershing Square, 532 S. Olive, downtown L.A.; www.laparks.org; 213-847-4970. The “Downtown on Ice” season runs Nov 17-Jan 16, with the skating rink open every day (including the holidays) and live lunchtime music on some days, Dec 19-Jan 6. Skating is $6, skate rentals $2. All else is free.
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Fri, Dec 16; Thu-Sat, Dec 15-17; a SHOW-OF-THE-WEEK pick:
7 pm “TRIPPING THE '60s” is an energetic, highly entertaining retrospect by BARRY McGUIRE (“Eve of Destruction”) & JOHN YORK (The BYRDS) at the Coffee Gallery Backstage, 2029 N Lake Av, Altadena 92675; reservations, 626-798-6236. This isn't some show of classic '60s cover songs. Every song they perform has some personal connection with one or the other of these two well traveled veterans. For example, McGuire was the New Christy Minstrel who sang two of that group's biggest hits, and the Mamas and Papas began as his backup band. Of course, there's plenty more to the story, and he tells many stories that illuminate the music, all in fine form. You'll catch yourself singing along, and you'll thoroughly enjoy this show, whether you are reliving memories or learning there is far more to those old songs than you ever knew.
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Fri, Dec 16:
“INVISIBLE CHILDREN HOLIDAY BENEFIT” with IVAN & ALYOSHA with THE MOUNTAIN GOATS play their only L.A. show at the Troubadour, 9081 Santa Monica Bl, West Hollywood; www.troubadour.com; 310-276-6168. "Think of a literary-minded cross between Local Natives and Fleet Foxes" – Filter. VAN & ALYOSHA recently revealed their intimate acoustic performance at Paste Magazine. Now, in celebration of the holidays, I&A have premiered a cover of JACKSON BROWNE’s “Rebel Jesus” on Paste, released digitally on Dec 6 via Missing Piece Records. Their current release, “Fathers Be Kind,” just showed up on Amazon's “Best Music of 2011 Thus Far,” with that EP's "I Was Born to Love Her" ranked at #4 on their “Songs You May Have Missed” round-up. This echoed the earlier inclusion of “Fathers” on NPR's “Best of the Year (So Far)” list. More at www.ivanandalyosha.com
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Fri, Dec 16; ongoing, Dec 16-24.
7:30 pm, the annual “LAS POSADAS” music performance and pageant is free on Olvera Street in downtown L.A. Things get underway with a free concert at 6:30 pm. It runs nightly, December 16-24.
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Fri, Dec 16; a SHOW-OF-THE-WEEK pick:
8 pm MATT KINMAN (OLD CROW MEDICINE SHOW) “The Little Hobo” from Boone, North Carolina, plays a concert at the CTMS Center for Folk Music in Encino. Check venue at www.ctmsfolkmusic.org for details.
He's an alum of OLD CROW MEDICINE SHOW, a banjo-playing balladeer and traveling hobo of a musician, and he's an inveterate junk collector. Can you imagine a more fascinating down-home evening of music and anecdotes?
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Fri, Dec 16; a SHOW-OF-THE-WEEK pick:
8 pm “ANNUAL BLUEGRASS HOLIDAY & SING-ALONG” with CLIFF WAGNER & THE OLD #7 at the Grand Annex, 434 W 6th St, San Pedro. Info and tix, www.grandvision.org or 310-833-4813. Bring an unwrapped gift for a child at the House of Hope and receive $5 off concert admission. Full price tix are $15 adults, $10 students.
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Saturday, December 17
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Sat, Dec 17;Ongoing, Dec 12-23:
Annual “TWELVE NIGHTS OF CHRISTMAS” with live music, ice skating, holiday programs,” at Pershing Square, 532 S. Olive, downtown L.A.; www.laparks.org; 213-847-4970. The “Downtown on Ice” season runs Nov 17-Jan 16, with the skating rink open every day (including the holidays) and live lunchtime music on some days, Dec 19-Jan 6. Skating is $6, skate rentals $2. All else is free.
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Sat, Dec 17:
6:30 pm weekly “BLUEGRASS NIGHT” with live performances at Me N Eds Pizza Parlor, 4115 Paramount Bl, Lakewood 90712; 562-421-8908. Every Saturday.
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Sat, Dec 17; a SHOW-OF-THE-WEEK pick:
7 pm KATY MOFFATT plus BRAD COLERICK play the “FOUR FRIENDS ACOUSTIC MUSIC SERIES” at Four Friends Gallery, 1408 Thousand Oaks Bl, Thousand Oaks 91362; 805-497-4022; info@fourfriendsgallery.com.
KATY MOFFATT continues to perform globally, and though she lives in Southern Cal, she sin't home often enough to perform locally very often. She's been the subject of hundreds of glowing reviews, including a full-length feature story in the Wall Street Journal, of all places. Her originals and co-writes with other big name artists are lyrical feasts, and her melody lines and guitar playing are always a delight.
Promoter MARILYN BABCOCK cooks dinner for guests at these events; doors open at 6 to eat; music begins at 7 pm. Marilyn adds, “The venue has very accessible seating for 100. Soft drinks free, no host bar. Kids OK. Song circle follows performances, so bring your guitars; amazing piano available.” Performing emcee is Trough Records artist DAVE MORRISON. Directions from L.A. & the Valley: Take 101 Fwy to Rancho Rd exit; right at Rancho; right on Thousand Oaks Blvd. to venue, two blocks on the right. Parking lot in back.
$15 admission each show, and that includes dinner.
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Sat, Dec 17; Thu-Sat, Dec 15-17; a SHOW-OF-THE-WEEK pick:
7 pm “TRIPPING THE '60s” is an energetic, highly entertaining retrospect by BARRY McGUIRE (“Eve of Destruction”) & JOHN YORK (The BYRDS) at the Coffee Gallery Backstage, 2029 N Lake Av, Altadena 92675; reservations, 626-798-6236. This isn't some show of classic '60s cover songs. Every song they perform has some personal connection with one or the other of these two well traveled veterans. For example, McGuire was the New Christy Minstrel who sang two of that group's biggest hits, and the Mamas and Papas began as his backup band. Of course, there's plenty more to the story, and he tells many stories that illuminate the music, all in fine form. You'll catch yourself singing along, and you'll thoroughly enjoy this show, whether you are reliving memories or learning there is far more to those old songs than you ever knew.
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Sat, Dec 17; ongoing, Dec 16-24.
7:30 pm, the annual “LAS POSADAS” music performance and pageant is free on Olvera Street in downtown L.A. Things get underway with a free concert at 6:30 pm. It runs nightly, December 16-24.
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Sat, Dec 17; a SHOW-OF-THE-WEEK pick:
8 pm THE WITCHER BROTHERS bring dynamite bluegrass to Boulevard Music, 4316 Sepulveda Bl, Culver City 90230; 310-398-2583. They're bluegrass elite who have repeatedly figured prominently on tour, in the studio, and at top music awards, with many, many name big artists. On top of that, they began right here in Southern Cal, so whenever they play locally (which is all too rarely), it's a celebration of homecoming. $15.
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Sat, Dec 17; a SHOW-OF-THE-WEEK pick:
8 pm "IRELAND AND THE CHRISTMAS STAR" is a holiday-themed KEN O'MALLEY solo show, performed in the sanctuary of the Unitarian Church of Studio City, 12355 Moorpark St (near Whitsett), Studio City. This is Ken's final Christmas show for this season. His marvelous baritone voice, mastery or traditional songs, his fine originals, tales from the mother country , and standard of excellence on acoustic guitars and mandolin, make this Southern Cal tour an annual delight. Tickets available online at www.studiocitystar.eventbrite.com. General Admission $18 / VIP preferred seating $25. Tickets also available directly from Ken O'Malley. Info, call Chris at 818-389 8512.
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Sat, Dec 17; a SHOW-OF-THE-WEEK pick:
CANCELLED: 8 pm Grammy-winner MIKE STEIN, TEDROW & VREELAND, and JEFF GOLD play a “SPECIAL HOLIDAY CONCERT” at West Valley Music Center's Acoustic Series, an evening of holiday songs, at West Valley Music, 24424 Vanowen St, West Hills 91307; 818-992-4142; www.westvalleymusiccenter.com. Reservations highly recommended. Tix include refreshments, $15, kids under age 18 are free. We r4eceived notice from the artists on Friday of the late cancellation of this show.
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Sat, Dec 17:
8 pm “A TRIBUTE TO CREAM - KOFI BAKER / RIC FIERABRACCI / FRAN BANISH” at Alva's Showroom, 1417 W 8th St, San Pedro 90732; reservations & info, 800-403-3447. Shows include complimentary coffee, tea and “Alvas” bottled water; bring your own food & other drinks. This is Kofi Baker on drums, Ric Fierabracci on bass, Fran Banish on guitar.
Kofi Baker, following in the family tradition, displays a mastery of technique and natural talent that rivals that of his father, GINGER BAKER. After seeing the Cream reunion in 2005, Kofi was inspired to form his own Cream tribute band - he wanted to continue where Cream, and his father, had left off.
The venue tells us, “Kofi’s band PRESSED RAT AND WARTHOG is the ultimate Cream tribute, combining Cream's innovative and experimental style with virtuoso talent... and they include songs from BLIND FAITH and JIMI HENDRIX.” Suggested donation, $20.
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Sat, Dec 17:
GOLDEN STATE POPS ORCHESTRA performs their “HOLIDAY POPS SPECTACULAR” at the Warner Grand Theatre, 478 W 6th St, San Pedro. Info and tix, www.gspo.com or call the GSPO Box Office at 310-433-8774.
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Sunday, December 18
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Sun, Dec 18;Ongoing, Dec 12-23:
Annual “TWELVE NIGHTS OF CHRISTMAS” with live music, ice skating, holiday programs,” at Pershing Square, 532 S. Olive, downtown L.A.; www.laparks.org; 213-847-4970. The “Downtown on Ice” season runs Nov 17-Jan 16, with the skating rink open every day (including the holidays) and live lunchtime music on some days, Dec 19-Jan 6. Skating is $6, skate rentals $2. All else is free.
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Sun, Dec 18:
9 am-1 pm RON ELY plays the Claremont Farmer’s Market. Location and info, www.myspace.com/ronely or www.reverbnation.com/ronely
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Sun, Dec 18 in San Diego:
10 am weekly “BLUEGRASS BRUNCH” every Sunday at Urban Solace, 3823 30th St, San Diego 92104; 619-295-6464.
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Sun, Dec 18; a SHOW-OF-THE-WEEK pick:
3 pm JEAN SUDBURY & RUBEN RAMOS at the Coffee Gallery Backstage, 2029 N Lake Av, Altadena 92675; reservations, 626-798-6236.
“The duo expertly weaves these distinct sounds to create music that is entirely their own, and they know it as well. Sudbury and Ramos’ new album is called Connexion Eclectique, a play on the duo’s unmistakable personality.” - Paolo Balboa, Socal.com.
Two professional musicians combine varied experience in life and music, creating a new style, The Eklectic Connection. The music is refreshingly original, yet traditional.
Jean Sudbury is a consummate violinist and mandolinist who offers an eclectic variety of music when she performs. She plays contemporary and classical music and loves the challenges of improvising and interpreting the music of the great masters. Her solo and section work includes concerts with small ensembles and big orchestras, recordings for TV and movies, and many compact disc collaborations with independent artists and composers. She has been fearured soloist on violin and mandolin with the Utah Symphony, the Pacific Symphony, the American Ballet Theater Orchestra, and other noted ensembles. She has performed at such places as the Universal Amphitheater, the Greek Theater, the Disney Hall, the Dorothy Chandler Pavillion, Warner Brother's Studios, Capitol Records, Sony Studios, the Cicada Club, the Hollywood Bowl, and on the Tonight Show. ''...infinitely expressive and technically dazzling,'' (L.A. Times,) Jean's music is a unique collection of life experiences.
Ruben Ramos is an accomplished guitarist and bassist who has played worldwide alongside his home base in the Los Angeles area for all his life. Ruben has worked with The Ten Tenors from Australia, Jim Stubblefield of the group Incendio (Flamenco), Eddie Money, Mike Gurley of the band Dada, Luis Bonilla (New York jazz trombonist with the Mingus Band, The Lincoln Center Orchestra and Marc Anthony). David Hasslehoff, Patty Andrews, Bea Arthur, Burliegh Drummond (Ambrosia and Tin Drum). Ruben has performed at venues including The San Diego Civic center, Historic Dayton Ohio Victoria Theater, Catalina Jazz Club, The Hollywood Bowl, The Wiltern, Alex Theater Glendale.
Jean and Ruben will debut music for their newest CD, “Connexion Eclectique,” a collection of musicals styles from around the globe. Latin, French, Italian, Brazilian and mixed with Americana roots. Jean and Ruben will be accompanied by Carl Royce on upright bass. TIX, $20 adults, $18 students.
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Sun, Dec 18:
3 pm “CHRISTMAS IN ITALY” with CHRISTINA FONTANELLI at the Warner Grand Theatre, 478 W 6th St, San Pedro. Info and tix, www.grandvision.org or 310-833-4813.
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Sun, Dec 18:
3-7 pm Annual “FRET HOUSE CHRISTMAS PARTY” at The Fret House, 309 N Citrus Ave, Covina 91723, with performances by The Fret House staff, including RICK SHEA, MARK HEFFINGTON, MARK GEIGER, RICHARD SEYMOUR and various students, customers and general FH rabble will be performing. The highlight of this yearly event is the performance of TOM SEYMOUR, owner, founder and soul of the fret House. Requires an RSVP to The Fret House at
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Sun, Dec 18:
4 pm FRANK MACCHIA'S SWAMP THANG at Alva's Showroom, 1417 W 8th St, San Pedro 90732; reservations & info, 800-403-3447. Shows include complimentary coffee, tea and “Alvas” bottled water; bring your own food & other drinks.
This is not an acoustic show, but it looks interesting. It's composer / leader Frank Macchia on saxophones, Ken Rosser on electric guitar, Eric Jensen on electric guitar, John Rosenberg on organ / piano / keyboards, Tom Lockett on electric bass, and Frank Briggs on drums / percussion.
Imagine Thelonius Monk, King Curtis, Captain Beefheart and Professor Longhair all playing some wild blues-jazz-funk-Nawlins grooves. Add a dose of humor and a dollop of Cajun seasoning and you get SWAMP THANG. They feature all-new compositions by Frank Macchia. Suggested donation, $15.
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Sun, Dec 18:
5-9 pm monthly “CAJUN / ZYDECO DANCE” (aka “Sidney’s Dance”) this time brings live music by HORACE TRAHAN at the Long Beach Petroleum Club, 3636 Linden Av, Long Beach. $20.
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Sun, Dec 18; a SHOW-OF-THE-WEEK pick:
5-8 pm “HARD RAIN HOLIDAY SHOW,” with ANDY HILL & RENEE SAFIER & their HARD RAIN Dylan tribute band, at Club 705, 705 Pier Av, Hermosa Beach 90254.
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Sun, Dec 18; a SHOW-OF-THE-WEEK pick:
6:30 pm LED ZEPAGAIN at the Coffee Gallery Backstage, 2029 N Lake Av, Altadena 92675; reservations, 626-798-6236. Ever wanted to hear an intimate ACOUSTIC set of Led Zep classics? Well, here ya go. Tix, $25. Note early start time.
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Sun, Dec 18:
7 pm Annual “FREE HOLIDAY SHOW” at Boulevard Music, 4316 Sepulveda Bl, Culver City 90230; 310-398-2583. An established tradition here, with entertainment provided by the teachers (recording stars / session players all) at the venue / music store. Cookies and baked confections are always anticipated at this event, too. More details in the near future. Free.
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Sun, Dec 18; ongoing, Dec 16-24.
7:30 pm, the annual “LAS POSADAS” music performance and pageant is free on Olvera Street in downtown L.A. Things get underway with a free concert at 6:30 pm. It runs nightly, December 16-24.
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Monday, December 19
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Mon, Dec 19;Ongoing, Dec 12-23:
Annual “TWELVE NIGHTS OF CHRISTMAS” with live music, ice skating, holiday programs,” at Pershing Square, 532 S. Olive, downtown L.A.; www.laparks.org; 213-847-4970. The “Downtown on Ice” season runs Nov 17-Jan 16, with the skating rink open every day (including the holidays) and live lunchtime music on some days, Dec 19-Jan 6. Skating is $6, skate rentals $2. All else is free.
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Mon, Dec 19; ongoing, Dec 16-24.
7:30 pm, the annual “LAS POSADAS” music performance and pageant is free on Olvera Street in downtown L.A. Things get underway with a free concert at 6:30 pm. It runs nightly, December 16-24.
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Mon, Dec 19:
7:30 pm weekly “VIVA CANTINA BLUEGRASS JAM” at Viva Cantina, 900 Riverside Dr, Burbank 91506; 818-515-4444. The BROMBIES play bluegrass on some Mondays on the venue's other stage.
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Mon, Dec 19:
7:30 pm weekly “KULAK'S WOODSHED OPEN MIC” at Kulak's Woodshed, 5230-1/2 Laurel Canyon Bl, North Hollywood 91607; 818-766-9913. Sign-ups at 7 pm.
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Mon, Dec 19; a SHOW-OF-THE-WEEK pick:
8 pm “ROY ZIMMERMAN: PEACENIK” presents “A PEACENIK HOLIDAY” at the Coffee Gallery Backstage, 2029 N Lake Av, Altadena 92675; reservations, 626-798-6236.
“He's the BEST sociopolitical comedic songwriter performing today, period.” - Acoustic Americana Music Guide.
Funny songwriter Roy Zimmerman brings the sting of satire to the struggle for Peace and Justice. “PeaceNick” is Zimmerman’s send-up of the political, social and even spiritual absurdities of the Holiday season - ninety minutes of hilarious and heartfelt songs from a decidedly Lefty-Pacifist-Humanist point of view. And it's family friendly. Happy “Christma-Hanu-Rama-Ka-Dona-Kwaanza”!
The Los Angeles Times says, “Zimmerman displays a lacerating wit and keen awareness of society’s foibles that bring to mind a latter-day Tom Lehrer.”
Tom Lehrer himself says, "I congratulate Roy Zimmerman on reintroducing literacy to comedy songs. And the rhymes actually rhyme, they don't just 'rhyne.'"
Joni Mitchel says, "Roy's lyrics move beyond poetry and achieve perfection." Tix, $15.
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Mon, Dec 19:
8-11 pm “BLUE MONDAY JAM” hosted by the BERNIE PEARL BLUES BAND at the Barbara Morrison Performing Arts Center, 4305 Degnan Bl, Leimert Park; 310-462-1439.
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Mon, Dec 19:
8 pm weekly “CELTIC ARTS CENTER IRISH CéILí DANCE & IRISH MUSIC SESSION” at the shared Celtic Arts Center / Theatre Unlimited, 10943 Camarillo St, North Hollywood 91602; info, www.celticartscenter.com; 818-760-8322. Dance at 8, music session at 9 pm. Free.
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Tuesday, December 20
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Tue, Dec 20;Ongoing, Dec 12-23:
Annual “TWELVE NIGHTS OF CHRISTMAS” with live music, ice skating, holiday programs,” at Pershing Square, 532 S. Olive, downtown L.A.; www.laparks.org; 213-847-4970. The “Downtown on Ice” season runs Nov 17-Jan 16, with the skating rink open every day (including the holidays) and live lunchtime music on some days, Dec 19-Jan 6. Skating is $6, skate rentals $2. All else is free.
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Tue, Dec 20; a SHOW-OF-THE-WEEK pick:
MURPHY'S FLAW brings “Bluegrass without pity” to the Bluegrass Association of Southern California's monthly “BLUEGRASS NIGHT” at Viva Cantina in Burbank. Banjo Mensch JOHN BRYANT tells us, “We're hoping to load the place up with Flaw fans and make some beautiful noise.” Details at www.socalbluegrass.org/bascnite.html and www.murphysflawband.com
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Tue, Dec 20:
7 pm weekly “JC HYKE'S SONGWRITERS SERENADE” with different recording artists playing acoustic each week, at Matt Denny's Ale House Restaurant & Bar, 145 E Huntington Dr, Arcadia 91006. No cover.
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Tue, Dec 20; ongoing, Dec 16-24.
7:30 pm, the annual “LAS POSADAS” music performance and pageant is free on Olvera Street in downtown L.A. Things get underway with a free concert at 6:30 pm. It runs nightly, December 16-24.
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Tue, Dec 20:
8 pm weekly “TRADITIONAL IRISH MUSIC SESSION” at Timmy Nolan's Tavern and Grill, 10111 Riverside Dr, Toluca Lake 91602; 818-985-3359.
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Tue, Dec 20:
8 pm weekly “BOURBON & BLUEGRASS” at South Santa Monica Sports Bar and Grill, 3001 Wilshire Bl Santa Monica 90403; 310-828-9988.
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Wednesday, December 21
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Wed, Dec 21;Ongoing, Dec 12-23:
Annual “TWELVE NIGHTS OF CHRISTMAS” with live music, ice skating, holiday programs,” at Pershing Square, 532 S. Olive, downtown L.A.; www.laparks.org; 213-847-4970. The “Downtown on Ice” season runs Nov 17-Jan 16, with the skating rink open every day (including the holidays) and live lunchtime music on some days, Dec 19-Jan 6. Skating is $6, skate rentals $2. All else is free.
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Wed, Dec 21:
7 pm weekly OPEN MIC every Wednesday at The Talking Stick, 1411 Lincoln Bl, Venice 92091. Signups at 6:45 pm.
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Wed, Dec 21, in Simi Valley:
7:30 pm SONGMAKERS weekly “SIMI VALLEY HOOT” every Wednesday; info and location at www.songmakers.org.
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Wed, Dec 21; ongoing, Dec 16-24.
7:30 pm, the annual “LAS POSADAS” music performance and pageant is free on Olvera Street in downtown L.A. Things get underway with a free concert at 6:30 pm. It runs nightly, December 16-24.
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Wed, Dec 21:
8 pm weekly “GUITAROLOGY” at Bar Melody and Grill, 9132 S Sepulveda Bl, Los Angeles 90045; 310-670-1994.
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Wed, Dec 21:
8 pm weekly “O'BRIEN'S IRISH MUSIC SESSION” at O'Brien's Irish Pub and Restaurant, 2226 Wilshire Bl, Santa Monica 90403; 310-829-5303.
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Wed, Dec 21:
9 pm weekly “ACOUSTIC CORDIALE” at Café Cordiale, 14015 Ventura Bl, Sherman Oaks 91423; 818-789-1985.
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Thursday, December 22
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Thu, Dec 22;Ongoing, Dec 12-23:
Annual “TWELVE NIGHTS OF CHRISTMAS” with live music, ice skating, holiday programs,” at Pershing Square, 532 S. Olive, downtown L.A.; www.laparks.org; 213-847-4970. The “Downtown on Ice” season runs Nov 17-Jan 16, with the skating rink open every day (including the holidays) and live lunchtime music on some days, Dec 19-Jan 6. Skating is $6, skate rentals $2. All else is free.
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Thu, Dec 22:
6 pm weekly “THURSDAY NIGHT SOFA JAM” every Thursday at Westwood Music, 1627 Westwood Bl, Los Angeles 90024; 310-478-4251.
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Thu, Dec 22:
7 pm weekly “LORD OF THE STRINGS” series OPEN MIC, every Thursday at Dana Point Community House, 24642 San Juan St Dana Point 92629; info, www.lordofthestringsconcerts.com; 949-842-2227.
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Thu, Dec 22; ongoing, Dec 16-24.
7:30 pm, the annual “LAS POSADAS” music performance and pageant is free on Olvera Street in downtown L.A. Things get underway with a free concert at 6:30 pm. It runs nightly, December 16-24.
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Thu, Dec 22; a SHOW-OF-THE-WEEK pick:
8 pm SALTY SUITES at the Coffee Gallery Backstage, 2029 N Lake Av, Altadena 92675; reservations, 626-798-6236.
Top-drawer wunderkinds, with special guest SANDY ROSS joining them tonight. A fine way to escape the crazy crush of holiday shoppers and have a delightful musical evening out. $15.
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Friday, December 23
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Fri, Dec 23; Final night of Dec 12-23 series:
Annual “TWELVE NIGHTS OF CHRISTMAS” with live music, ice skating, holiday programs,” at Pershing Square, 532 S. Olive, downtown L.A.; www.laparks.org; 213-847-4970. The “Downtown on Ice” season runs Nov 17-Jan 16, with the skating rink open every day (including the holidays) and live lunchtime music on some days, Dec 19-Jan 6. Skating is $6, skate rentals $2. All else is free.
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Fri, Dec 23 & 30:
7-10 pm ANDY HILL & RENEE SAFIER (HARD RAIN) play Delzano's by the Sea, 179 N Harbor Dr, Redondo Beach 90277; 310-374-7525. More at www.andyandrenee.com
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Fri, Dec 23; ongoing, Dec 16-24.
7:30 pm, the annual “LAS POSADAS” music performance and pageant is free on Olvera Street in downtown L.A. Things get underway with a free concert at 6:30 pm. It runs nightly, December 16-24.
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Saturday, December 24
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Sat, Dec 24:
9 am-1 pm RON ELY plays the Upland Farmer’s Market. Location and info, www.myspace.com/ronely or www.reverbnation.com/ronely
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Sat, Dec 24; SHOW-OF-THE-WEEKEND pick:
3-6 pm 52nd annual “LOS ANGELES COUNTY HOLIDAY CELEBRATION” in the Dorothy Chandler Pavilion at the L.A. Music Center downtown L.A., is FREE to attend live, and simulcast on TV and on radio, at KCET TV, kcet.org, KPFK 90.7 FM. In addition, the show repeats on KCET from 8-11 pm.
This year's vast lineup includes LISA HALEY & THE ZYDEKATS, ADAAWE, LA SANTA CECLILA, MANDRILL, THE BRICKS, THE SHPIL, THE CHARLES DICKENS CAROLERS, TRUMPETOLOGY, MARIACHI SOL DE MEXICO, VOICES OF DESTINY, PRIME NOTE ENSEMBLE, GRANDEZA MEXICANA FOLK BALLET COMPANY, GAY MEN'S CHORUS OF LOS ANGELES, COLBURN CHILDREN'S CHOIR, THE SALVATION ARMY BAND, HARMONIC BRONZE HANDBELL ENSEMBLE, and many more.
This has been a yearly musical tradition since 1959, with more than 5,000 in attendance annually, and a variety of live performances as diverse as the arts scene of Los Angeles itself. It's a cavalcade of bands, choirs, music ensembles, and dance companies, superbly colorful, very well produced, the lighting and sound are excellent, and the Guide recommends this each year as the best holiday free show in L.A.
Pre-show activities begin on the Music Center Plaza at 12:30 pm. Doors open at 2:30 pm, first-come, first in. Note that NO wristbands are being used this year, and there are no reservations or advance tickets.
More at www.holidaycelebration.org and www.lacountyarts.org/holiday.html
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Sat, Dec 24; ongoing, Dec 16-24.
7:30 pm, CLOSING NIGHT for the annual “LAS POSADAS” music performance and pageant, free on Olvera Street in downtown L.A. Things get underway with a free concert at 6:30 pm. It runs nightly, December 16-24.
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Sunday, December 25
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Merry Christmas!
If you find yourself alone today, there’s a Christmas meal with entertainment, all free, at the Laugh Factory in Hollywood.
MUSIC? You might find a church or two advertising a program where you can sing all the traditional Christmas carols (including some favorites by IRVING BERLIN, who was Jewish). On yuour own, you can explore the web and find a wealth of original newer songs (some quite good) by almost everyone who has ever recorded a Christmas album.
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Sun, Dec 25; a “SHOW-OF-THE-WEEK” pick:
All day... CHRISTMAS DINNER is FREE at the Laugh Factory, for those with no where else to spend Christmas. Includes a top-notch show by professional comics, and first-rate food, with all the trimmings, at The Laugh Factory, 8001 Sunset Bl, Hollywood 90046; 323-656-1336; www.laughfactory.com. Check with venue for serving / show times, and be prepared to wait a few hours in line.
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LATE DECEMBER 2011 and an EARLY LOOK at 2012
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Fri, Dec 30:
7-10 pm ANDY HILL & RENEE SAFIER (HARD RAIN) play Delzano's by the Sea, 179 N Harbor Dr, Redondo Beach 90277; 310-374-7525. More at www.andyandrenee.com
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Sat, Dec 31, in Ojai:
3rd Annual Celtic “NEW YEARS CELEBRATION” with “the international sensation” MOLLY’S REVENGE at the Ojai Concert Series. Tix & info, www.ojaiconcertseries.com or call Shane Butler at 805-665-8852.
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Sat, Dec 31:
“HARD RAIN NEW YEAR'S EVE CELEBRATION” with ANDY HILL & RENEE SAFIER & their HARD RAIN Dylan tribute band, at Club 705, 705 Pier Av, Hermosa Beach 90254. Renee tells us, “Dine and dance with us all night. The new chefs will be preparing a New Year's Eve menu, so come early and eat, then dance 'til 2012! Tickets are $25 in advance and $30 at the door. The music, parking, party hats and noise makers and a champagne toast are included in the ticket price. You'll also be entered into a raffle for some great prizes! Get tickets on our online store. Make dinner reservations at 310-795-5942.” More at www.andyandrenee.com
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EARLY LOOK at 2012
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Sun, Jan 1, 2012; a SHOW-OF-THE-WEEK pick:
7-9:30 pm “NEW YEAR'S MUSIC BENEFIT for THE LAUGHTER FOUNDATION,” with headlining set by WILL RYAN & THE CACTUS COUNTY COWBOYS, plus other acts, several comedians on the bill, at Flapper's, at Main St & Magnolia in Burbank. WILL RYAN says, “As Official Troubadour of the City of Burbank, I wrote the song 'Beautiful Downtown Burbank' back in the 1980s. The band will re-premiere this classic at the New Year's show.”
Free parking off of Magnolia in building. Enter venue from Main. Further details to follow.
Will Ryan tells us, “GUARANTEED: This will be the BEST SHOW of the YEAR! (For at least one day).” The genius of playing 01-01, eh?!
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Fri, Jan 6, 2012; a SHOW-OF-THE-WEEK pick:
8 pm ERNEST TROOST plays his CD release show with special guest SHAUN CROMWELL at McCabe's, 3101 Pico Bl (Pico at 31st), Santa Monica 90405; www.mccabes.com; 310-828-4403; tix, 310-828-4497.
It seems only fitting that Ernest Troost’s newest album, “Ernest Troost Live at McCabe's,” (slated for general release January 17, 2012) was recorded at the very venue that inspired him to begin songwriting and performing, and it will come full circle with a CD release party at 8 pm on January 6, 2012, at the place it was recorded almost exactly a year ago. The show is sure to sell-out.
Ernest's previous album, “Resurrection Blues,” reached #5 on the Folk-DJ airplay chart in 2010. He was already a New Folk Winner at the 2009 Kerrville Folk Festival, that annual three-week-long extravanganza in Texas.
The new live album features some of the most popular selections from his two previous records, “All the Boats Are Gonna Rise” and “Resurrection Blues,” together with seven new songs. It was all recorded a year ago, on January 8, 2011. The record captures an evening of Ernest’s songs that slowly build from solo performance to a full band.
It will be the first concert of McCabe’s 2012 season. Get your tix in advance or miss out.
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Sat, Jan 14, 2012; a SHOW-OF-THE-WEEK pick:
7 pm EDITED trio of DAVID ZINK, BRETT PERKINS, & MARK DAVIS, with individual sets by each, too, at the Four Friends Acoustic Music Series, Four Friends Gallery, 1408 Thousand Oaks Bl, Thousand Oaks 91362; 805-497-4022; info@fourfriendsgallery.com.
These three guys are all seasoned pros who have played the world. In fact, they've done several European tours since we last saw them together a year ago in Southern Cal. MARK DAVIS had the “Album of the Decade” in the L.A. Times OC edition; tgransplanted Californian BRETT PERKINS has had originals in the European charts; DAVID ZINK has built a loyal fan base with innovative acoustic originals for years. Together, their writing, instrumental arrangements and rich vocal harmonies are extra special. Come hear why they keep getting booked in Europe.
Promoter Marilyn Babcock cooks dinner for guests at these events; doors open at 6 to eat; music begins at 7 pm. Marilyn adds, “The venue is very accessible seating for 100. Soft drinks free, no host bar. Kids OK. Song circle follows performances, so bring your guitars; amazing piano available.” Emcee is Dave Morrison. Directions from L.A. & the Valley: Take 101 Fwy to Rancho Rd exit; right at Rancho; right on Thousand Oaks Blvd. To venue, two blocks on the right. Parking lot in back.$15 admission each show, and that includes dinner. More info, info@fourfriendsgallery.com; 805-497-4022.
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Thu-Sun, Jan 19-22, 2012; EVENT-OF-THE-WEEK for artists:
Annual “NAMM SHOW” takes over the entire Anaheim Convention Center and convention facilities in nearby hotels. While it is music-industry-only, advance-credentialed admission, that's not the whole story. NAMM draws many top artists who are endorsed by instrument makers and other sponsors who exhibit there, and MANY OF THESE ARTISTS PERFORM AT SOUTHERN CAL VENUES – both scheduled and impromptu shows, some requiring tickets, some free, often in amazing and unplanned ensembles. We'll keep you posted as we learn about all that.
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Thu, Jan 19, 2012:
8 pm guitar wizard GILAD HEKSELMAN at Alva's Showroom, 1417 W 8th St, San Pedro 90732; reservations & info, 800-403-3447. Shows include complimentary coffee, tea and “Alvas” bottled water; bring your own food & other drinks.
Winner of the 2005 Gibson Montreux International Guitar Competition, native Israeli Gilad Hekselman is developing a reputation as one of the most promising guitarists in New York, since his arrival there in 2004. In only a few years, he has shared the stage with some of the greatest artists in the New York jazz scene, including Chris Potter, Mark Turner, John Scofield, Anat Cohen, Ari Hoenig, Sam Yahel, Jeff Ballard, Gretchen Parlato, Avishai Cohen, Jeff 'Tain' Watts, Tigran Hamasyan, Aaron Parks and Greg Hutchinson.
Gilad has played all the major jazz clubs in New York including the Blue Note, The Jazz Standard, Dizzy's Club, and Smalls. He constantly tours worldwide and has played most major jazz festivals including Montreux, North Sea, Montreal and San Francisco.
Gilad opened for guitar legend Paco de Lucia at the Montreux Jazz Festival in 2006, which led to a string of performances at the IAJE Conference and at Dizzy's Club Coca-Cola in New York.
Joining Gilad Hekselman on guitar are Dave Robaire on bass, and Marcus Gilmore on drums. Suggested donation, $20.
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Sat, Feb 4, 2012:
7 pm JAIME MICHAELS plus DAVE MORRISON at the Four Friends Acoustic Music Series, Four Friends Gallery, 1408 Thousand Oaks Bl, Thousand Oaks 91362; 805-497-4022; info@fourfriendsgallery.com. Promoter Marilyn Babcock cooks dinner for guests at these events; doors open at 6 to eat; music begins at 7 pm. Marilyn adds, “The venue is very accessible seating for 100. Soft drinks free, no host bar. Kids OK. Song circle follows performances, so bring your guitars; amazing piano available.” Emcee is Dave Morrison. Directions from L.A. & the Valley: Take 101 Fwy to Rancho Rd exit; right at Rancho; right on Thousand Oaks Blvd. To venue, two blocks on the right. Parking lot in back.$15 admission each show, and that includes dinner. More info, info@fourfriendsgallery.com; 805-497-4022.
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Fri, Feb 24, 2012; a SHOW-OF-THE-WEEK pick:
JACKIE EVANCHO at Nokia Theatre / L.A. Live, 777 Chick Hearn Ct, downtown L.A. 90015; info 213-763-6030. Tix on sale Mon, Dec 5, 10 am.
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May 19, 2012; a SHOW-OF-THE-WEEK pick:
Annual “DYLANFEST” at St. Anthony School in El Segundo. It's an all-day cavalcade of artists, with each act doing Dylan covers, and no repeats. The house band alone is always worth the price of admission. More details when we have them, but mark your calendar now.
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MORE COMING as soon as we're ready to reckon with the idea that 2012 is nearly upon us, as what will likely be a tumultuous and rancorous ELECTION YEAR... at least we can all take refuge in a world of delightful music that big media ignores...
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MORE STUFF >>>>>>> Other News, Resources, etc
"NEWS FEATURES” brings a fresh edition each week, with news and reviews from the acoustic music universe, features on folk-Americana music and musicians and the “acoustic renaissance,” latest releases, reviews of CDs and live shows, industry news, news for artists, and more. It's always available at www.acousticmusic.net and it's even easier to access at www.acousticamericana.blogspot.com
"VENUE DIRECTORY" - The Guide's extensive locator – has addresses and contact info for OVER 500 acoustic-music-friendly venues in Southern California, from Santa Barbara County to south Orange County, plus key venues in San Diego, the deserts, and the Central Coast. It's always available from the link at www.acousticmusic.net
VENUE DIRECTORY UPDATES are made every few months – the current edition is at http://acousticamericana.blogspot.com/2011/02/venue-directory-from-guide-updated.html
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UPDATED EDITIONS of The Guide’s weekly News Features and Spotlight Events bring more (always more -- as we have time to organize all of it).
We do all we can to bring you news and notices of all the many, many, MANY acoustic music events in and around the Los Angeles region, from the North border of Santa Barbara County to the South border of Orange County, and inland through San Bernardino and Riverside Counties.
Plus, we tell you about RADIO SHOWS with acoustic music, focusing on those with live acoustic performances. (They're available mostly on the web, of course, since we are in acoustic-music-radio-deprived Los Angeles.)
And, we bring news and reviews of the many acoustic music FESTIVALS near and far, hither and yon, here, there and everywhere! With your help, we'll keep doing it!
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CONTACTING US...
Questions? Comments? Contact us or send comments through the Blogspot site or by email at
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LATEST EDITION of the Guide, the NEWS FEATURES, THE SCENE, and SPOTLIGHT EVENTS, covering the world of current acoustic music happenings, including "heads up" notices to buy advance tix for shows likely to sell-out – and lots more – is available 24/7 (& frequently updated!) at
www.acousticmusic.net
or go directly to a text-only version of the most current edition at
www.acousticamericana.blogspot.com
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♪ ACOUSTIC AMERICANA MUSIC is blues, bluegrass, borderlands, Cajun, cowboy, Celtic, Cape Breton, newfangled old-time, accessible classical, folk-Americana from riverboats, mountainsides, front porches, barn dances & honkytonks. NOT a musical museum, it is alive with vibrant traditional music & innovators of the Acoustic Renaissance. NEWS, complete listings & descriptions of festivals EVERYWHERE & performances in Southern California, are here, frequently updated!
Friday, December 16, 2011
Saturday, December 10, 2011
NEWS FEATURES, Acoustic Americana Music Guide, December 12, 2011 edition
“Music washes away from the soul the dust of everyday life.” ~ Berthold Auerbach
(with thanks to Andy Hill & Renee Safier for sending the quote.)
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Want to get each weekly edition of the Guide's NEWS FEATURES delivered directly to your inbox? (Without waiting for your webgroup moderator to approve and post it?) Email and subscribe directly, for FREE,
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Just say, SUBSCRIBE ME!
(That way, you'll also know each time our SPOTLIGHT EVENTS section gets a major update, though we do NOT email that one, because it's huge.)
WE ARE GRATEFUL to our many website and webgroup partners who faithfully bring you The Guide's weekly News Features. But these are sometimes subject to delay (up to several days, it seems) for moderators of some sites / groups to re-publish for their readers. So why not GO DIRECT!? (Yep, it's still free, and we don't share your email address with anybody.)
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This section is the NEWS – you can find ALL THE EVENTS in the Guide's companion section – SPOTLIGHT EVENTS – at
http://acousticamericana.blogspot.com/2011/12/spotlight-events-acoustic-americana_09.html
Let's get started!
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Tied to the Tracks'
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ACOUSTIC
AMERICANA
MUSIC GUIDE
NEWS FEATURES
December 12, 2011 edition
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THIS WEEK’S NEWS FEATURES
1) Toy Drive at the “Fork in the Road” this Weekend
2) Celtic Fiddler KEVIN BURKE Plays Saturday's Caltech Folk Music Series
3) Volatility: in Money, Arts, Music, Movies, Politics...
4) Farewell to Radio's “Alive & Picking” – Final Show is December 31
5) Want to Volunteer for the Arts and Music Program for Prisons 2012?
6) MARINA V Gets Another Song Placement on NBC Soap, “Days of Our Lives”
7) Kerrville New Folk Winner ERNEST TROOST to Release Live Album
8) FREEBO Reports from Occupy Wall Street NYC Just Before the Eviction
9) Review: AMC's New Series, “HELL ON WHEELS”
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Here are this week's news feature stories, listed above...
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Our # 1 Story
TOY DRIVE AT THE “FORK IN THE ROAD” THIS WEEKEND
All-day Saturday & Sunday, December 10 & 11, there's a new addition to the mosaic of local toy drives for needy kids. This one happens at the giant fork sculpture at Pasadena Avenue & St. Johns Place, from early morning to dusk, both days. The actual address, and the only side of the triangular park where you can park your car, is 200 Bellefontaine, Pasadena 91105; that's the address for your Mapquest.
Like the Forkians' record-breaking Thanksgiving Food Drive, this will be a huge event with many children-oriented charities participating.
The Forkians (we've told you about them before) remind us, “Don't let any child (adult) live with the memory of not getting a toy at Christmas.”
Bob Stane says, “That's the guilt part. Works for me.” He's the Coffee Gallery Backstage impresario and the guy for whom the 18-foot-tall fork was crafted as a surprise birthday present.
Bob adds, in his inimitable fashion, “You'll see this on lots of TV news programs. There will be 'elf tossing' from the piles of toys. Or will that be toy tossing off of piles of elves? Oh, Bob, stop it.”
Contribute a new, unwrapped toy. Or come out and volunteer. Or both. More info, send an email to chief toy wrangler Philip Coombes at agentphil@sbcglobal.net
We'll add that if you spend all your money on toys for needy kids, you can still afford to reward yourself with a nearby free concert. On Sunday, from 11 am-1 pm, MURPHY'S FLAW brings “Bluegrass without pity” to their monthly residency at Jones Coffee Roasters, 693 S Raymond Av, Pasadena; 626-564-9291.
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Our # 2 Story
CELTIC FIDDLER KEVIN BURKE PLAYS SATURDAY'S CALTECH FOLK MUSIC SERIES
From the famous BOTHY BAND to his solo tours, this guy is special. The New York Times wrote, “Burke imparts a rhythmic intensity that is remarkably powerful...a superior instrumentalist in any idiom...impressively virtuosic.” Folk Roots wrote, “Burke’s fiddle playing has a sweetness of tone and a purity of sound that makes it unmistakable.”
Rex Mayreis and Nick Smith, co-producers of the long running series, tell us, “After a memorable week of wind, power outages, and cold weather, we're already at our final heads up for KEVIN BURKE.”
They continue, “You can view him playing a selection of polkas and reels at the Edinburgh Folk Club, May 2008 at http://www.youtube.com/watch?v=_pOtZkeJkLE and get a taste of his fiddle mastery and wry manner.
“He hasn't released a solo recording since 1999's wonderful 'In Concert,' which begins with Kevin's version of 'The Butterfly,' composed by TOMMY POTTS, the man Kevin replaced in the BOTHY BAND. You'll just have to come Saturday night to hear what he's doing solo these days.
“Go to Kevin's web site at http://kevinburke.com and you'll be treated to some of his music automatically, if your speakers are turned on.” Better, come to the concert and be treated to his live performance.
The show is tonight, Saturday, December 10, at 8 pm, Celtic Fiddler KEVIN BURKE plays the “CALTECH FOLK MUSIC SOCIETY” series at California Institute of Technology in Beckman Institute Auditorium, on the campus in Pasadena 91106; enter on Michigan Avenue, south off Del Mar, and park in either of the two lots at the end of the street (parking restrictions in the lots are not effect on weekends, so all spaces are available). Info, 626-395-4652.
Tickets are $15 for adults and $5 for Caltech students and children and can be purchased for cash at the door.
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Our # 3 Story
VOLATILITY: IN MONEY, ARTS, MUSIC, MOVIES, POLITICS...
That was the subject of a far-ranging conversation last week, on Friday morning on NPR. One topic they included was an acronym we didn't know: “FUDs” – Fear, Uncertainty, Doubts.
Seems that was a popular term from the NBA a few years ago.
Yes, the same NBA that teetered on the brink of canceling the entire season.
Volatility comes from the Latin, meaning “to evaporate away into the air,” and in the modern Italian, “Volare” means “to fly,” as in the old Dean Martin song.
What does in mean in real terms?
A movie opens with record box office revenues then quickly fades. A month ago, an SNL sketch had Newt Gingrich running his campaign from a closet, and now he's the GOP front-runner. That's volatility.
Occupy movement sites were leading the news in every city before they are raided and evicted. Record Santa Ana Winds threw trees across miles of roads and left 300,000 with no electric power.
Still, homeowners and businesses adjust, knowing Edison will get to them, just as Occupy protestors adjust after evictions, and plan massive marches for next spring. That's the rest of the story: Humans are resilient. We adjust. In the age of too much information, we adjust to knowing we will never absorb all the information available about anything, and we accept that “change” is a constant that happens rapidly. Artists accept that their fifteen minutes may be more like two minutes. We already have the next project taking shape in our minds.
Even with our natural predisposition to adjust, life with rapidly paced volatility has profound impacts: Do we stop seeking career-level employment because we know no jobs come with health benefits anymore? Will we all become lifelong renters because we know real estate values can put mortgages upside-down and leave us owing more than our houses or downtown lofts are worth? Will we all become serfs of the 1% who will own all the rental properties? (7,000 repossessed homes just went in a single auction this week.) Will the cost of restoring storm-damaged infrastructure fall on us in the 99%, forcing us to pay higher taxes because the big barons escape paying taxes?
Now we learn that a Congress that can't do anything else may put horse meat on our menu. No kidding. Times are hard, race horses that don't win go to the glue factory, the wild mustangs were all rounded-up and many are “surplus” in captivity, since feeding them costs too much. Seems dead horses are now cheaper than live horses or dead cows, and times are hard for a lot of people. We wouldn't eat Fido or Fluffy (yet), but somebody thinks we're ready to eat My Friend Flicka. (Have these people ever seen a Western? GADS!)
It's volatility, and all those FUDs – Fear, Uncertainty, Doubts.
Get a flu shot or spend the money on better food that supports our immune system? Get the kids vaccinated or believe the internet horror stories about risks?
All but the last three paragraphs come from the NPR story. Obviously, you can apply this topic to most of what we are all facing right now.
December 1 was “World AIDS Day.” A disease that scared the hell out of everyone 25 years ago is now something that we understand better, reducing the inhumanity of the FUD factor, but have we adjusted so much that we're too comfortable? Worldwide estimated new cases of HIV infection, 2.6 million; estimated total number of people living with HIV/AIDS, 33.3 million; estimated total AIDS deaths, 1.8 million; source, Joint United Nations Programme on HIV/AIDS (UNAIDS), Report on the global AIDS epidemic 2009, August 2009.
Even adjusting can bring volatility and risks and a new set of FUDS.
Get CDs pressed, or just release the new album digitally because that's where the big labels are going? But how do I tour and pay for hotel rooms without impulse-buy merch to sell at the gigs?
Looks like FUDs transcend the concept of volatility and require reasoning – except in the NBA.
And except on Wall Street and in politics. That's Ouija board and voodoo country. Newt Gingrich, the guy who served divorce papers to his first wife while she was in the hospital on her presumed death bed, and now he's the front-runner of a party that's more moral than the rest of us? No rational explanation. Volatility.
Back to music. We complain a lot around here that L.A. has none of the excellent NPR music packages, despite two NPR affiliates in this town. The recent story made us glad we endured the endless blah-blah-blah just long enough that day to hear Madeline Brand and her guest. Then again, maybe we could create enough FUDs and volatility to get KPCC or KCRW to include one of those NPR music packages. Imagine that: we would no longer be the only city in America without “The Thistle and the Shamrock.”
Nah. L.A. radio execs and their FUDs have no room for artistic creativity and the kind of rich musical diversity that's proven popular everywhere else. It's too volatile for them.
Too much of everything is just like on Wall Street: it's always the shortest path to the most short-term profit, and the future viability, the very longevity of the enterprise, be damned. The needs of the people, or the opportunity to grab a quick buck and get away with it? Geez.
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Our # 4 Story
FAREWELL TO RADIO'S “ALIVE & PICKING” – FINAL SHOW IS DECEMBER 31
News came from the Caltech Folk Music Society, who wrote, “We're saddened to learn that MARY KATHERINE ALDIN will be signing off from “ALIVE AND PICKING,” her Saturday morning bluegrass and old time music show on KPFK, effective on December 31. We'll miss her voice, her knowledge of folk music, and her keen musical taste, as well as her guest hosts. We appreciate the years of devoted hours that she's put into the show and grudgingly understand her desire for more personal time. It is a huge loss for the folk music community.
“The only good thing about this is that lot of people (including Mary Katherine) will be able to sleep later on Saturday mornings. Read her farewell at her web site on the November 28 entry, www.aliveandpicking.com/Ramblings.html.
“Tune in to her last few shows (Saturday, 6-8 am on KPFK 90.7 FM, also archived for 2 weeks at www.kpfk.org), as she has JOE FRAZIER (of the Chad Mitchell Trio), GEORGE GROVE (of the Kingston Trio), ART PODELL (of ART & PAUL and THE NEW CHRISTY MINSTRELS) and JIM MORAN (of CHILLY WINDS) will do a folky Christmas show, and JOHN & DEANNE DAVIS [former radio hosts of the long-lost and much beloved “Wildwood Flower” show] visit for their special Christmas program (not just for Christians!) on December 24.
“Mary Katherine will maintain her folk music calendar at www.aliveandpicking.com.
“Mary Katherine's departure marks the diminishing presence of folk music on broadcast radio. This is a good time to mention that Roz Larman's FolkScene radio show continues from 6-8 pm on Sunday nights, also on KPFK [simulcast worldwide at www.kpfk.org]. We highly recommend this show for live performances and great music on recordings. Roz, we love you. Keep it up!”
The Guide thanks Rex Mayreis and Nick Smith of the Caltech Folk Music Society for sharing the less-than-welcome news that another one bites the dust. And we humbly add our bon voyage to Mary Katherine Aldin, who we'll miss between her annual emcee duties at the Santa Barbara Old Time Fiddler's Convention. And of course, we add our best wishes and sincere appreciation to Roz Larman, the grande dame of L.A. folk radio shows.
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Our # 5 Story
WANT TO VOLUNTEER FOR THE ARTS AND MUSIC PROGRAM FOR PRISONS 2012?
Singer-songwriter and recording artist JENNI ALPERT wrote to tell us, “The Arts and Music Program that I designed as a way to help rehabilitate inmates at county jails and state prisons was just approved by the Los Angeles County Sheriff's Department.” She adds, “Wednesday was my first day visiting the Los Angeles Men's Correctional Facility.”
Something like this requires patience, care, and cooperation/collaboration. She sends her thank you to Marni Parsons, Al Bradley, Kenny Burrell and UCLA for supporting this project.
Jenni has designed the program she will implement throughout 2012. Now she wants to know if anybody is interested in being a guest artist in the program's approved areas of music, painting, sketching, and creative writing. If you are, send her an email with your area of interest, at sounditmusbooking@gmail.com
There's plenty on Jenni and her muisc at www.jennialpert.com
To get you interested in her new project, Jenni is offering a free download of the track "Sweet Talk," at http://jennialpert.com/dl
Go there and enter the code pmsq-qeo8
And you should check her out on YouTube. Jenni says, “This is a song of hope and peace for those who are held or locked away against their will for speaking their heart and mind.” It's at www.youtube.com/watch?feature=player_embedded&v=LAfwEYcHkCg#!
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Our # 6 Story
MARINA V GETS ANOTHER SONG PLACEMENT ON NBC SOAP, “DAYS OF OUR LIVES”
“...monstrous chorus and a great hook” — legendary artist / producer, Sir BOB GELDOF, referring to Marina V's song “You Make Me Beautiful.”
She's that lovely Russian emigre with the superb voice who was classically trained in Moscow and who writes and performs in English with absolute mastery of lyrics and arrangements, whether she is playing piano / keyboard or guitar. She wrote to tell us, “I'm super excited to announce that yesterday one of my songs aired on an episode of 'Days of Our Lives.' Over 3 million people watch 'Days,' and the show has been running since 1965!”
Here is the link to watch the clip: www.hulu.com/watch/307561/days-of-our-lives-christmas-traditions
Actually, she's no stranger to TV placements of her original songs. Marina V's “Small Collection of Interesting Songs,” a July, 2011 release, features seven previously unreleased songs, including three of Marina's songs from “Days of Our Lives.”
Marina hastens to ask us to tell you, “If you'd like to buy my albums as gifts for the holidays, I'd be the happiest girl in the world! Here is a special discount link for 'My Star' [another of her CDs] for only $6.50: www.marinav.com/discount.html. I'll sign, hug and kiss each CD and will write the recipient's name in Russian.”
We've been watching, listening, writing about, and celebrating Marina's successes for a decade, and believe there is plenty more ahead for her.
In case you're wondering, we are not alone. Here are some of her press comments:
“hauntingly beautiful” — L.A.Times
“melodic and passionate music” — The Washington Post
“the voice of an angel” — The Prague Post
If you're in OC, you can catch MARINA V's next show on December 15 in Costa Mesa. Whether or not you're there, get acquainted with her, or catch up, at www.MarinaV.com
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Our # 7 Story
KERRVILLE NEW FOLK WINNER ERNEST TROOST TO RELEASE LIVE ALBUM
It seems only fitting that Ernest Troost’s newest album, “Ernest Troost Live at McCabe's,” (slated for general release January 17, 2012) was recorded at the very venue that inspired him to begin songwriting and performing, and it will come full circle with a CD release party at 8 pm on January 6, 2012, at the place it was recorded almost exactly a year ago. The show is sure to sell-out.
Ernest's previous album, “Resurrection Blues,” reached #5 on the Folk-DJ airplay chart in 2010. He was already a New Folk Winner at the 2009 Kerrville Folk Festival, that annual three-week-long extravanganza in Texas.
The new live album features some of the most popular selections from his two previous records, “All the Boats Are Gonna Rise” and “Resurrection Blues,” together with seven new songs. It was all recorded a year ago, on January 8, 2011. The record captures an evening of Ernest’s songs that slowly build from solo performance to a full band.
It will be the first concert of McCabe’s 2012 season, on January 6th.
Before that, on Sunday, January 1st, Ernest will promote his McCabe's CD release show with a performance on Pat Baker's KCSN radio show, “Tangled Roots.” The Show begins at 2 pm. The station, at 88.5 FM, has a poor signal reach, but fortunately, you can listen from anywhere to the high-quality web simulcast at www.kcsn.org. Pat Baker will interview Troost, and he will play a few songs live with the added bonus of ticket giveaways for the January 6th McCabe's show. Troost is a fine radio guest who did several performance-interviews on radio's “Tied to the Tracks,” where he also represented the Piedmont Blues style in an all-acoustic special edition of live blues music forms.
Troost earned the high praise of Steve Dulson, President of the FAR West Folk Alliance, who says, “Ernest, playing in his infectious Piedmont-blues style, has phenomenal guitar chops. His voice is uniquely his own, and free of affectation. His melodies are inventive and original, and his lyrics, though deep, are in a straightforward, everyday vernacular. His songs are filled with almost cinematically described characters so vivid they linger long after the song’s end. Humble on stage and off, Ernest is the whole package.”
Paul Zollo of Blue Railroad writes, “His work reflects Woody Guthrie’s axiom that any damn fool can be complicated, but it takes genius to attain simplicity. It also takes a certain measure of courage in the context of modern times. His lyrics blend wistful humor, gentle resignation and the kind of enduring folk wisdom which has made great songs great for ages. These songs aren’t confection; they’re not synthesized, looped, or digitally manipulated. This is about real music, things of substance, as he expresses ideally in ‘Real Music,’: ‘Real music got a mind of its own/Real music is blood and bone.’ Indeed.”
There's lots more at www.ernesttroost.com.
In addition, he is featured on “Californiality” at www.californiality.com/2011/11/ernest-troost-live-at-mccabes.html; Ernest is cited as an example of blues / folk style at http://oliverdiplace.blogspot.com.
ERNEST TROOST will play his CD release show at 8 pm on January 6, 2012, for his “Live at McCabe's” CD, at McCabe's, 3101 Pico Bl (Pico at 31st), Santa Monica 90405; www.mccabes.com; 310-828-4403; tix, 310-828-4497. The concert includes special guest SHAUN CROMWELL. Tix & info, 310-828-4497 or www.mccabes.com/condata.html.
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Our # 8 Story
FREEBO REPORTS FROM OCCUPY WALL STREET NYC JUST BEFORE THE EVICTION
We have received a PHENOMENAL amount of mail from you, our readers, as thoughtful and heartfelt, and sometimes heart-wrenching, comments. All are posted (after some necessary moderation) with the individual pieces to which the replies were made (see the list of individual urls in the “Recent Editions” section at the end of this edition to access any of these.)
As we continue our commitment to bring you news of causes and concerns in which artists are engaged, we are pleased to bring you this report from FREEBO.
FREEBO is an award-winning singer-songwriter who tours internationally. He is famous as BONNIE RAITT's bass player for more than a decade, on the road and in the studio. He has performed with countless music stars and is well known and highly regarded for his thoughtful and powerful use of words, both in song lyrics and in prose and narrative.
We are grateful to him for sharing the following:
OCCUPY WALL STREET, New York City, November 29, by Freebo
Less than two weeks ago, I had the opportunity to visit Zucotti Park in Lower Manhattan, the site of Occupy Wall Street. It turned out to be the last night the amazing Tent City community was in existence, the night before it was shut down by Mayor Bloomberg and The NYPD.
I played three songs... “Stand Up,” “Before The Separation,” and “If Not Now When” ... I figured the lyrics and vibe of these songs would be appropriate. To be just some small part of a movement that hopefully will help bring about some changes in this society that are desperately necessary for its peaceful survival felt really good.
In the scope of things, my music and the 30 or so people who heard it at 9 pm on a Sunday night with temperatures beginning to drop into the high 40s “doesn't amount to a hill of beans”....and yet it does! Because it's an energetic, it's all one person can do, could do at that moment.
Each one of us is only one person, seemingly meaningless in this world of Seven Billion. But each of our voices are heard by others, whose voices are heard by still others, and before you know it, the numbers begin to add up. It's the way all movements have happened throughout history.
As Margaret Mead so eloquently said, “Never doubt that a small group of thoughtful, committed citizens can change the world. Indeed, it is the only thing that ever has!”
This is what the brave, conscious, and committed folks who've put there bodies on the line at Zucotti Park, in Oakland, at UC Davis, and so many other locations across the country are doing. They are walking the talk, they are standing up for the millions of US citizens who are feeling disenfranchised from the system, the 99%. Whether you are Republican, Democrat, Independent, Tea Party, Capitalist, Socialist, unless you're part of the 1%, there are many things in this society that are NOT working for you. And this Occupy Movement is in the democratic process of finding solutions for the voices of the disillusioned while raising the voices of dissent for a system that appears to be broken.
There are and always will be those who find fault with those who protest, those who “shake it up,” those who dare to buck the entrenched system, those who dare to raise their voices through the din of the status quo. But as Margaret Meade and history have proven over the millenniums, it is this dissent that is the only process that effects change. For so many, change is difficult, it's fearful, it's easier to keep in place the system we know, the relationship we know, rather than face the unknown of the one we don't. But if a situation or circumstance, global or personal, is not working, if a relationship is toxic, it is a death sentence to remain in it. The courage must be mustered to move on... “One door closes, another door opens.”
The economic system in this country is broken, Multinational Corporations are beholden to no one, only to the bottom line profit. Back in the '70s, when some of us were protesting against nuclear power, we were able to make the connection between profits and people. Our bumpersticker phrase became “PEOPLE BEFORE PROFITS, NOT PROFITS OVER PEOPLE.” That was 35 years ago, before the greed and political change of the '80s.
“Profits Over People" has now gone on steroids, and that dynamic is, I believe, what is behind the Occupy movements. I will continue to put my name, my voice, and my body if necessary on the line to help make the changes necessary for a better America....
YES, I am patriotic, I love my country every bit as much as Sean Hannity, Rush Limbaugh, or any of the Right Wing Talking Heads who suggest they have a monopoly (yes, that's the right word!) on patriotism. Oddly, they are the 1%, and along with Rupert Murdock, Fox News, and those who are in control, they want to keep that control. Those 99% of us who want to limit that control are a threat, and so we must be marginalized. That has always been the case and will continue to be. And so we must “STAND UP, BE COUNTED, LET OUR VOICE BE SOUNDED.”
I hope you ... are as thankful as I that we live in an amazing country where we can express our beliefs and somehow find a way to effect the change we wish to see. "BE THE CHANGE YOU WISH TO SEE"....Ghandi.
Peace,
FREEBO
Learn more about FREEBO and his music at www.freebomusic.com
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Our # 9 Story
REVIEW: AMC's NEW SERIES, “HELL ON WHEELS”
If you know any basics of the building of the first transcontinental railroad in the years immediately following the Civil War, or you're a fan of the rich catalog of songs of that period, you've probably been attracted to this new cable TV series, airing Sunday nights at 10 pm. Ostensibly, it's a history-based tale set in the frontier of the American plains, pushing westward across the wild prairies of the Nebraska Territory, from an off-camera start just across the river in Council Bluffs, Iowa. The coming of the railway will expand west to link distant California and the new state of Nevada with the rest of the just-reunited Union – and, in so doing, spell the end of the emigrant wagon train, the herds of millions of free-ranging buffalo, and the glorious, nomadic life of the American Indian nations that most people envision when they think of Native Americans. So, if you stick to the history, there's plenty of material for many good yarns.
The name “Hell on Wheels” is authentic to the time. It was given to whatever was the temporary settlement at the end-of track as the railroad pushed construction westward. It was a portable agglomeration of railroad cars and wood-framed canvas tent structures that housed everything from the railroad's dining facilities for workers to the entrepreneurial saloons and general stores/mercantiles to the brothels. In the series, a brothel is prominently present, as is a “magic lantern” tent – an early single-frame picture show – run by two Irishmen. That enables the observation that the historical dominance of Irish-Americans, mostly ex-Civil War soldiers, as the Union Pacific's tracklayers is not in evidence. Instead, African-Americans, recently freed slaves, are presented as the key builders of track.
Clearly, this isn't a remake of Cecil B. DeMille's 1939 classic movie, “Union Pacific.” (That year's films also included “Gone with the Wind,” “The Wizard of Oz,” and iconic westerns “Stagecoach” – the first great teaming of John Ford and John Wayne – and “Destry Rides Again,” starring Jimmy Stewart before he became a real-life WWII hero. Films made in 1939 matter, so anything that seems to derive from the ground they staked out cannot escape comparison with the originals.)
In fact, “Hell on Wheels” is not like any railroad movie since the unedited version of the Lee Marvin / Ernest Borgnine “Emperor of the North Pole.” The AMC series takes most of its cues from another cable western of recent years, HBO's “Deadwood.” We'll stop short of suggesting a connection with the AMC series that precedes it every Sunday, the zombified “Living Dead,” though the cable channel's program execs clearly may be trying to retain the same audience. The point is, “Hell on Wheels” is gritty and brutal, and like the era that began with Clint Eastwood and persists to the present, it's all done in the westernesque formula that replaced the old formulaic westerns – the chief element being, there's no clear “good guy” character. Executive producer Tony Gayton calls the style “Dirty but beautiful.”
“Hell on Wheels” is also rather claustrophobic. With the limitless grassy plains available as a backdrop, everything seems to revolve around a single set of missing survey maps whose whereabouts are unknown to all but a few characters, and / or a prewar vendetta from the time of John Brown's abolitionist terrorism and “Bleeding Kansas” that all occasions murders of a group of once-terrible perpetrators, who all seem to be individually hiding-out on the first few miles of railroad.
Anson Mount plays a fictional character named Cullen Bohannon, an ex-Confederate who seems to be there only to fulfill his blood feud. Even historical characters are distilled and amalgamated into one, as UP construction boss Grenville M. Dodge, an ex-Union Army general, and UP president Thomas Durant are combined into the latter, played by Colm Meaney, as a character who embodies all the political hacks who swindled investors with the UP's Credit Mobillier scandal that created the first batch of one-percenters.
The locomotive in “Hell on Wheels” is a usually a mere prop, but the director can't decide whether it should be a character. It appears incidentally as a dark form playing a minor role, and is usually portrayed in some ominous way, like an angel of doom. No doubt the director wants it dark in keeping with the atmosphere of the show. But that's inexcusably wrong. Real history always presents incongruities that served as focal points, propelling the events and motivations, even the enthusiasm, of their times. Then as now, image was often more important than substance in determining what people thought and did and how they approached and regarded things. The locomotives – and the topic should be treated in the plural – were always objects of pride, even though they could kill you. They were just too important to be relegated to a shadowy background in any tale of 19th century railroading.
How should things be done? If you've visited the splendid California State Railroad Museum in Old Sacramento, you know that locomotives of that period were treasured and expensive machines that were celebrated with colorful paint jobs, adorned with gold-leaf lettering, hand-painted murals, intricate gold filigree, even carefully adorned with portraits or landscape scenes worthy of Albert Bierstadt, with lots of highly polished, gleaming brass for handrails and fittings, including their whistles (each with a unique voice) and melodious bells (and even the insides of the shining brass bells were colorfully painted).
It's not like the machines aren't available to Hollywood. The show's dark and laughably spindly prop locomotive should be replaced by one of the stable of original and operating 1870s vintage Virginia & Truckee locomotives at the Nevada State Railroad Museum, or the William Mason, an 1850s era operating locomotive at the Baltimore & Ohio RR Museum in Maryland, or one of the V&T engines at the Railroad Museum of Pennsylvania, or one of the original 1860s engines in Sacramento that was fully restored to be capable of running again. These museums could likewise supply vintage passenger and freight cars, rolling stock authentic to the period.
The California State Railroad Museum does a fine job imparting the brilliant colors that made pioneer western railroading so attractive and romantic, despite the abject exploitation and myriad dangers it brought. And the museum is equally effective imparting the tale of “The Big Four” who built the Union Pacific's competitor for grabbing land, and western connecting partner in the first transcontinental railroad – the Central Pacific Railway's California pioneer businessmen Leland Stanford, Mark Hopkins, Collis P. Huntington, and Charles Crocker – and how they ripped-off the guy who first envisioned and surveyed a railway route over the daunting Sierra Nevada Mountains, the largely forgotten Theodore Dehone Judah.
Judah didn't live to see his dream of the Central Pacific Railway completed. The now-dead surveyor character in “Hell on Wheels” on the fledgling UP may be based on Judah; certainly, the wives of the real Judah and the fictional surveyor both fight for their husbands' legacies.
Likewise, the show's main boss character – the ex-Confederate played by Anson Mount – seems somewhat based on Crocker, the CP's construction boss. Crocker was the one who first hired Chinese immigrants to build his railroad west from Sacramento, across the Sierra. Crocker famously answered a criticism that the Chinese were too small to do the backbreaking work with the quip, “They built the Great Wall of China, didn't they?” For the show's character, it is instead about realizing the humanity of newly freed black slaves.
If this sounds like we wish the new TV series had portrayed the CP instead of the UP, we aren't going there. The real UP had its share of challenges and colorful characters who met them. We do wish the show's writers would learn about them, those real and very human characters who were truly unique and colorful and strong and brave and flawed human characters – rather than invent scenarios for an increasingly claustrophobic cast. And we wish that the rich legacy of music of that era would be authentically featured, instead of an incongruous mix of music that someone thinks is necessary to accommodate today's monochromatic sensibilities.
The show's soundtrack includes its official music video, a track called “Can't Make Tears” by a band called The Straight Shot. Still, Gillian Welch's “Scarlet Town” was used on the show, and made Entertainment Weekly's list of favorite songs on TV. Though the latter may have been more to our liking, neither is authentic to the deep trove of music of the time the show portrays. Surely, after the successes of “O Brother, Where Art Thou?” and “Cold Mountain,” no one still believes a musical hegemony of modern pop is necessary for viewer acceptance of a story set in the past.
Why not include a soundtrack of period music, nighttime fiddle reels and banjos and concertinas and harmonicas and guitars as they were raucously played in the real “Hell on Wheels” camps? And why not use a counterpart of melodious daytime steam whistles energetically punctuating the rich catalog of work songs sung by the rock and grading crews and the tree-cutting tie makers and the bridge gangs and the spike-drivers and the track layers? Each group had their own songs and many are preserved, so it's not like there's a shortage of material.
The single example of a work song by the show's black track-builders, led by Common in his role as Elam Ferguson, depicts the track gang singing a slave-era field song while working and glaring at the foreman. That might have been appropriate if the story were about the building of the Southern Railway through Alabama, but it's incongruous and inappropriate to what really happened.
Like a lot of what is depicted in “Hell on Wheels,” it just doesn't cut it, and the plot devices that stray from the rich story of all that really happened are diversions that fly in the face of history and are at least mildly annoying. The show needs to refocus to embrace elements of a story that was far more spacious and exciting and challenging, and at least as dangerous for its real-life participants, as the tightly woven fictional tale it is now developing.
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RECENT EDITIONS of The Guide's NEWS FEATURES are still available!
Just check our archive! Read the contents bar on the left side of the page at www.acousticamericana.blogspot.com and click the appropriate month.
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The MOST RECENT past editions (last 30 days) are easy to find! Just use the direct url's provided below, PLUS many recent feature stories and reviews are available individually at their own urls...
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Special Features from the Guide, at individual addresses...
“OCCUPY WALL STREET / OCCUPY EVERYWHERE” – our series of special Feature Stories, are available as individual items including READER FEEDBACK.
The Guide's special series examines events with an emphasis on the roles being played by artists, and / or the implications for the future of the arts and for arts & music funding. Each part and our recent related features are still available – and still receiving (and posting) your comments.
Listed from most recent to earliest, here's how to find them:
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THREE FEATURES ran in mid-November, on the eve of police shutdowns and evictions of “Occupy” sites nationwide. Those features are:
> 2) “CRITICAL LANGUAGE IN ACTION” CLASS SATURDAY, PRESENTED BY OCCUPY
L.A.
> 3) ELIZA GILKYSON REMIXES "BEAUTIFUL WORLD" AS SALUTE TO “OCCUPY”
MOVEMENT
> 4) DOES THE OCCUPY / 99 % MOVEMENT STILL NEED A DEFINING SONG?
Ran as three individual features in the Guide's November 18, 2011 News Features edition. Each is available by itself, with YOUR COMMENTS, as follows:
2) “Critical Language...” is available at
http://acousticamericana.blogspot.com/2011/12/critical-language-in-action-class.html
3) “ELIZA GILKYSON's ... Salute to 'Occupy' Movement” is available at
http://acousticamericana.blogspot.com/2011/12/eliza-gilkyson-remixes-beautiful-world.html
4) “Does the Occupy / 99 % Movement Still Need a Defining Song?” is available at
http://acousticamericana.blogspot.com/2011/12/does-occupy-99-movement-still-need.html
Here are some excerpts:
(From Feature #2, “Critical Language...”): “Whether or not you are inclined toward the whole “Occupy” Movement, this is a fine opportunity to learn about the use and impact of specific words in specific settings and circumstances. All artists should understand that words are powerful and always laden with impressions and images. Whether those are the ones you wish to communicate, or are even aware of what subtext you create is often the difference of how successful you are in attracting or repelling others with your cause.”
(From Feature #3, “Eliza Gilkyson...”): “The press statement from Red House notes, 'The album and song are still timely today, especially in light of the protests going on around the world.' … Music in support of the 'Occupy' protests has already come from other Red House artists, with support from the label's PR office. A recent press release began with the words, 'In solidarity with the “Occupy Wall Street” protestors, Americana songwriter PIETA BROWN is offering her song “I Want It Back”...' Now Gilkyson is stepping up to the plate. She says, 'I originally wrote the song as a means of staying inspired and engaged in the struggle to defend our beautiful world against the ravages of humankind... I am excited to release this provocative new remix, in solidarity with a struggle that is more crucial than ever.'”
(From Feature #4, “Does the Occupy / 99 % Movement Still Need a Defining Song?”): “It's been one of the points we've made in several features in our series on the participation and influence of artists with the 'Occupy' / 99% Movement: It's the only American protest / social change / you-name-it movement in modern history that has no anthem. As we detailed last week, the movement is heavily inclusive of young people who don't know the rich legacy and catalog of songs from the Civil Rights era. And because this movement is so much about text messages and cyber communication, the movement conspicuously lacks an orientation toward songs sung by groups...”
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> SO, WHAT'S UP WITH THE “OCCUPY / 99%” MOVEMENT? IS A “LEAGUE OF NON-VOTERS” COMING? IS MUSIC PLAYING A ROLE? from the Guide's Nov 11, 2011 News Features edition, is available by itself, with YOUR COMMENTS. Here are a string of excerpts: “This protest movement is different in its modes of expression.” - “Is it a political or an economic or a social justice movement? Yes.” - “Could the masses that comprise the 99%, in and out of the movement, be induced by manipulators to feel deeper disillusionment, and “guided” to see no point in one thing in particular – voting? Yes.” - “An ultimate irony is coming: during the Civil Rights Movement, the disenfranchised fought for their rights to vote. Now, disillusioned masses might, in droves, give up entirely on the notion of bothering to vote.” - “The net effect isn't to make everyone fight for their rights. More people than ever are simply disgusted and sensing futility.” - “We may soon be governed by people who literally do not represent us, because too many of us see no point in fighting the overwhelming spending by corporations that purchase politicians to do things their way. With that conclusion reached, why vote? It's not individual or group apathy. It would be an intentional act, driven by entrenched and widespread disgust. It's the electoral equivalent of a sit-in. It will be tantamount to an organized 'League of Non-Voters.' ” - Of course, there's plenty more. Read it in full at
http://acousticamericana.blogspot.com/2011/11/so-whats-up-with-occupy-99-movement-is.html
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> ARTISTS JOIN “OCCUPY WALL STREET” AS UNEMPLOYMENT, ECONOMY WORSEN, The Guide's Oct 7, 2011 feature story, with YOUR COMMENTS, is available by itself. Here's an excerpt: “We should be talking about the exact form and structure of a new WPA and a new CCC to re-employ Americans with projects that will give us all a future legacy – like that we inherited from the enduring public works projects of the '30s. We could be building high-speed rail and alternatives to gas-guzzling automobiles and alternatives to polluting coal-fired power plants. We could be leading the world in high tech investment and encouraging math and science education with a vigorous space program, aimed at Mars, instead of pouring money and blood into the sands of Afghanistan. We could be creating jobs so that the 24% of the military enlistees, who go there because there are no other jobs, could find career work in improving our society and rebuilding it for their children's future... Instead, we are told that a tepid jobs bill is dead on arrival in the House of Representatives, even as we see record profits for companies that took our money to employ people overseas, but not here. We see money being used to make money without creating any jobs or benefits for our society in a time when meaningful, career-track jobs should be our key national priority. We're not building for the future. We're not even doing required maintenance on the gifts we received from our parents and grandparents. We hear politicians rant that government must charge the rich no taxes and make Capital Gains profits off-limits to taxation, altogether. We see bonuses paid to money manipulators who exported America's jobs even as they took bailouts from taxpayers. Rome is burning. They're buying Stradovari violins with our money.” Plus, there's a “Memo to those wallowing in Wall Street bonuses and bank bailout billions.” read it all at
http://acousticamericana.blogspot.com/2011/10/artists-join-occupy-wall-street-as.html
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> OF AUTOHARPS, JOBS BILLS, AND A VISION FOR OUR FUTURE (OR THE LACK OF IT) a feature that PRE-DATES the Occupy Movement by just two days, examining ways artists can oppose the “I've got mine, f--- you,” attitudes of the power elite, and fight against “a corporatocracy or an intolerant theocracy or a place of ruthless end-game capitalism.” It first ran in the Guide's Sep 15, 2011 edition; it's available by itself at
http://acousticamericana.blogspot.com/2011/09/of-autoharps-jobs-bills-and-vision-for.html
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> 9-11's LEGACY: THE PART PLAYED BY ARTISTS, AND WHAT'S STILL TO BE DONE, is our feature that PRE-DATES the Occupy Movement, but presents several of what would be its focal points. It ran in the Guide's Sep 9, 2011 edition. Here's an excerpt: “Together, military over-commitments and a select few no-bid civilian defense contractors bankrupted our economy, cost us our space program, cost us any chance for spending on arts education, cost us renewal of our decaying bridges / highways / city streets / utility infrastructure, cost us building any major new public works projects, and essentially cost us our vision for the kind of 21st century future promised by '2001: A Space Odyssey.' Meanwhile, our drone-based wars have cost our troops unprecedented numbers of re-deployments to war zones, record numbers of suicides, and record numbers of PTSD cases that all but assure us a tragically plentiful supply of homeless disturbed individuals for decades to come... It's a fitting time to ask our politicians whether contrarian intransigence is worthy of their silenced constituents... or worthy of their constituents who rushed to help [on September 11, 2001] and in the days and months following, and who now suffer as a result, yet who receive little or no help from what should be a forever grateful nation.” And, “Just as Congress appears unable to help 9-11's surviving first responders, both political parties appear bereft of any real vision for a better future for all of us.” It's available at
http://acousticamericana.blogspot.com/2011/09/acoustic-americana-music-guide-news.html
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> CALLING STEPHEN COLBERT: HELP! WE'VE BEEN COMPROMISED! is the Guide's August 4, 2011 feature that PRE-DATES the Occupy Movement by six weeks. It looks at the ability of Super PACS and big money to control politics. It's a scathing and satirical piece on the devastating and maddening manipulation of the people's money and what was – and was not – evident in the Debt Crisis, with MUCH reader feedback. It anticipates some of the central themes that would become those of the Occupy Movement. It's available by itself at
http://acousticamericana.blogspot.com/2011/08/calling-stephen-colbert-help-weve-been.html
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> IS THE FUTURE OF ARTS FUNDING GONE IN AMERICA? This is, for us, the feature story that started it all. It's the Guide's pioneering, in-depth, July 18, 2011, feature, that PRE-DATES the Occupy Movement by two months, with analysis and quotes by a host of experts and iconic Americans, and it reaches far beyond Washington's maddeningly gridlocked politics. It debunks the Debt Limit, spending cuts, and budget battles and examines the roots of issues that motivated Occupiers. It's available by itself, with a then-record-number of comments, at
http://acousticamericana.blogspot.com/2011/07/is-future-of-arts-funding-gone-in.html
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OTHER recent SPECIAL FEATURES, available as individual items...
> PENN STATE, HERMAN CAIN, LINDSAY LOHAN: THE CULTURE OF CELEBRITY VS. THE AMERICAN CREED, a special feature from the Guide's 11-11-11 edition, is available by itself (with reader comments) at
http://acousticamericana.blogspot.com/2011/11/penn-state-herman-cain-lindsay-lohan.html
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> MUSIC GOT US TO THE MOON – WHERE MIGHT IT YET TAKE US? a special feature from the Guide's Oct 27 edition, on the eve of NASA's final Mars lander, is available by itself (with reader comments) at
http://acousticamericana.blogspot.com/2011/10/music-got-us-to-moon-where-might-it-yet.html
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> KEN GRAYDON MEMORIAL CONCERT BRINGS FITTING ADIOS ran in the Guide's Sep 15 edition. Ken was the best history-based songwriter we've ever known, bringing places and people and events to life with the freshness of a spring breeze. It's available by itself (with reader comments) at
http://acousticamericana.blogspot.com/2011/09/ken-graydon-memorial-concert-brings.html
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> IN MEMORIUM: JOEL OKIDA, MUSIC JOURNALIST EXTRAORDINAIRE, a consummate writer and all-around great guy, ran in the Guide's July 28, 2011 edition, is available by itself (with reader comments) at
http://acousticamericana.blogspot.com/2011/07/acoustic-americana-music-guide-news_28.html
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RECENT REVIEWS, available as individual items including READER FEEDBACK...
> REVIEWS – NEW SERIES TAKES A FRESH LOOK AT OLD RECORDINGS,
“ACROSS THE DIGITAL DIVIDE...” new ongoing series – fresh reviews of pre-digital era recordings; series explained, from the Guide's edition of Nov 3, 2011, available at
http://acousticamericana.blogspot.com/2011/11/reviews-new-series-takes-fresh-look-at.html
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> REVIEW – ACROSS THE DIGITAL DIVIDE... “HOME SWEET HOME,” A CASSETTE TREASURE, from the Guide's edition of Nov 3, 2011, is available by itself at
http://acousticamericana.blogspot.com/2011/11/review-across-digital-divide-home-sweet.html
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> REVIEW – ACROSS THE DIGITAL DIVIDE (# 2)... “LIKE DESPERADOS” - JOHNNY CASH, WILLIE NELSON, MARTY ROBBINS, CHARLIE DANIELS BAND, OTHERS, from the Guide's edition of Nov 11, 2011, is available by itself at
http://acousticamericana.blogspot.com/2011/11/review-across-digital-divide-2-like.html
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Recent reviews of NEW releases:
> CD REVIEW – DAFNI, “SWEET TIME” from the Guide's News Features edition of Nov 3, 2011, is available by itself at
http://acousticamericana.blogspot.com/2011/11/cd-review-dafni-sweet-time.html
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> CD REVIEW – “MOODY BLUEGRASS TWO...MUCH LOVE” WITH VINCE GILL, RICKY SKAGGS, SAM BUSH, & MORE, GETS CRITICAL ACCLAIM is in the Sep 30, 2011 edition at
http://acousticamericana.blogspot.com/2011/09/news-features-acoustic-americana-music_30.html
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COMPLETE WEEKLY EDITIONS
...from the past 30 days, including everything as published. (Note: reader feedback received on features that were co-published or re-published individually is included with individual pieces, not with the complete weekly editions.)
All past editions are available, by digging in the archive at acousticamericana.blogspot.com
or for very old editions, the archive at
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December 2 FULL (special) edition is available at
http://acousticamericana.blogspot.com/2011/12/invitation-you-can-join-artists.html
and the one feature story is:
1) Invitation: YOU Can Join Artists & Hollywood Celebrities this Sunday to Make a Difference!
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November 18 FULL edition is available at
http://acousticamericana.blogspot.com/2011/11/news-features-acoustic-americana-music.html
and the stories are:
1) Quick Roundup of the Weekend's Events
2) “Critical Language in Action” Class Saturday, Presented by Occupy L.A.
3) ELIZA GILKYSON Remixes "Beautiful World" as Salute to “Occupy” Movement
4) Does the Occupy / 99 % Movement Still Need a Defining Song?
5) Folkie SARAH McQUAID Is Touring Like A Rock Star
6) Ear Buds DO Cause Hearing Loss
7) Invitation to Artists: 30th Annual LOS ANGELES HOLIDAY CAROLING FESTIVITIES
8) Spend THANKSGIVING at the Learning Garden in Venice
9) Thanksgiving – a Bit o' History...
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November 11 FULL edition is available at
http://acousticamericana.blogspot.com/2011/11/news-reviews-acoustic-americana-music_11.html
and the stories are:
1) It's the Century's Only Perfect Palindrome Day, 11 11 11
2) Giant Civil War Reenactment and Period Music this Weekend in Moorpark
3) Veteran's Day Premiere for New Video, “I'll Go (A Soldier's Oath),” & a Sunday Event
4) This Weekend's Quick Roundup of Events
5) Extravaganza for Recording Artists this Weekend in West L.A.
6) “Put The Fork in Hunger,” Pasadena's Largest Food Drive, is this Weekend
7) ROLAND WHITE BAND Plays this Week, with Top Bluegrassers East & West
8) REVIEW – Across the Digital Divide (# 2)... “Like Desperados” -
Johnny Cash, Willie Nelson, Marty Robbins, Charlie Daniels Band, others
9) So, What's Up with the “Occupy / 99%” Movement?
Is a “League of Non-Voters” Coming? Is Music Playing a Role?
10) Penn State, Herman Cain, Lindsay Lohan: the Culture of Celebrity vs.
the American Creed
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Questions? Comments? Contact us through our Blogspot site or by email at
tied to the tracks@hotmail.com
(just remove the spaces in the above address – we're trying to cut-down on spam)
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YES, we invite you to add YOUR comments!
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You can always find the LATEST EDITION of THE ACOUSTIC AMERICANA MUSIC GUIDE, with separate links for:
1) the latest NEWS FEATURES, with feature stories / reviews / editorials / current acoustic music happenings / "heads up" notices to buy advance tickets for shows likely to sell-out / news you can't find anywhere else from and about the world of acoustic and Americana music and artists;
2) the latest SPOTLIGHT EVENTS section, with new and updated info on festivals / artist workshops / schedules and calendars for concerts, club gigs, live music happenings, acoustic & Americana music-related events / and more;
3) The Guide's VENUE DIRECTORY of over 500 acoustic music-friendly venues in Southern California – the places TO HEAR MUSIC, or CONTACT TO GET GIGS.
It's all available 24/7 (& frequently updated!) at ~
www.acousticmusic.net or at
www.acousticamericana.blogspot.com
- or follow any of the links in the fifteen web sites and web groups that carry the Guide’s weekly News Features.
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All archived contents copyright (c) 2011, Lawrence Wines & Tied to the Tracks. All rights reserved.
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