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LATE ADDITION... . . MANY LATE ADDITIONS ADDED SEP 23rd-! MORE THAN 3x ☆ Ready for music's poet laureate to help make sense of these crazy times? DYLANFEST is Saturday! (The 31st annual!) ☆ Favorite Southern Cal venue reopens Thursday: Welcome back to the Coffee Gallery Backstage! ☆ Details within -- of these, and much more. . THOUGHT FOR TODAY =+=÷=+=÷= Mark Humphreys: in memoriam =+=÷=+=÷= This land is your land... TODAY is "National Public Lands Day" Interior Secretary Deb Haaland, whose responsibility includes the National Parks, National Monuments, and Bureau of Land Management, is struggling against corporatist exploiters in Congress and the world of banksters. Just getting enough funding for rangers is a fight. But -- here's what Sec. Haaland said to mark this annual day: She is fighting tooth and nail to undo the damage of the previous administration, and SAVE our public lands from the exploiters. They rolled back scores of environmental protections, allowing their big oil and gas donors to conduct dangerous drilling and mining projects at the expense of our public lands. And they left in place a system that allowed corporate America and the rich to profit off our public lands. Where things stand, late September From the giant summer festivals in Chicago and New York (we reported on 'em) to this coming Saturday's splendid little festival in L.A.'s South Bay, the paradigm remains COVID SAFETY. And it manifests across genres. Artists and music fans alike demand it, given the presence among us of intransigent unvaxed Spreadnecks, Maskholes, and Branch Covidians. Same concerns hold for venue re-openings and concerts indoors and out, as we examine herein. The facts are too stark for any music presenters to do otherwise: ■ in states where ridiculing Covid safety is a sociopolitical litmus test of bubba-ism, there are no ICU beds available for heart attack, stroke, or accident victims; hospitals are filled with unvaxed Covid patients. ♤ to wit: Alabama's death rate from Covid is so high, that state's deaths now exceed their births. That's either for the first-time ever, or a first since the Civil War, depending on your source. ■ more Americans have died in 20 months of Covid (680,000) than died during the two-and-a-half years of the 1918 Influenza (so-called "Spanish Flu") pandemic. ■ one of every 500 Americans who were alive in January 2020 are now dead of Covid. ■ Covid has, just to date, killed more Americans than any previous outbreak of any communicable disease in the nation's history. pandemic. ■ America, with 4% of the world's human population, has more people dead of Covid than any other nation. ■ somehow, the SEVENTEEN different innoculations and vaccines long mandated for all U.S. military personnel are not a problem for right-wingers flying "Support Our Troops!" banners. But that eighteenth? For Covid? That saps our precious bodily fluids, as the line of dialogue in the parody motion picture "Dr. Strangelove" proclaimed. Oh, it's freshly relevant, since Fox News demagogue Tucker Carlson seriously said it. (Video -- Tucker Carlson's new Covid vax conspiracy, AND quick history of Fox News antivax "reporting.") We could go on. Vaccines WORK. They are proven and approved. For those too young to be vaccinated? Masks WORK. Distancing WORKS. But let's face it: those who accept science see getting vaccinated as an IQ test. Those who ridicule science, or endlessly shift from espousing one outlandish argument after another, see it as a "Q" test. Thus, the virus continues to mutate and produce variants, simply because some among us insist on behavior that will not end its transmission. And predictably some fairs and festivals continue to make late decisions to hold virtual versions for a second year. Happily, others have adopted the safe, shared path forward. ☆ Bottom line: concerts, festivals, theatre, and a cornucopia of delights are available for all who bring proof of vaccination. ☆ And the corollary: as one musician observed this summer, "There is no Constitutional guarantee against being lonely. Those who aren't willing to be safe for the rest of us? They should not expect to go to concerts. They should expect to stay home and be lonely." ■□■●○■□●○■□■ Named as The Guide's "Best Tribute Festival" for over a decade... "Dylanfest" returns Saturday, live and in person The pandemic may have forced the big 30th anniversary extravaganza to be greatly scaled-back LAST YEAR, being held as an online event (but hey, it stretched over three days and featured sweet performances and plenty of production value). It's almost here....Dylanfest 31, Saturday, Sept. 25th at the Torrance Cultural Arts Center! SAVE $5 OFF THE TICKET PRICE BY BUYING YOUR TIX ONLINE! Rehearsals have been going great, and we are excited to play all this amazing music for you. Saturday will be a beautiful day to enjoy community and friends in a safe outdoor environment! Because we want everyone to be as safe as possible, we have required all attendees to show Photo ID, and proof of being fully vaccinated or having a negative COVID test within 72 hours. Go to www.andyandrenee.com/dylanfest to get tickets and more info on the festival, including COVID protocols and where to get tested. Andy & Renee & Hard Rain & Friends DYLANFEST 31 Saturday, Sept. 25th 12-8pm Torino Plaza, Torrance Cultural Arts Center, 3330 Civic Center Drive, Torrance, CA 90503 All Dylan, All Day! Over 50 musicians! Go to Dylanfest Page to get tickets and more info. Proof of Vaccination OR Negative Covid test with 72 hours required. Tickets $30 in Advance, $35 at the door. VIP-$100- VIP tickets include: Entry fee ($30), Dylanfest T- Shirt ($20), NEW Andy & Renee & Hard Rain CD ($15), Dylanfest Mug ($10), NEW Dylanfest Item ($10), Invite to Post-Dylanfest VIP meal ($30, subject to your availability), VIP Lanyard, your name on our "VIP Thank You" Board, PLUS your name goes in a drawing where the winner gets to count off "Like A Rolling Stone" 1-2-3-4!) We are looking forward to a great event. Please spread the word, invite some friends, and help us make this year’s festival the biggest and best yet! The Dylanfest is an 8-hour celebration of the music of Bob Dylan. We started it in 1991 and have been holding the event ever since. The show started with our band and a few friends doing 4 sets of Bob Dylan songs, and it has grown to a 8-hour event with over 40 musicians performing over 60 Dylan songs. Our band, Hard Rain, is the "house band", and we are joined by solo artists, full bands and instrumentalists throughout the course of the day. The show is at the Torrance Cultural Arts Center in the Torino Plaza. Bring a jacket for later...In case of rain, the event will go on, and we will move inside. Get more info at www.andyandrenee.com ■□■●○■□●○■□■
Repeatedly named "L.A.'s best intimate acoustic music venue," the Coffee Gallery Backstage re-opens at last, this Thursday night, September 23. (No show Friday, September 24.) It spilled over into other genres when Stevie Wonder began writing an album about his Innervisions and the Music of his Mind. At the same time, Marvin Gaye was breaking new songwriting ground in soul music with his innovative album, "What’s Going On." The movement even found its way into Nashville with the success of upcoming original songwriting artists like Kris Kristofferson, Mickey Newbury, and Billy Joe Shaver. = DAVE STAMEY Voted "Male Performer of The Year" by The Western Music Association, winner of "The Will Rogers Award" for "Male Vocalist of The Year" from The Academy of Western Artists, and a five-time nominee for "Songwriter of The Year" before he won it, Dave Stamey is one of the most popular Western Entertainers working today. Cowboys and Indians Magazine has called him “the Charlie Russell of Western Music.” Western Horseman Magazine has declared his “Vaquero Song” to be one of the greatest Western songs of all time. True West Magazine named him "Best Living Western Solo Musician" four years in a row. Dave Stamey has been a cowboy, a mule packer, a dude wrangler, and is now one of the most popular Western entertainers working today. He has been voted seven times Entertainer of the Year, seven times Male Performer of the Year and Five times Songwriter of the Year by the Western Music Association, and received the Will Rogers Award from the Academy of Western Artists. He’s delighted audiences in twenty-three states. In November of 2016 Dave was inducted into the Western Music Hall of Fame. Must be fully vaccinated and have the card to prove it. NO EXCEPTIONS. Masks too. = Friday, October 1. Show @ 8 PM, Tickets $20 THE SALTY SUITES played their very first show together in a high security prison for the criminally insane. That's no joke, and it was a very fitting beginning for this plucky bunch of misfits. Their brand of original Americana encompasses a wide spectrum of musical styles from bluegrass to blues from classic country swing to heady jam rock (as rocking as you can get with mandolin, stand up bass and acoustic guitar). The three lead singers' voices could not be more different from one another and yet, when they come together in three part harmony the powerful sound delivers a heavy dose of musical charm. The Salty Suites are Scott Gates on mandolin and vocals, Chuck Hailes, stand up bass and vocals, and Chelsea Williams, vocals and acoustic guitar. Scott Gates plays the mandolin with a healthy mix of finesse and mayhem. His ear bending tones can go from sounding like classic mandolin to electric guitar and in between. Chuck Hailes, who started playing jazz and classical bass, has evolved into the musical mischief maker. His playing ranges from dulcet bowing tones to off kilter funky grooves. He might break your heart with his poignant original songs. Singer Chelsea Williams has a voice that is one part honey and two parts whiskey. Her sweet sound can turn to gravel in an instant and her bittersweet songs test listeners into believing they might enjoy a little heartache. This is a top notch show and popular for years at The Coffee Gallery Backstage. Much fun. Vaccinations required with a card certifying. Masks, Too. No exceptions. No protection, no entrance. = THE ALLEY CATS Saturday, October 2. Show @ 7 PM, Tickets $20 …..One of the greats. Many times at The Coffee Gallery Backstage THE ALLEY CATS are a perfect blend of musical talent and comic timing. Their interaction with audiences combined with their spontaneous humor makes each show refreshing and exciting. The Cats never miss a beat as they bring their own contemporary style to the great songs of the 50s and 60s. Together, their freshness and talent make them truly the Cat's meow! Formed while studying music at Fullerton College, THE ALLEY CATS began their musical journey in 1987as a featured act in Disneyland's "Blast to the Past", a salute to the 1950s. Their long-standing relationship with Disney also took them to New York City, where they were featured during the world premiere of Disney's animated film, Hercules. Their accomplishments also include numerous TV shows, radio jingles, and thousands of live stage performances. THE ALLEY CATS have performed across the country at corporate events, headliners for 6 cruise lines, major festivals and performing arts centers… Performing at festivals throughout the U.S., they have shared the stage with such notable artists as Chubby Checker, The Beach Boys, and comedian Jay Leno. = Bob Stane, a longtime show-biz pro, formulated his Covid safety policy in conjunction with another legendary venue, The Troubadour. You will find the same policy in place there. All patrons/customers and acts to have a vaccination card. All shots. Wear masks. No exceptions. If any cast member, or patron, does not have a vaccination, and card to prove it, too bad. They stay home. To see the venue's latest bookings, click: ■□■●○■□●○■□■ at the wonderful COMING UP at Theatre Raymond Kabbaz... ANIMATION FEST October 28, 8 pm _ CITY OF IMMORTALS: November 6, 3 pm-10 pm CARLO PONTI CONDUCTS: Los Angeles Virtuosi Orchestra ■□■●○■□●○■□■ 10 vaxed seats remain for Saturday house concert ... also live stream link Kevin Fisher will play a few of his original songs to open, and several of (band member) Paula's songs will be featured as well. ■□■●○■□●○■□■ Americana music's biggest night: The 20th Annual "Americana Honors & Awards" While not yet on broadcast TV, a live video stream of the Americana Awards show will be webcast tonight starting at 4:30 pm Pacific via the Americana Music Association's Facebook page, Circle TV’s Facebook, Twitter and YouTube channels, as well as NPRMusic.org. ■□■●○■□●○■□■ GARRISON KEILLOR -- PRAIRIE HOME COMPANION ARCHIVE = Garrison Keillor writes, "It’s fall and the leaves are changing and we are ready for some colorful music. This week on a classic A Prairie Home Companion show from downtown Saint Paul, we have mandolinist-singer-songwriter Sierra Hull up from Nashville for a fresh take on bluegrass. And Heather Masse is in from New York to sing a few duets with the host; the Royal Academy of Radio Actors, Tim Russell, Sue Scott, and Fred Newman, for a little theater of the mind; and pianist and music director Rich Dworsky and the Exchange Street Band (Jonathan Dresel on drums, bassist Larry Kohut, Richard Kriehn on mandolin and fiddle, and guitarist Chris Siebold) with tunes for a crisp fall evening. Plus: an update on all the latest happenings in Lake Wobegon … honey, could you ask for more? ☆ Listen to the Show here More about this week’s featured guests On APHC, Sue Scott plays everything from ditzy teenagers to Guy Noir stunners to leathery crones who’ve smoked one pack of Camel straights too many. The Tucson, Arizona, native is well known for her extensive commercial and voice-over work on radio and television, as well as stage and movie roles, including the part of “Donna” in Robert Altman’s A Prairie Home Companion. LIVE tapings of her podcast “Island of Discarded Women” will resume October 10th at the Women’s Club of Minneapolis. Garrison Keillor is back on the road with a touring show! So far, it's East Coast dates heading into the fall. All of them carry this bit of boilerplate: "Required: proof of COVID vaccination or negative COVID test within 72 hours, as well as indoor masking." ■□■●○■□●○■□■ "Americana in the Park" -- in Santa Monica ■□■●○■□●○■□■ Southwest Regional Folk Alliance (SWRFA) is in New Mexico -- "All times are Central Standard Time." ■□■●○■□●○■□■ 27th Annual "Harvest Festival of Dulcimers" Goes ALL ONLINE, 2nd year in a row September 24-26, 2021 the annual Southern California Dulcimer Heritage event once again goes all-online. It still features extensive offerings, activities: • 6 JAMS/ PLAYING CIRCLES – Each Unique – FREE / Registration required Check Festival details - https://scdh.org/SCDH/Welcome.html ■□■●○■□●○■□■ "Theater Under the Stars" returns with a MUSICAL at the Getty Villa Museum ■□■●○■□●○■□■ Bruce Springsteen: New Live Album + Film - The Legendary 1979 "No Nukes Concerts" Available on November 19th as a 2LP, 2CD/DVD or 2CD/Blu-ray set and available globally in HD for digital download on November 16 and digital rental on November 23. ■□■●○■□●○■□■ October in Idyllwild: a musical double-header Banjoist, bones player, guitarist and a former member of the Grammy-nominated Carolina Chocolate Drops, Jenkins brings his amazing musicianship and vast knowledge of African American folk music history to the stage. Known internationally for shaping Paul Simon’s “Graceland” into a modern masterpiece, this 5-time Grammy winning bassist takes us on a musical journey from South Africa to the U.S. Kumalo has also played with Herbie Hancock, Josh Groban, Susan Tedeschi and many more. Listed as one of the 50 superheroes of acoustic guitar by Guitar Player Magazine, D’Agostino plays classical, Brazilian and jazz. He has toured with legends Leo Kotke, Tommy Emmanuel and Sergio Assad and his CD, Every Step of The Way, won a Bronze medal for Best Acoustic Album of All Time by Acoustic Guitar’s People’s Choice Awards. Help Grand Vision restore the art deco ceiling and wall paintings in the main lobby of the Warner Grand Theatre. When you adopt a seat, you'll receive a brass plaque inscribed with the name of your choice! It's a great way to be a part of the Theatre or remember a loved one. Click the image to hear the Al & Karen's story. MORE... ■□■●○■□●○■□■ Moira Smiley to perform at L.A.'s Ford Amphitheatre Oct 14 Photo: Lewis Hine. Library of Congress When the Newsies Took on William Randolph Hearst Throughout 1898, William Randolph Hearst and Joseph Pulitzer competed to dominate coverage of the Spanish-American War. For all of their ruthless competition with each other, one thing they agreed on was raising their newspapers’ wholesale prices; the extravagant expense of wartime coverage caused Hearst's New York Journal and Pulitzer's The World immense financial strain. The impact of the price hike immediately trickled down to their “newsies.” Both newspapers relied on legions of young resellers, typically between ages 11 and 15, to get their publications into the hands of customers. Initially the young distributors had no complaints about the price increase, which raised the cost of newspapers to them from 50 to 60 cents per hundred papers. Public interest in the war fueled purchases, and the newsies were assured a profit. But when the war officially concluded in August 1898, neither Pulitzer nor Hearst conceded the 10-cent increase. A full year later overall circulation was down from wartime highs, and the newsies found themselves eating the cost of unsold editions. Come summer 1899, the boys decided they had had enough. The documentary explores how, for two weeks in the summer of 1899, a union strike organized by the newsies crippled the country's most powerful publisher in this article. 18th Annual Acoustic Music Awards Accepting Applications IAMA (International AcoustIc Music Awards) promotes excellence in Acoustic Music Performance and Artistry. Acoustic artists in various genres can gain exciting radio and web exposure through this competition. Win a Top Award of $11,000 (US) worth of Prizes. Entrants come from all over the world: Australia, Canada, Japan, Brazil, Germany, USA, South Africa, etc. Judging is based on excellence in music performance, songwriting/composition/song choice, music production and originality/artistry. You can enter in a number of categories such as: Best Male Artist, Best Female Artist, Best Group, Folk, Alternative, Open, etc. *DEADLINE: Enter by November 5th or earlier. Enter Here >> ■□■●○■□●○■□■ The Broad Stage: Safety & a Survey The Broad Stage in Santa Monica is among the most notable greater-L.A.-area venues that has returned to presenting live performances after the 18 month pandemic hiatus. It is a state-of-the-art facility offering music -- from concerts and recitals to fully-produced musicals -- as well as a rich array of live theatre. Full schedule: = INTERACTIVE For the next few days, you can still take their survey about the arts, entertainment and The Broad Stage. ■□■●○■□●○■□■ Fiddle wizard Lissa Schneckenburger asks: "What Planet Can You Download Music From?" "A number of folks have thoughtfully asked about the best method to purchase music, and directly benefit an artist. I am grateful to all of you who are thinking about this, and in answer I thought I'd share a Top Five list for your enjoyment. (OK, for my enjoyment- I love lists 😂). "2. Purchasing CDs and merch directly from an artist’s web site, or from them in person at a show, is a REALLLY GREAT way to support them financially and make sure that they’re able to keep making music. Some artists do offer downloads on their web sites (I have that set up for my newer releases, like Bedlam Blues, Labor On, or the Learning By Ear video series), but honestly every single musician I know has an attic full of boxes of CDs, so purchasing any of those discs is a huge help as well. 💿 "And now a musical treat! I created a Bicycle Music and a Goddesses of Song(writing) playlist based on your suggestions last month, so enjoy! Let me know if I have forgotten any of your favorite tracks." Check out Lissa's CDs, tour dates, sense of humor, musical genius, life in New England, and more, at: ■□■●○■□●○■□■ Musical "Goldilocks & the Three Bears" opens November 20 at Theatre West ■□■●○■□●○■□■ And now for something completely different... ■□■●○■□●○■□■ Massive Wildfires & Climate Change: not just California Set your screen so you can pay attention to the right-hand side. ■□■●○■□●○■□■ Parting note... Life in 2021 ■□■●○■□●○■□■ Resources / Navigation / Contacting us / finding what you want in current, recent, or archived Guide editions Septembter 1gs0i at 3a:s4nduco3 cPMeud · Facebook Family- Not sure how to say this but we lost Mark Humphreys this morning. Don’t know what it was but suspected heart attack. He was in this car in the driveway and I was walking Siren. We got back and I saw him sitting up with his left leg out of the car and his foot on the driveway. The drivers side door was open. He was unresponsive. I called 911 and started CPR. Paramedics arrrived and worked on him for 30 minutes. But he was not coming back. I’m sorry I could not let each of you know individually. And I will let you know the arrangements when they are made. I ask that you keep and your highest thoughts because he is my everything and I am lost. Please understand if you contact me I may not be able to get back with you right away. I am grateful for all of you. And tell those you love how much you love them. Many times a day. Sepftcembeorct 1mp1o nafimatsiS 1e1:36 AatM · Thoughts from Joe, about Mark Humphreys : I have known Mark since I was in junior high, and he was a very important part of my life for the next formative fifteen years, mostly playing music together. As the little brother to Rob, I was inspired by Rob, Vincent, and Mark. They are the reason I began and continue to play music. Although he probably had no idea, Mark also inspired me to go into theater as well. To borrow from Vincent’s comments, “very” is the perfect word to describe Mark. He pursued everything with an intensity and passion – whether it was solving the Daily Jumble, writing songs for a new album, or rooting for his beloved Dodgers. Mark always seemed to be out in front of everyone else – a true leader. He got things done. He inspired others to follow and often helped them along. I feel so privileged to have had him as a friend. He has done so much for me (and for all of us). Some of my fondest memories were recording and performing with Mark. He could be relentless when recording a new album. I will never forget hearing him utter the following after recording a track: “Let’s try it one more time” or, if in a hurry, “We’ll lose it in the mix.” Or, as Mike mentioned, recording all the drum tracks for an album in two days.And as an amazingly prolific songwriter, he always had plenty of songs to record. I am eternally grateful to him for allowing me to be a part of his music, truly some of the best experiences of my life. And what a legacy of wonderful songs he has left for all of us. And never quite satisfied, he began remastering his earlier recordings. He also unselfishly recorded and produced for so many others, always taking the enormous time and energy to make sure everything was just right. Mark was entertaining, inspiring, and a true force of nature. I will miss him so much but will never forget what he meant to me and so many others. SeptembeSrcm 1m0c at 1l1r:18Si PM · Mark & I touched base frequently. He sent me every CD he ever put out. They'd always arrive very neatly wrapped like a gift. For several years he's been sending me CDs of ancient stuff he recorded—like 10 albums. Each one would have a note: "BE AFRAID—BE VERY AFRAID!" I loved those CDs. I'd listen to them while I wrote. They ranged from Garage Band to slick Rock to New Wave to Folk. I'd send my reviews to him, citing fave tracks. I called him Troff he called me Imp (for Imperative Records, my imitation label) like we were fellow moguls. We shared a deep abiding friendship going back decades. He brought out the best in himself and his artists, produced albums from people like Rod Smear and Dave Morrison who we feared might never record. When Mark toured years ago, he kept a diary that he e-mailed to me every day. Melissa Ann Morgan Humphreys was the love of his life, his North Star. He knew what was important. I'm gonna miss him more than words could ever say. SgepotSemcbpmher 1f1dfor oat r9:csfs5u5ee AM · I will be forever grateful to Mark for introducing me to the music of Tom Waits. This is the first song Mark Humphreys ever played to me of Tom's, in Mark's Marathon Ave. apartment. The record was playing when we came in, and I asked who it was. He started it over and I literally had to sit down. It was breathtaking and I was overwhelmed. Thanks, Mark. More deep sorrow has descended over the Angeleno songwriting community. Mark Humphreys, a beloved friend, songwriter, producer, and champion to so many songwriters and musicians, has died. When it came to better angels here in the angel city, there weren’t many better than him. He was the best of us. He didn’t view the music business as a necessary competition of triumph and defeat, and knew that thinking is detrimental to the spirit of a songwriter in every way. Before he created Trough, he devoted himself fully to being a serious songwriter and touring musician for years, and made many albums. He was one of the first guys who put all the pieces together on his own, and somehow figured out how to be an indie artist, and not go under. He was a gentle, warm-hearted guy, and if he was judgmental, only expressed it with tenderness. He was more excited about the good work an artist does than any bad behavior. He knew humans were only human, after all, even musicians. He had no problem forgiving anyone for attitudes or actions others found unforgivable. When certain artists would be vilified and shunned by others for their politics, or some other reason, he wasn’t the type to ever be persuaded by groupthink; he was repelled by it. Loyalty, like other old-fashioned values discarded or forgotten long ago, mattered to him. Anyone who became uninvited in this community, and made to feel like an outsider, was someone he’d go out of his way to comfort. Many people never understood or appreciated why he did this. But those he championed when they needed it the most understood. And never forgot. Mark created and launched Trough Records to release his own music at first. But almost immediately recognized that having the label established, and a system in place that worked affordably through all the stages of making an album, that it could be used to help others. As soon as he created the perfect vessel, ensured it was sea-worthy and set sail, he welcomed others aboard. But I was a late-comer to Trough. Before me came many great, singular artists championed by Mark Humphreys. These include Rod Sphere, Dave Morrison, Tom Ianello, Andrew Lorand and Puppets of Castro (featuring Darryl Purpose), Phil Ward, Tim Tedrow & Terry Vreeland, Tim Tedrow & John-Michael Kaye, Lisa Johnson, Piper-Grey, David Piper, Earl Grey, Brett Perkins, The Moriartys, and Motel Six. All of these artists and groups were passionately engaged, as was Mark, in the old world romance of writing serious songs – songs from their hearts and souls, and making records of them. Their songs were no longer considered commercial by the industry, which moved far from the singer-songwriters and their heart & soul songs towards music designed for the Hit Parade. And popular songwriting changed. As a gifted and passionate songwriter himself, he embraced the fullness of the art with all his being. He wrote about the truth, both the truth of the world and his personal truth. Often he wrote about happiness. That one can find true joy, even in this world. He’d celebrate his own good fortune to be alive, to have a job which pays him, an office on the 33rd floor, and a woman he loves always in his heart: Mark always seemed like a happy guy. Although, as I didn’t know for years, he had a major drinking problem, which he kicked long ago. And he knew misery well, he said. But he kicked that too. He was one of those singular people who understood innately that even the most seemingly confident performers and artists among us needed some affirmation. I had the great privilege and fun of performing in many Trough Records shows. Always he seemed tuned in to others, and never neurotic, burdened or bitter about life, or needy for attention. Instead, he’d set up a great concert to feature others, and afterwards would make a point of shining his bright positivity into the after-the-show backstage realm where all performers are hoping for a good review. Yet he wasn’t false or phony. He told you how he really felt, and if there was anything he felt was a misstep, he wouldn’t gloss over it. Because of that, one knew any praise was real. And from him, it meant a lot. He’d deliver it with his robust joy, reveling in his discovery of new aspects of our music or performances he hadn’t seen before, or which had improved a lot. His tone was not one of an elder letting you know you had finally improved, but a friend – a brother in arms – thrilled for you that you did such great work. He always seemed genuinely happy for the happiness of others. I spent a long time making my album, Universal Cure for Trough. Longer than Sgt. Pepper took The Beatles. He was always patient. He understood. Politically, Mark was always on his own turf, and proudly. His politics were not liberal, or conservative, but some kind of hybrid of each enriched by another of those rare old-world attributes mostly extinct in these modern times: independent thinking. He was a deep thinker, a compassionate soul, but also an unusually grounded, realistic one. And though it is easier in Los Angeles to be phony, and falsely feign left-wing Liberal attitudes so as not to ruffle feathers, he didn’t do that. He preferred, when possible, leaving the feathers of friends unruffled when he could. He had no need to denigrate others ever to prove his point. He recognized that doing so was pointless. More to the point for him was not to create more division in our world. When social media created a forum for politics to be pronounced, leading to debate, animosity and worse, it created a real division in our community. Tolerance was in short supply, even among the old hippies and Liberals who used to ascribe to such thinking.
An extensive special section at the end of this edition pays tribute to the late Mark Humphreys. When published, a memorial service / gathering had not yet been scheduled. Here is that information:
"Mark Humphreys Celebration of Life" is Tuesday, October 12, 2021, at 1 PM
It is followed by a reception for his friends.
Location:
Eternal Valley Memorial Park
23287 Sierra Hwy, Newhall, CA 91321
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Here is this edition as originally published.
DOUBLE THE SIZE OF THE ORIGINAL EDITION! Enjoy.
"Every time I see an adult on a bicycle, I no longer despair for the future of the human race."
~ H.G. Wells, writer (born September 21, 1866, died in 1946)
Mark Humphreys was a singularity -- a talented singer-songwriter who gave-up extensive touring to found an indie record label -- Trough Records -- to benefit struggling singer-songwriters.
Sure, leaving the road meant he could finally use his education and myriad other skills and talents to gain an executive suite office (not in show biz) and the hefty compensation that came with it. It meant moving out of his little L.A. apartment and getting married, living in a big house with Melissa, the love of his life.
But he always made time -- priority time -- to craft, cajole, encourage, motivate, and provide a needed kick-in-the-ass to the artists on the Trough Records label. And there were the delightful parties at his enormous house to celebrate new releases, or just to delight in wonderful songs.
The world lost him last week. We learned of Mark's sudden passing in a message from singer-songwriter / actor Phil Ward -- a Trough Records artist -- who is doing summerstock theatre in Michigan. Quickly, a trail of messages literally went around the globe, seeking details of what happened and of pending memorial and funeral arrangements.
Mark was lost to an apparent heart attack. It was not covid. But covid has and is delaying everything related to all memorial gatherings and funerals. We will report arrangements when we learn of them.
Mark's widow is, of course, processing the shock.
Singer-songwriter Robert Morgan Fisher shared some of the comments that have appeared on social media, and he made certain we received the excellent tribute piece by Paul Zollo that appears on the "American Songwriter" magazine site.
Those very personal remembrances (including ours) and Paul Zollo's published tribute appear in our special section at the end of this edition, just AFTER the closing boilerplate.
We have lost so many in this past year. So many whose like we shall never see again: Nanci Griffith. John Prine. Charlie Daniels. And now Mark Humphreys.
They leave us thoughts, melodies and memories that play in our heads and remind us of sun-drenched days, nights beneath stage lights, gentle breezes felt as crowds hushed in excited anticipation at festivals -- and the exuberant magic of the first note as they began to play. Indeed, artists do leave us the legacy of their art. For those who truly knew them, their personalities, their challenges, their humanity, it's not enough. But we do have their images in our own book of life. And even a single mental photograph, whether sharp or blurry, is a shared bit of their soul.
Like a rolling stone and fresh off the road from their multi-state tour, this year brings its live return with the ever-able, ever-artistic direction of its house band, Hard Rain, and their superb co-leaders Andy & Renee.
In addition are the dozens of guest musicians of assorted but unquestionable pedigree, and collaborations, interpretations, and renditions of songs both iconic and obscure. It's all-Bob Dylan, all day, no repeats, and all of superb and splendid quality.
What makes it possible is an uncompromising commitment to Covid safety. 
In their own words, here are the details, and the link for advance discount tix.
A top favorite Southern Cal venue reopens Thursday
Welcome back to the Coffee Gallery Backstage!
Venue impresario Bob Stane says, "IT'S THE FIRST SHOW SINCE COVID BEGAN. WE ARE BACK! WELCOME BACK SURVIVORS! We hope to see you this weekend. A couple of shows for October are being announced, too, with more to come. It will be much fun to sing and dance with you again. Call for reservations and thank you for keeping the music alive."
He adds, "For the next couple of weeks there will be no baristas for the evening shows. Labor shortages as you may have heard. You may bring non-alcoholic beverages and snacks for the evening shows. It’s an opening fortnight of picnics."
Then we get to the serious stuff:
"You must have your vaccinations and card. Bring masks."
In Bob's all caps, and in his original fire-engine red...
"BOB STANE SAYS: YOU MUST BE FULLY VACCINATED AND HAVE THE CARD OF PROOF. MASKS, TOO. YES, MASKS. LET US LIVE LONG AND PROSPER. NO EXCEPTIONS FOR PRE-EXISTING HEALTH CONDITIONS, RELIGIOUS OR POLITICAL BELIEFS. PLAY THE GAME OR STAY HOME.. NO VACCINATION CARD OR NO MASKS…NO ADMISSION. WE ARE MEAN ABOUT THIS."
THURSDAY SEPTEMBER 23rd @7 PM, $20
Here's their own inimitable promo:
COME ONE AND ALL TO THE GRAND RE-OPENING OF THE COFFEE GALLERY BACKSTAGE AND TO THE FIRST ROADHOUSE SHOW IN OVER A YEAR.
Yes. It’s true. Bob Stane has been busily working on improving the sound and lights of the legendary venue into a grand new place of music and celebration.
We are honored to bring you the premiere of the new Coffee Gallery Backstage with "The Roadhouse Series: The American Troubadour: Celebrating the Singer-Songwriter Movement of the 1970s."
In 1970 singer-songwriter James Taylor released his classic album "Sweet Baby James." The following year would see Carole King leave the Brill Building’s famous writer’s stables to release her bestseller, "Tapestry." These two albums would signal a near deluge of talented singer-songwriters across genres, signed to major record labels. It was one of those credibility threats in music that today seems like a dream. Artists and songwriters like Jackson Browne, Cat Stevens, Seals & Crofts, Hoyt Axton, Laura Nyro, Neil Sedaka, Joni Mitchell, John Stewart, Neil Diamond, Neil Young, John Prine, Steve Goodman, and Janis Ian found a receptive public and a new fan base.
So, as our Roadhouse tradition requires, a gathering of the best singer-songwriters in the L.A. area will gather to pay homage to some of the influential artists of a half a century ago. Come and help us break in the newly re-made Coffee Gallery Backstage with this one-of-a-kind celebration of great American music.
SATURDAY, SEPTEMBER 25 SHOW @ 7 PM, TICKETS $20.
THE BEATUNES…. SOLD OUT!
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Sunday, September 26.
One show only…7 PM, Tickets $25, cash or check.
“His Music is gorgeous, often funny, and his performance is flawless”
-- Bonsall Village News.
Bob reiterates at every opportunity:
Cards on phones are fine. I will not gamble with the health or lives of my entertainers or audience.
https://www.coffeegallery.com/Coffee-Gallery-Backstage-Music-Venue-Performance-Calendar.html
Perla Batalla in Concert
Friday, September 24, at 8 pm
Theatre Raymond Kabbaz,
10361 West Pico Bl, Los Angeles, CA 90064
Telephone 310-286-0553
Website: lyceela.org
"Inspired" and "musically adventurous" says the L.A. Times, and we concur.
Enjoy one of L.A.'s most talented artists LIVE on stage for one night only. Mingle with your group over a pre-show glass of wine and a cheese plate, while savoring how wonderful it feels to be back to live performance.
With a reduced capacity to help with social distancing, tickets are selling out very quickly. Click on the link below to select your seats. You can also call or email the Box Office at 310-286-0553 / trk@lyceela.org to assist with your distanced seat selections.
$45 Premium (premium seating + glass of wine + cheese plate)
$35 Adult Regular Admission (no food or drink)
$25 Students & Seniors (no food or drink)
The theatre says:
"BUY TICKETS WITH CONFIDENCE
"We will temporarily operate all of our events with proof of vaccination required for entry. All tickets for the fall are refundable up until showtime. We may limit capacity to ensure distancing in the theater. Please call or email the Box Office with questions."
A selection of the best of short animation from France. Presented annually on International Animation Day, a global event that celebrates the art of animation, TRK showcases a diversity of expression that demonstrates technical virtuosity and deft storytelling.
This new festival recalls the great artists buried in Paris’ Père-Lachaise cemetery. Through photos, literature, music, dance, film, art, books, and food, the eclectic festival remembers Chopin, Piaf, Grappelli, Colette, Jim Morrison, and more who found fame through their artistic achievements, and whose art lives on today.
November 13, 8 pm
It's Ponti in this first in-person concert since May 2019i, as LAV presents young piano virtuoso Lilian Guo in her orchestral debut, performing Mozart’s beloved Concert Rondo in D Major. 
Dave Morrison, the fine acoustic singer-songwriter who is headlining, tells us, "We're still trying to do our bit to revive the culture. Greg and Paula and myself rehearsed last night, and the sound is really coming together."
Good fun, very limited seating *vaccinated only* and just ten seats still available at press time. A $20 donation is requested.
Email Alexia for reservations and to get the address: alexia@alexiasalvatierra.com
"If you can't come out but would like to join the fun anyway, tune into the live-stream," says Dave. The link is below. He adds, "If for any reason, the stream is slow in starting, hang in there, and watch the comments for an alternate link. Sometimes these things happen."
Stream Link: https://youtu.be/nN-lfowwQ6w
More at:
www.davemorrisonmusic.com
A live audio simulcast of the show will be available via SiriusXM’s "Outlaw Country," and on Nashville area terrestrial radio stations: WRLT (100.1 FM), WSM (650 AM) and WMOT (89.5 FM).
Additionally, PBS is set to broadcast ACL Presents: The 20th Annual Americana Honors, a special episode of Austin City Limits featuring performance highlights, in February 2022.
Join the community of listeners on GK's Facebook page at 2 pm Pacific on Saturdays to relive a classic (or least notable) show from the road or the Fitzgerald Theater in Saint Paul, Minnesota. Last week's featured guests were Väsen, Chic Gamine, and Chris Thile, long before the latter took over the show, it got renamed, then faded into radio archives.
If, like us here at The Guide, you refuse to be on Facebook because you don't want its insidious spyware, you can still hear the show. In fact, if you just can’t wait, here is the LINK to last week's show, and it's up now.
https://www.prairiehome.org/shows/44103.htmlThis week on A Prairie Home Companion
"Highlights: Sierra Hull plays “Queen of Hearts’ and “After You’ve Gone” and Heather Masse sings “High-Heeled Woman” and “September Song.” Plus Heather joins Garrison on “Columbia, Gem of the Ocean” and “When You’re Gone, Long Gone.” The host talks with Minnesota farmers Justin and Janeen Wolfstellar; Guy Noir heads to Earl’s Barber Shop for a trim; plus a message from several of our sponsors, including the Manitoba Chamber of Commerce. And in Lake Wobegon, town constables Gary and Leroy pacify Mr. Hoppe with a few jokes. All in all, it’s a pretty good show, and we hope you join us for a listen. The link is posted on Saturdays at 5 p.m. CT each week on our Facebook page."
When Sierra Hull was eight, her grandmother gave her a wonderful gift — a mandolin. Three years later, Sierra was standing next to Alison Krauss on the stage of the Grand Ole Opry. Since then, this singer and mando wiz from tiny Byrdstown, Tennessee, has traveled the world playing her music, with appearances at the White House, Carnegie Hall, and the Kennedy Center. Her most recent album is the widely acclaimed 25 Trips.
Growing up in rural Maine, Heather Masse sang hymns and folk songs around home with her family. Now based in California, this New England Conservatory of Music alum is a one-third of the Juno Award-winning Canadian trio The Wailin’ Jennys. Hold On is her recording with pianist Jed Wilson, featuring a mix of cover songs and originals like the title track. Lock My Heart is her recording with piano legend Dick Hyman. Beautiful Dreamer is her duets project with Garrison Keillor, featuring songs first performed on A Prairie Home Companion.
new FREE concert series
Running through October 10 in Gandara Park, 1819 Stewart St, Santa Monica, this is the new partnership series by the City of Santa Monica and McCabe’s Guitar Shop, beginning this month.
The concert series explores the arc of Americana music from its roots in traditional Appalachian, African, roots, blues, bluegrass and folk music, to its modern forms of folk and country music. Showcasing a diverse group of Southern California artists and Americana styles, each concert features two family-friendly groups, with the opener geared towards children.
Each concert features food trucks and a McCabe’s Guitar Pop-Up Shop.
The concerts are "held in accordance with the most current guidance from state and local health agencies."
Americana in the Park is a pilot project to create a new partnership model for outdoor events, where local organizations are provided funding and support from the City to bring unique and diverse events to the Santa Monica community.
Americana in the Park is made possible by Art of Recovery, an initiative of Santa Monica Cultural Affairs that harnesses the arts to play a major role in the City’s recovery efforts.
Sunday, Sep 26, 3-6 pm:
• HEIDI SWEDBERG & DANIEL WARD
brilliant ukulele musicians, opening act
• THE CALIFORNIA FEETWARMERS
Grammy-nominated New Orleans-style jazz band; headliners
Sunday, Oct 3, 3-6 pm:
• HULLABALOO (from ANN ARBOR)
brings Funk / Jazz / Ska, opening act
• PHIL SALAZAR AND THE KIN FOLK
trad American string roots; headliners
Sunday, Oct 10, 3-6 pm:
• THE HOLLOW TREES (NELSONVILLE, USA)
“Folk Music for Families” / high energy acoustic Americana / bluegrass, country, folk, blues, jazz; opening act
• JOACHIM COODER
headliner; listen here
Catch some online shows this Friday and Saturday
L.A.'s own Rick Shea is playing some showcases at SWRFA, and these are among the live streaming performances on Friday and Saturday. You can join Rick -- and any of the other artists performing their sets at these online simulcast showcases -- by registering at:
https://swrfa.wufoo.com/forms/swrfa-2021-registration-form/
Rick plays the following showcases... he tells us,
Friday, Sep 24:
• 10:10 - 10:30 - Western Music Association - New Mexico Chapter
• 10:50 - 11:07 - Baker Booking
• 12:50 - 1:10 - Houston Song Circle
Saturday, Sep 25:
10:30 - 11:00 - Arhaven House Concerts
Then, on Sunday, Sep 26th, you can catch him in person in Southern California.
He's playing the songwriter series, "The Art of Song," at Ubuntu Café in Long Beach. This is an outdoor show:
Sunday, Sep 26, 6:30 pm PDT
Ubuntu Café
335 Nieto Av
Long Beach 90814
• 18 WORKSHOPS: Hammered & Fretted/ Mountain Dulcimers – all levels;
Bodhran (Irish frame drum); Ukulele; Tinwhistle; How to Plan & Lead a Singalong; Demo / How to Make Composite Music Videos (See article in upcoming Aug. issue of DPN, co-written by Terry Gucwa and Barbara Gershman)
Festival Schedule - https://scdh.org/SCDH/Fest_Schedule.html
• CONCERT Expanded – featuring headliners plus some favorite instructors:
JODY MARSHALL - Hammered Dulcimer, VA https://www.jodymarshall.net
with Jim Queen on fiddle & guitar
AUBREY ATWATER – Mountain Dulcimer, RI www.atwater-donnelly.com
with Elwood Donnelly, Multi-Instrumentalist
BONUS: Patti Amelotte & Brenda Hunter on HDs / Joellen Lapidus on Mtn. Dul.
https://scdh.org/SCDH/Fest.Twilight_Concert.html
• FOCUS WORKSHOPS – 4 hr. with headliners:
Jody Marshall – For Hammered Dulcimer AND Mixed Instruments players to learn her special holiday arrangements: “We Need A Little Christmas”
https://scdh.org/SCDH/HD_Focus_Class.html
Aubrey Atwater – Brings fun and new tunes for Mountain Dulcimer players with “Potpourri: Repertoire & Technique” https://scdh.org/SCDH/Mtn.Dul.Focus_Class.html
Thursdays through Saturdays, through Oct 2 at the Getty Villa in Pacific Palisades
This is innovative. The Getty presents a hilarious musical retelling of Aristophanes's "Lysistrata" set to a mash-up of Liza Minnelli hits. Co-produced by the Troubadour Theater Company and directed and adapted by Matt Walker, LIZASTRATA follows our hero as she takes on the establishment, storms the Acropolis, and holds the treasury hostage until the long-warring men of Athens and Sparta commit to declaring peace.
Experience outdoor entertainment at a venue modeled after ancient Greek and Roman theaters.
Tix hereThe Legendary 1979 No Nukes Concerts from Bruce Springsteen and the E Street Band were recorded at the September 1979 MUSE (Musicians United for Safe Energy) benefit concerts at Madison Square Garden in New York City.
The performances have been newly remixed and remastered for pristine sound and HD resolution. Each set comes with a 24-page book with rare photos, an essay, and other great memorabilia.
It's deja vu all over again: a free, daylong October festival like the one last spring (with different artists), and it caps a weeklong retreat for singer-songwriters who partake of the pine forest, the workshops, and the right combination of inspirational solitude and collaborative interaction.
Music impresario Brett Perkins tells us, "There's still room to join us for two days or six on the October 10-16 Idyllwild Listening Room Songwriting Retreat."
*** All covid protocols are strictly followed and participants must provide proof of full vaccination.
On that deja vu theme, registration is open now for the next FOUR retreats in Idyllwild, where you can experience a week of "Community Through Co-Writing" in that beautiful high mountain arts community. It's two hours from Los Angeles, and the retreat is less than $100 per day. The dates are:
October 10-16 * January 23-29 * March 13-19 * July 10-16
Career writer Alan Roy Scott (Celine Dion, Sons of Anarchy, Top Gun), will join participants for the first two full days of the October retreat, offering his seasoned perspective on participants works.
Those unable to attend for a full week can sign up to participate October 11-12 for $200.
Each retreat concludes with a song-debuting "Idyllwild Songwriters Festival" set, wherein participants share selected co-writes from the week. Each of them joins in with Brett's stellar line-up of songwriters and seasoned recording artists featured throughout the day. It all happens at the fully outdoor, free entry, family-and-dog-friendly October 16th event.
Donations from the festival go to support the Idyllwild Help Center, which provides essential supplies and services to those most in need in the local community.
While he's here from Europe, Brett is also playing one solo Southern California concert, October 9th at Jeweled Universe, 1017 Mission Bl, B, in South Pasadena 91030; jeweleduniverse.com
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Back:
San Pedro's Grand Annex
& Warner Grand
The Grand Annex Fall Season reflects the artistic excellence that you love, and the commitment to the San Pedro community that you expect. Come share the moments—together, in-person, once again—that inspire us all.
COVID-19 SAFETY AT THE GRAND ANNEX & WARNER GRAND THEATRE:
All attendees will be required wear facemasks when not eating or drinking and to show proof of Covid-19 vaccination or a negative test taken within 72-hours. 
Kala Koa Entertainment Presents: ANDREW MOLINA
Saturday, September 25 / 8pm
With arrangements of hits like Aerosmith’s “Dream On” and “Sweet Child O’ Mine” by Guns N’ Roses alongside his own original instrumental compositions, Hawaii-based ukulele virtuoso Andrew Molina proves that the ukulele has no limits!
Buy Now 
GRACEBAND
Friday, October 1 / 8pm
An explosion of fun, high-energy, rock 'n roll faithfully recreating a 1974 era Elvis Stage Show. You'll hear the big hits with big arrangements, from California's only 12 piece Elvis Tribute.
Buy Now 
HUBBY JENKINS
Friday, October 8 / 8pm
Opener: Joselyn & DonBuy Now 
Kala Koa Entertainment presents:
BAKITHI KUMALO
Saturday, October 9 / 8pmBuy Now 
Kala Koa Entertainment presents:
PEPPINO D'AGOSTINO
Sunday, October 10 / 8pmBuy Now 
ROSE'S PAWN SHOP
Friday, October 22 / 8pm
Modern alt-rock inspired by old style Americana with an arsenal of guitars, banjo, upright bass, fiddle and drums. A little like Mumford & Sons or Old Crow Medicine Show, Grammy-nominated Rose’s Pawn Shop plays some of the best lyric-driven rock since The Band emerged from Bob Dylan’s basement.
Opener: Herman Dune
Buy Now 
BOB MALONE
Saturday, October 29 / 8pm
Known for his high-energy piano rock concerts, Malone has worked with Ringo Starr and many others. He is featured on The Grinch (2018) soundtrack and is a long-time member of John Fogerty’s touring band. At the Annex with full band. Includes Halloween festivities, costumes encouraged!
Buy Now 
LAURENCE JUBER
Saturday, November 13 / 8pm
GRAMMY winning guitar player at the front lines of the fingerstyle genre - and known internationally for his collaborations with Paul McCartney and as a lead guitarist for Wings.
Pre-concert wine tasting at 7:00-7:45pm, free to members.
Buy Now 
MARTHA REDBONE
Sunday, November 14 / 8pm
Native and African American singer-songwriter and Independent Music Award winner delivers her powerful Harlan County, Kentucky mix of folk, roots, blues and traditional Native American music. At the Annex with her trio.Buy Now 
Encore Theatre Group presents:
BEAUTY AND THE BEAST
Saturday, October 9, 2021 @ 7pm Sunday, October 10, 2021 @ 2pm
Featuring Encore's talented young performers, this enchanting production of the classic tale, Beauty and the Beast will be a family outing to remember. Directed by actor and director Renee O’Connor.Buy Now Adopt a Seat at the Warner Grand Theatre!
Adopt a Seat
Warner Grand performances
https://www.grandvision.org/warner-grand/events.asp
Grand Annex performances
https://www.grandvision.org/grand-annex/events.asp
So she's not the headliner. As far as we are concerned she is. And the John Anson Ford Amphitheatre, across the canyon from the Hollywood Bowl? Oh, yeah, marvelous venue.
This is "a groundbreaking project that, as its name suggests, merges improvisation and jazz rhythms with the orchestration and instrumentation of a traditional chamber ensemble."
Billed as "Billy Childs Jazz-Chamber Ensemble, featuring special guest Dianne Reeves," it's produced in partnership with Angel City Jazz.
A night with five-time Grammy-winning pianist and composer Billy Childs, plus special guest Dianne Reeves and quite a lineup.
Thursday, Oct 14, 2021 - 8 PM
Gate at 6:30 PM, Concert at 8 PM
*** Masks are required for this concert. Click tix link to learn about the Ford's safety practices.
Artists:
Jazz Chamber Ensemble
Billy Childs, piano
Larry Koonse, guitar
Carol Robbins, harp
Daniel Rotem, saxophone
Dan Chmielinski, bass
Christian Euman, drums
Sara Andon, flute
Dianne Reeves, special guest
Moira Smiley, vocals
The Lyris Quartet
Alyssa Park, violin
Shalini Vijayan, violin
Luke Maurer, viola
Timothy Loo, cello
Alexander Gedeon, poetry recitation
Tix here
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Moira's
must-see Video
The official music video for "Sing About It" from the album "In Our Voices" by Moira Smiley & VOCO has now been selected by EIGHT FILM FESTIVALS. Moira says, "Christine Banna did a brilliant job with this video and deserves every ounce of recognition. Have you seen it yet?"
It has remarkable animation and intricately layered vocals with a "world music feel, backed by body percussion.
Click here to watch
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Television...
Truth behind the musical, "Newsies" -- and the power of workers -- good TV, September 27 & 28
It's still staged as a musical historical drama. In July 2022, a traveling production arrives in Southern California at the Thousand Oaks Performing Arts Center for a multi-night run in the Fred Kavli Theater (get tix now); that follows its opening stand in Ft. Worth, TX.
Many have seen the 1992 musical feature film version of "Newsies" produced by Walt Disney Pictures and directed by choreographer Kenny Ortega in his film directing debut.
Then there's the PBS "American Experience" documentary. In "Citizen Hearst," the story of the young newsies and their labor-vs.-mogul revolt is the central theme.
It airs in two parts, Monday & Tuesday, September 27 & 28.
The true-life drama of 120 years ago could not be more relevant to our time:
• a war started by a lie
• in which the media was culpable
• war-profiteering corporate moguls building fortunes
• those at the bottom of the economic heap getting stuck with the bills.
Watch it for the history and the reminder that ordinary people can change things. As anthropologist Margaret Mead said, “Never doubt that a small group of thoughtful, committed citizens can change the world. Indeed, it is the only thing that ever has.”
Then remember what historian Ariel Durant famously observed: "History does not repeat. But it does rhyme."
Citizen Hearst premieres over two nights on PBS beginning on Monday, September 27 at 9/8c.
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IAMA is sponsored by: Zagar Guitars, New Music Weekly, Loggins Promotion, Airplay Access, Aspri Reverb, Sirius XM Radio, Acoustic Café Radio Show, Bandzoogle, Paige Capo, Make Music Matter, Kari Estrin Management & Consulting, and more.
They tell us, "To ensure the health, safety and well-being of our patrons, staff and artists, The Broad Stage is requiring guests to be fully vaccinated against COVID-19, and to wear masks at all times. This policy applies to all performances, whether indoors or outdoors.
"With guidance from Santa Monica College, we are working to make sure we are fully in compliance with up-to-date protocols. We are also requiring full vaccination for all staff, artists and volunteers who work onsite.
"If you are not yet ready to return to live shows, indoors or outdoors, we will be offering additional digital content this Fall, including new REVEAL episodes from the creative teams of the newly commissioned Yemandja and Universal Child Care. Stay tuned for details at a later time.
"We are extremely grateful for your patience as we navigate still unfamiliar territory together...
"For any questions about this policy, please contact Patron Services at patronservices@thebroadstage.org or 310-434-3200."
The Broad Stage, 1310 11th St, Santa Monica, CA 90401
thebroadstage.org
As their thank you, you'll have the opportunity to win a $150 VISA gift card.
The folks at the Broad Stage say, "We look forward to hearing your opinions! We absolutely read every response, and your input will help shape our direction into the future."
TAKE THE ARTS SURVEY AT:
https://www.surveymonkey.com/r/BroadStage
We would have said Jupiter, since it's where all that crazy noise comes from that you hear between AM radio stations. But we'll play along.
"Okay, Lissa, What planet can you download music from?"
Lissa: "NepTUNE!"
Yeah, well, she hooks us every time with something. Once you've heard her play, you know why.
She just published a tremendously helpful guide to buying your music. Like most of what she puts out for consumption, it deserves an appreciative audience. So here it is:
"5. Anyone who wants to support an artist ANY way that they can (even if it’s just forwarding an email or youtube video to a friend to spread the news about new music) is VERRRRY appreciated. I’m a BIG fan of anyone who is a music fan. 😊
"4. Streaming services pay VERY small micro amounts per play (like frequently $.0001) but they’re not all the same. Spotify is one of the worst, Apple music is a little better, Pandora is better than either of them, and Bandcamp wins hands down at giving the biggest percentage back to the artist. Still, every little bit counts, and plays do add up over time so if you’re a music streamer, stream a LOT and tell all your friends.🎧
"3. Downloading from any of the various music stores will give the artist more in their pocket than streaming. And like streaming, it has the added benefit of having smaller production cost, since the artist doesn’t have to pay for an actual physical product or shipping. Again, Bandcamp is my favorite music downloading company.
"1. And finally number one! Many artists have been able to gain more control over the subscription based/ streaming economy by having Patreon accounts, where fans can subscribe for monthly content. I don’t have a Patreon yet, but staying on a musicians email list and subscribing to whatever they send your way is a REALLY great way to support them. So, congratulations, you're already WAY ahead of the game my dear email list subscribers!!! This is the best possible support a musician can have because it allows for direct artist to fan connections, and I love to stay connected to you! ❤️
(And yes, you'll hear more from her in The Guide.)
The award-winning Storybook Theatre -- a professional company operating under a contract with the stage union Actors Equity -- has, for many years, been presenting its trademark non-scary musicals at Theatre West. They are ideal for children and their families.
This marks the troupe's return after the pandemic. The musical for children and their families will be presented with plenty of audience participation. The interactive audience children help Goldilocks in her comical forest adventure with the three bears, as she learns that bears can be people, too.
Birthday parties and school field trips are cheerfully accommodated.
Book by Scott Martin. Lyrics by Rob Meurer and Scott Martin. Music by Richard Berent. Directed by Lloyd J. Schwartz. Produced by Barbara Mallory Schwartz. A Storybook Theatre production.
At Theatre West, 3333 Cahuenga Bl, Los Angeles. This is near Universal City, North Hollywood and Studio City. Parking available in a lot across the street ($5 fee).
Runs Nov 20, 2021 through June 4, 2022, Saturdays at 1 pm. Dark on Christmas Day.
ADMISSION: All seats $15.
Reservations / Information: 818-761-2203
Online tix: www.theatrewest.org
The Ziggens
Influential So Cal "CowPunkSurfabilly" band THE ZIGGENS are releasing "Oregon," their first record in 19 Years, on September 24th.
A 19-track album after 19 years of -- what? Cult-follower obscurity? Not so fast. Check out these review raves:
• “Oregon” exemplifies the band’s eccentric blend of country, punk, surf and ballads." ~ Long Beach Press-Telegram
• "These tracks will keep you glued to your seat (or Air Pods) to see what comes next." ~ OC Music News
• "The Ziggens never broke up, but they haven't released new music in 19 years... until now. 'Rev It Up' finds the band channelling the instrumental surf rock of bands like The Ventures and The Sandals, and there's a little hot rod rock in the mix too. It's a sound that never goes out of style, it feels like classic California, and The Ziggens do it with vigor." ~ Brooklynvegan
The band just released "Macon," the second single off this 19-tracks-after-19-years album. Titled "Oregon," the album marks their 30 year anniversary as a band.
Now wait a minute, you say. Isn't Macon a city in Georgia? What's that got to do with Oregon? Good question. Can't be the US Navy's long-lost Hindenburg-like airship of the 1920's, USS Macon, because that crashed off Big Sur, California.
Has there ever been a band described like that?
Harmony singing, laughter, and pure high volume fun are among descriptions of their live show. Hailing from Surf City CA, it makes sense that their music gravitated toward reverb-drenched surf vibes -- but those ballads and tight harmonies set them apart from the other fish in the sea of music.
By now you realize our enthusiasm for Bruce Forman's band "Cowpunk" has nothing to do with this outfit. Waaay different.
While always skirting around the edges of the underground, the band's legion of fans has included some music luminary oddballs, like Bradley Nowell, who signed them to the Skunk Records label, covered their track "Big Salty Tears," and for years enlisted them to tour as Sublime's opening act. And there was the late Josh Fischel of Bargain Music. And a young Travis Barker, who was often seen up front at the band's early shows.
Give 'em a prize for fortitude. They've maintained their original lineup and continued to tour throughout their 30 year existence. Meanwhile, they've also worked on various side projects that only eclectic garage rock peeps have heard of. Oh, and there is Ziggens frontman Bert Susanka's children's music act, Jelly of the Month Club.
If it seems strange to reconcile the idea of "Oregon" with surf music -- the water being bone-chilling cold up there -- it's consistent with all the incongruities present here. Check 'em out. When the album drops, you'll find ways to hear it. You might like 'em.
So many massive California wildfires the past two years. If history is a guide, the 2021 season has yet to peak. Just one giant, the Dixie Fire, burned a million acres in California.
Yet California isn't the worst example. Canada's 2021 fires? Twice the US total. And in just part of Siberia -- the Sakha Republic -- fiery destruction / greenhouse gas conversion / of ancient forests is unprecedented since the asteroid that killed the dinosaurs.
Why it matters:
How it works:
During the June through August period, wildfires in the Sakha region of northeastern Siberia emitted enough carbon dioxide to rival the annual emissions from Germany in 2019, according to the Copernicus Atmosphere Monitoring Service (CAMS) and data from The Rhodium Group.
August set a monthly record for wildfire emissions coming from the Northern Hemisphere, and Siberian emissions were more than twice the total from the June through August timeframe last year, CAMS' satellite data shows.
Threat level:
As the climate warms due to human emissions of greenhouse gases from fossil fuel burning, extreme wildfire years are expected to become more common and burn in ecosystems where they were previously uncommon.If fires burn intensely in regions with permanently frozen soil known as permafrost, it could free up currently frozen organic matter locked away for centuries or longer, emitting carbon dioxide and methane.
What we're watching:
Wildfire season is not over yet in the western U.S.
Southern California, for example, tends to see its worst wildfire weather days in October into November.
This summer's California wildfires, dominated by the nearly 1 million-acre Dixie Fire, already sent twice the amount of CO2 into the air compared to 2020, also a severe wildfire season.
Before you feel hopeless, consider this:
$5 billion. That's how much a suite of philanthropies just pledged for a big global conservation effort. See (link below) "Private Funders of the New ‘Protecting Our Planet Challenge’ Announce $5 Billion Commitment to Protect and Conserve 30% of Planet by 2030," subtitled, "Announcement Marks Largest-Ever Private Funding Commitment To Biodiversity Conservation – Aimed at Tackling Earth’s Climate, Extinction and Health Crises."
Here are some excerpts:
"Nine organizations have joined together to pledge $5 billion over the next 10 years to support the creation, expansion, management and monitoring of protected and conserved areas of land, inland water and sea, working with Indigenous Peoples, local communities, civil society and governments... This commitment to ensure 30 percent of the planet is protected and preserved in the most important places for biodiversity by 2030 is being made jointly... [and] marks the largest private funding commitment ever to biodiversity conservation.
"[It] will fund efforts... by strengthening and expanding protected areas and support to Indigenous Guardianship of traditional territory. Founding organizations: Arcadia, Bezos Earth Fund, Bloomberg Philanthropies, Gordon and Betty Moore Foundation, Nia Tero, Rainforest Trust, Re:wild, Wyss Foundation, and the Rob and Melani Walton Foundation." Full story from the Wildlife Conservation Society (WCS).
So it serves to remind us that every action, everywhere, makes a difference. Particularly when only half the Amazon rain forest of the 1950s survives today, due primarily to (1) slash-and-burn, short-term yield agriculture, (2) exploitive harvest of exotic hardwood trees, (3) destructive strip mining, and (4) leveling everything living to plant modern monoculture palm oil or soybean plantations. 
• Deforestation in Brazilian Amazon hits highest annual level in a decade
The Guardian, 20 August 2021:
https://www.theguardian.com/environment/2021/aug/20/brazil-amazon-deforestation-report-bolsonaro-climate
• (pdf, in French) Soja & deforestation: stop financial actors' complicity
Report from Reclaim Finance, Canopée, SumOfUs, Mighty Earth, October 2020:
https://act.sumofus.org/go/558331?t=19&akid=94450%2E12265938%2Elr_81M
• Feeding the European appetite for soy
Rainforest Foundation Norway, November 2020:
https://historier.regnskog.no/feeding-the-european-appetite-for-soy/index.html?_ga=2.191727274.1080812544.1610560792-565971578.1588683920
• Banks urged to combat deforestation and halt biodiversity crisis
The Independent, 12 January 2021:
https://www.independent.co.uk/news/business/banks-deforestation-soy-cattle-timber-b1785600.html
■ Add your name to demand that Bank of America, JP Morgan Chase and Citigroup stop financing destruction of our precious forests: 
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The special section, "Mark Humphreys: in memoriam," is at the end of this edition, just AFTER the closing boilerplate.
On mobile devices, click "view web edition" to bring-up the left side bar with navigation tools. That gives you direct access to click your way to all re9cent editions. It's easy to bring-up month-by-month archives to everything last year, so far this year, and each previous year.
in this new world
Special section, "Mark Humphreys: in
THEN, we present expressions from artists shared on social media, and Paul Zollo's tribute from "American Songwriter" magazine.
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From the opening...
Sure, leaving the road meant he could finally use his education and myriad other skills and talents to gain an executive suite office (not in show biz) and the hefty compensation that came with it. It meant moving out of his little L.A. apartment and getting married, living in a big house with Melissa, the love of his life.
But he always made time -- priority time -- to craft, cajole, encourage, motivate, and provide a needed kick-in-the-ass to the artists on the Trough Records label. And there were the delightful parties at his enormous house to celebrate new releases, or just to delight in wonderful songs.
The world lost him last week. We learned of Mark's sudden passing in a message from singer-songwriter / actor Phil Ward -- a Trough Records artist -- who is doing summerstock theatre in Michigan. Quickly, a trail of messages literally went around the globe, seeking details of what happened and of pending memorial and funeral arrangements.
Mark was lost to an apparent heart attack. It was not covid. But covid has and is delaying everything related to all memorial gatherings and funerals. We will report arrangements when we learn of them.
Mark's widow is, of course, processing the shock.
Singer-songwriter Robert Morgan Fisher shared some of the comments that have appeared on social media, and he made certain we received the excellent tribute piece by Paul Zollo that appears on the "American Songwriter" magazine site.
We have lost so many in this past year. So many whose like we shall never see again: Nanci Griffith. John Prine. Charlie Daniels. And now Mark Humphreys.
They leave us thoughts, melodies and memories that play in our heads and remind us of sun-drenched days, nights beneath stage lights, gentle breezes felt as the crowds hushed in excited anticipation at festivals -- and the exuberant magic of the first note as they began to play. Indeed, artists do leave us the legacy of their art. For those who truly knew them, their personalities, their challenges, their humanity, it's not enough. But we do have their images in our own book of life. And even a single mental photograph, whether sharp or blurry, is a shared bit of their soul.
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Thank you for communicating with Melissa and forwarding messages to and from her. I shall mail her a card that is hopelessly inadequate, but a sincere effort. I do hope the offered dates for funeral/memorial availability do not crowd their 20th anniversary.
The news certainly stunned me. As I wrote to Phil Ward upon first learning the awful news from him, I had been thinking of Mark just a few days earlier, and thinking I should write him to say hello, ask about life during covid, and if Trough had released anything.
Y'know, way back when I had the radio show and coaxed Mark to come in and play live-on-air every couple months, he and I would always grin about his "one condition for doing that." It was, of course, that we talk about the stable of Trough artists, promote their gigs, and spin their tracks while he was there.
His point was that he was no longer touring, but the others were. It occasioned the shared grin because I played tracks by all the Trough artists anyway -- including his CDs. And, in utter defiance of big labels and pressurized charts, several "listener favorites" came from that airplay.
I never could reconcile Mark's political conservatism with his generous service to others, his impulse to look to the needs of others. Like his countless hours crafting, forging, honing not-ready-for-prime-time musical compositions into first-class recorded productions. I got him to tell many compelling stories on air, but he was too humble to say much at all about his penchant for doing that. I do recall Andrew Lorand once thoroughly embarrassed Mark by telling listeners how critical "The Chairman's" role was to the aspirations of others.
I know we all have splendid memories to cherish and hopefully to share. Since I am not on Facebook, may I ask that you copy and send a few that appear there? Beyond my own fond wish to read them, I would like to have the thoughts of others when enough info is here to write a proper obit for his life in music.
This is a tough year. The "1 in every 500 Americans dead of covid," just confirmed today. And I have lost old friends this year, not to covid, in North Dakota, Arizona, and just last week, Virginia.
In addition, my mom died a year ago February, and we are still awaiting word from Arlington Nat'l Cemetery regarding when her ashes can be interred with my dad's. So I have an idea what Melissa is experiencing with that one aspect of being left waiting.
I hope when it is safe that we can have a musical gathering in tribute to Mark. He had favorite songs by so many artists, so many in the Southern Cal music community, on and off Trough. Each one surely knows what "their" special song is. It would make quite a tuneful evening, with multiple boxes of crying tissues. Time it right and Brett would be here.
Meantime, write when you can, and take care.
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Memories of Mark Humphreys in
collected social media expressions
(courtesy of Robert Morgan Fisher)Melissa Ann Morgan Humphreys
Sandy Dobbins
Robert Morgan FisherMark Humphreys
Sandy Dobbins
(This is originally published at:
https://americansongwriter.com/in-loving-memory-of-a-great-songwriter-champion-and-true-friend-mark-humphreys/)Angeleno Songwriting Champions, Part I.
Among human attributes, among the greatest is a true generosity of spirit. It comes from knowing that the authentic joy of giving far surpasses that of receiving. Albert Pike, an author and judge in Lincoln’s time, said, “What we do for ourselves dies with us. What we do for others and the world remains and is immortal.”
Mark understood this innately, and it was at the core of who he was. As anyone knew him can affirm, he was that rare guy who genuinely cared about other people, and went the extra distance so that they knew it. He had more than good intentions; he carried through. He didn’t make promises he didn’t keep. His greatest happiness came from the happiness of others.
In this business of music, climbing over one’s friends – or anyone in the way – to reach the top is an old tradition. Mark did the very opposite. He built a foundation on which he could launch a real songwriting career, on which he invited many artists to join him, and, with his help, ascend. It was called Trough Records.
Trough was conceived as a collective record company, in which the artists could own their own work. Of course, this is the absolute antithesis of the American music business practices of exploiting and profiting off of musicians and songwriters. Enriching one’s self thoroughly is the priority, and is not as easily done when sharing the profits with the creative folks. Besides – the thinking went and still goes – it will only make them fat and lazy, and songwriters need to stay hungry to write good songs.
Mark, being both a serious songwriter and a good businessman, didn’t subscribe to that thinking. Songwriters, he knew, were hungry enough. More than enough. Hungry for the essentials of life. But also hungry to be heard. Hungry to get their songs recorded and out in the world.
So instead of pushing people out of his way, he pushed them to write more songs, to record. And to not give up. He knew as long as an artist never stops, that he is unstoppable.
But that generosity of spirit was there from the start. As soon as he figured it out – how to make albums, promote them, get them to radio, and even tour – he wanted to share this knowledge with others. He never seemed to care about lifting himself beyond everyone else. Mark wanted to lift up others, always, and he did.
He also was unique in his innate ability to get along with just about everyone. The differences that divide people – religion, politics, age, gender, etc. – were secondary to him. Musicians make music out of noise, and bring harmony to the world. The triumph is in the doing, as he knew. The real reward came in realizing the work to the fullness of one’s vision, and not settling. It wasn’t about looking to others for judgment of one’s song. Others might love it or not. But it started always with the artist.“My life has been blessed beyond anything I could have possibly hoped for.”
– Mark Humphreys
He was a truly benevolent man in this way, even when benevolence went out of fashion. Fashion, and what was considered hip or right for one moment, he knew was fleeting and fluid. It was the timeless aspects of life that mattered more. Being good to each other. Being loyal. Being true. True to one’s self, and true to the world.
In this way he was an analog man in a digital age. Even when the entire world got digitized, he remained proudly analog, literally and symbolically. He recorded at his home studio on his trusty analog TASCAM 388, making his own albums there and the albums of countless artists. And they sounded great.
So many great songwriters, artists, duos, bands and more who didn’t fit easily into the shifting musical trends of the day and found themselves denied access, forever outside the walls of the kingdom, were given a home by Mark, and a way in. Over the years he gave a home to a vast swath of artists, including this writer.
But he wasn’t diminished by this change. He was empowered. Trough was a home for all those abandoned by the industry yet still staying true to the mission: writing great songs.
When their albums were completed – always as momentous to the songwriter/artist as completing the Sistine Chapel was for Michelangelo, if not way more – he understood how it felt better than anyone.
He’d help do that thing most songwriters do poorly, or not at all – promote their work. He was someone who had been in the trenches for years, doing the work, and he understood all of it, especially the hard parts. Though he was much better at championing himself than most artists, he also recognized that it wasn’t easy for most, and impossible for some.
“And I’m king of the world!” he proclaimed with unabashed delight in his song “Mexican Sunrise,” one of my personal favorites. It’s the one Mark Humphreys song I recorded, and which I am proud is included on a tribute album created for him – thankfully, while he was still with us, which is the best time – called The Mark Humphreys Experience: Just About Everybody Sings Mark Humphreys. It’s on Trough Records.
The 2017 tribute album to Mark made by his friends and label-mates.
And never did he seem happier in life than after meeting and marrying his true love, Melissa Morgan. They created a warm and beautiful home, which seemed like his dream come true. The first song he wrote for Melissa was called “Home.”
He was the producer and co-host/engineer of her great true crime/murder podcast Just the Tip-Sters. He engineered it all, and served as her on-air sidekick, her Ed McMahon/Robin Givens. But she was the star, which is how he wanted it. He was in his element, and delighted in letting the world know how brilliant his wife was, and helping her star shine.
One of my favorite memories after it was finally complete, and sent him a copy was a receiving his excited phone call about it.
“Zollo,” he said excitedly, “you are no folkie – you’re a rocker!”
Mark wouldn’t have any of it. At his parties everyone was invited, those on the Right, the Left. Even the undecided, if there were any. Nobody was excluded. It didn’t make everyone comfortable, and many barely acknowledged those on the other side.
But Mark was Mark, and warmly welcomed all with his gentle, ecumenical spirit of inclusion. It wasn’t something he needed to lecture about. He simply lived what he believed in. Which was brave, beautiful and essentially who Mark Humphreys was and how he will be remembered. He was a happy man who reveled always in the happiness of others.
So to lose Mark of all people is especially painful and sad, as without him it won’t be the same. Who else can come to this world with his calm, joy, warmth, wisdom, and rare ability to get along with everyone? Who else easily delights in celebrating others more than himself ?
For all of us blessed by his friendship, and enriched by his big heart and generosity of spirit, we will keep those gifts always. For that we are forever grateful.
So long for now, old friend. And thank you.
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When we published this special section, a memorial service / gathering had not yet been scheduled. Here is that information:
"Mark Humphreys Celebration of Life" is Tuesday, October 12, 2021, at 1 PM
It is followed by a reception for his friends.
Location:
Eternal Valley Memorial Park
23287 Sierra Hwy, Newhall, CA 91321
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