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Thursday, April 10, 2014

Thursday: Ticket Alerts, a BIG Benefit Show, & Tonight’s Arts & music Events - April 10, 2014


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We begin with NEWS QUICKIES...

1)  BIG benefit concert with MANY stars tonight for BILLY BLOCK in his fight against cancer. See 7 pm listings for feature-length story.

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2)  LINDA RONSTADT became the first Tucsonian inducted into the ROCK AND ROLL HALL OF FAME today. The “Arizona Daily Star” newspaper published exclusive and rare early images of Linda today, at: http://azstar.net/1hvIZIW
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Check-out an early newspaper photo of a very young Linda playing a Tucson coffee house, at:
https://fbcdn-photos-c-a.akamaihd.net/hphotos-ak-frc3/t1.0-0/c0.0.620.489/s600x600/10171072_610225775712982_9126159657438579315_n.jpg

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3)  REMEMBER JIMMMY FALLON’s uncanny portrayal of Springsteen? He’s at it again, playing TOM PETTY with the very real STEVIE NICKS. Thanks for the word from ANDY CHANLEY from 100.3, The Sound, who checked-in to ask, "Did you see [them] last night? Check out Stevie with (not really) Tom Petty in a spot-on remake of the original video. Hilarious." It's at:
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http://youtube.com/watch?feature=youtu.be&v=-Ib86ZmUBOY


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4)  If you’re in Florida, the annual “WANEE MUSIC FESTIVAL” gets underway tonight in Live Oak, FL, with HOT TUNA playing electric.


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April 10th in history…

√  On this day in 1890, the U.S. PATENT SYSTEM was established.

√  On this day in 1849, the SAFETY PIN was patented by Walter Hunt. (Yes, there were plenty of other patents between 1790 and 1849.)
 
 
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In this edition…

Thursday’s live music & art events…
♪  TICKET ALERTS
♪  MUSIC CAMP
♪  ONGOING MUSIC & ART EVENTS
♪  THURSDAY’S LIVE MUSIC & ART EVENTS
 
 
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♪  TICKET ALERTS


1)  "A Prairie Home Companion" with Garrison Keillor will be recorded live on Fri, Jun 6, at 7:30 pm, at the Greek Theatre in L.A.
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Presale / password tix on sale Fri, Apr 11, 10 am-10 pm, with Password: PRAIRIE, at:
http://m.ticketmaster.com/event/09004C5C975A6EC8?artistid=835597&majorcatid=10001&minorcatid=2&brand=nederlanderla&camefrom=cfc_ndrcon_ned_Apr8
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To access presale tickets, click the "Get Tickets" button during the specified presale window and enter the password in the "special offer" box. To reserve VIP & Box Suite seating, click the green "VIP Seating" button or call 323-644-5055.

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2)  Joe Purdy plus special guest Brian Wright at the Bootleg HiFi on June 6; Bootleg HiFi, 2220 Beverly Bl, L.A. 90057; 323-605-7765.
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Tickets on sale Fri, Apr 11, at midnight (that's Thursday night, at midnight) at:
http://foldsilverlake.com/mobile/show.cfm?id=152023&cart_Apr8

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3)  "Rock n Blues Fest" featuring Johnny Winter Band, Edgar Winter Band, Vanilla Fudge, Peter Rivera, and Savoy Brown's Kim Simmonds, at City National Grove of Anaheim on August 22, at 8 pm.
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Presale tix available Thu, Apr 10, 10 am-10 pm, with Password: RNB2014, at:
http://m.ticketmaster.com/event/09004C73D40C7CDD?artistid=1708589&majorcatid=10001&minorcatid=1&brand=nederlanderla&camefrom=cfc_ndrcon_ned_Apr8

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4)  MORE MAC: To no one’s surprise, FLEETWOOD MAC sold-out their first two scheduled concerts at the fabulous new Forum and have now added a 3rd show. Tickets go on sale Mon, April 12, at:
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http://m.ticketmaster.com/Fleetwood-Mac-tickets/artist/735087


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5)  Sourdough Slim returns April 24, 7 pm, return to the Ojai Concert Series . $20 tix are going fast, at www.ojaiconcertseries.com
 
 
 
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♪  THURSDAY’s LIVE MUSIC &
     ART EVENTS
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♪  MUSIC CAMP

Apr 9-13, MUSIC CAMP, in San Diego Co (Julian):
Annual “JULIAN FAMILY FIDDLE CAMP” includes Fiddle ~ Mandolin ~ Guitar ~ Banjo ~ Bass ~ Appalachian Dance, at Camp Cedar Glen, 743 Farmer Rd, Julian 92036.
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Instructors include SCOTT LAW, SHARON GILCHRIST, CHRIS COOLE, KATIE GLASSMAN, and REBECCA STOUT.
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Info, 760-522-8458; www.familyfiddlecamp.com
 
 
 
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♪   ONGOING MUSIC & ART EVENTS
 
 
Ongoing, through Apr 19, in Sierra Madre:
(Times vary, by night)  “CIVIL WAR THEMED LIVE THEATRE,” in three period-music-related productions, at the Sierra Madre Playhouse, 87 W Sierra Madre Bl, Sierra Madre; 626-355-4318; www.sierramadreplayhouse.com. Free street parking.

Nick Smith, veteran storyteller and co-producer of the Pasadena Folk Music Series (formerly the Caltech Folk Music Series), says, “I’m historical advisor for their current productions. The main one, "Battledrum," (Mar 7-Apr 19) is a short musical drama about drummer boys during the Civil War.”
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There is also one remaining performance of the MUSIC OF THE CIVIL WAR, in a show called "Glory Hallelujah," on Apr 13. It’s presented in conjunction with the Colbert School of Music, that esteemed L.A. institution across the street from the Disney Concert Hall.
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The theatre’s lobby has a wonderful display of Civil War photographs and descriptive placards, along with a Union uniform and lady’s dress of the time.
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Each performance of "Battledrum" opens with an opening talk by a historian, leading into the play. Nick tells us, “I will be doing [the historian’s opening] for some of the performances. I’m also helping select the readings and music for the other production. It’s been busy.”
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The Guide was there for ""THE PLAYER KING," a one-night-only show in the series on March 28. It’s about the theatrical Booth family, including John Wilkes Booth, the actor who assassinated Abraham Lincoln. Written and performed by DARIN DAHMS, it is an inspired performance. If it’s indicative of this series, and we believe it is, then catch as much of it as you can.
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Tix and info, at:
http://sierramadreplayhouse.org/playhouse

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ONGOING through Apr 19, at UCLA:
8 pm  “THE SUIT,” from theater Icon Peter Brook, presented by the Center for the Art of Performance (CAP) series for eight performances at UCLA’s Freud Playhouse, in MacGowan Hall, 245 Charles E. Young Dr East, on the UCLA campus in Westwood (L.A.) 90095.
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“The Suit” is a simmering tale of betrayal and resentment set in the politically charged sphere of apartheid-era South Africa, performed by Théâtre des Bouffes du Nord, with direction, adaptation and musical direction by Peter Brook, Marie-Hélène Estienne and Franck Krawczyk. The story centers on Philomen, a middle-class lawyer and his wife, Matilda. The suit of the title belongs to Matilda’s lover and is left behind when Philomen catches the illicit couple together. As punishment, Philomen makes Matilda treat the suit as an honored guest as a constant reminder of her adultery. The setting of Sophiatown, a teeming township that was erased shortly after Can Themba wrote his novel, is as much a character in the play as the unfortunate couple, and this production lends it life and energy with a minimal cast.
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Themba was a South African writer during apartheid. His short novel, “The Suit” was supposed to change the writer’s life, but the cruel restrictions in his native country led him to exile, his works banned in his home country. He died an alcoholic before his most famous work was adapted for the stage by Mothobi Mutloatse and Barney Simon at Johannesburg’s Market Theatre in the newly liberated South Africa of the 1990s.
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Renowned director Peter Brook previously adapted that stage version and took it on tour in a French-language production. He returned to the source language of English working with his longtime collaborator Marie-Hélène Estienne and composer Franck Krawczyk. They have adapted the play and have set it to music from sources as diverse as Franz Schubert and Miriam Makeba.
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The UCLA Center for the Art of Performance at UCLA (CAP UCLA) is dedicated to the advancement of contemporary performing arts in all disciplines —dance, music, spoken word and theater, as well the emerging digital, collaborative and cross-art platforms inspired by today's leading artists and creators. CAP supports the creation, presentation and critical dialogues vital to the ongoing innovation and expressive potential of artists whose work, whether vibrantly emerging or internationally acclaimed, forms the dynamic and evolving heritage of contemporary performance. Based in UCLA's iconic Royce Hall, CAP UCLA is the university's public center for the presentation of the performing arts and contributes to the cultural life of the campus and greater Los Angeles, promoting civic dialogue and creative inquiry. Through an annual season of performing arts programs and extensive community-engagement events — including artist fellows and residency programs, K–12 arts education (Design for Sharing), student mentorship (Student Committee for the Arts), and art-making and experiential activities (Art in Action) — CAP UCLA advances the importance of art in society by celebrating and deepening the connection between artist and audience.
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The show runs as follows: Wed, Apr 9 through Fri, Apr 11, at 8 pm; Sat, Apr 12, at 2 & 8 pm; Sun, Apr 13, at 2 pm; Thu, Apr 17 through Sat, Apr 19, at 8 pm. The only alternative to the hefty cost of campus parking is the MTA or Culver or Big Blue Bus.
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Tix, $30-$65, available online at www.cap.ucla.edu, or from the UCLA Central Ticket Office, at 310-825-2101, or with the usual hefty processing fee at Ticketmaster. Student rush tickets, subject to availability, are offered at $15 one hour before show time to all students with valid ID.

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ONGOING at the Getty Villa, through Aug 25, in Malibu:
“Heaven and Earth: Art of Byzantium from Greek Collections” at the Getty Villa, 17985 Pacific Coast Hwy, Malibu; 310-440-7300; parking, $15.
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Marked by glittering mosaics, luminous icons, and opulent churches, the Byzantine Empire (A.D. 330–1453) flourished for more than one thousand years. Over 170 national treasures from Greece illustrate the development of a mighty empire, from its pagan origins to a deeply spiritual Christian society. This exhibition is presented in conjunction with “Heaven and Earth: Byzantine Illumination at the Cultural Crossroads” at the Getty Center.
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The exhibition was organized by the Hellenic Ministry of Culture and Sports, Athens, with the collaboration of the Benaki Museum, Athens, in association with the J. Paul Getty Museum and the National Gallery of Art, Washington. The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.

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ONGOING at the Getty, through Jun 1, in L.A.:
“JACKSON POLLOCK’S MURAL,” and “HATCHED! CREATING FORM WITH LINE,” are two concurrent temporary exhibitions at the Getty Center, 1200 Getty Center Dr, L.A. 90049; 310-440-7300; parking is $15.

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ONGOING at the Getty, through Jun 8, in L.A.:
“A ROYAL PASSION: QUEEN VICTORIA & PHOTOGRAPHY” and “HIROSHI SUGIMOTO: PAST TENSE” are two concurrent temporary exhibitions at the Getty Center, 1200 Getty Center Dr, L.A. 90049; 310-440-7300; parking is $15.

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ONGOING at the Getty, through Jun 22, in L.A.:
“HEAVEN AND EARTH: BYZANTINE ILLUMINATION AT THE CULTURAL CROSSROADS” is a new temporary exhibition at the Getty Center, 1200 Getty Center Dr, L.A. 90049; 310-440-7300; parking is $15.
 
 
 
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Thursday, April 10, 2014
TODAY / TONIGHT ONLY
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Thu, Apr 10, in Long Beach:
5 pm  KEN O'MALLEY brings a solo show of his authentic and original Irish music to the Auld Dubliner, 71 S Pine, Long Beach 90802; 562-437-8300.

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Thu, Apr 10, in South Pasadena:
5 pm  BARRY “BIG B” BRENNER plays his blues residency at the Firefly Bistro, 1009 El Centro St, South Pasadena 91030; 626-441-2443.

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Thu, Apr 10, in OC (Fountain Valley):
6-10 pm  Weekly “BLUEGRASS JAM” at Orange County Archery, 18792 Brookhurst St, Fountain Valley 92708.

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Thu, Apr 10, in Agoura:
6 pm  “AGOURA IRISH SESSION” is a structured jam at Brendan’s Irish Pub & Restaurant, 1755 E Daily Dr, Camarillo 93010; 888-811-5818.

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Thu, Apr 10, in SFV (Universal City):
6-9 pm  Piano man MARC BOSSERMAN plays the Hilton Universal in Universal City.
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Marc tells us, “It's a great space. Huge atrium. Kawai Grand piano. And I'm singing and playing--everything from Stephen Foster to Bruno Mars! The food is great. And it's at Universal Studios so you just never know who might be hanging out.”

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Thu, Apr 10, in Ventura:
6:30-10 pm  SONGMAKERS monthly “VENTURA ROUND TABLE SONG CIRCLE” at Round Table Pizza, 4255 E Main St, Ventura 93003.

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Thu, Apr 10, in San Diego Co (Santee):
6:30-9:30 pm  “WOOD 'N' LIPS OPEN MIC” at the Kaffee Meister Santee Coffeehouse, 9225 Carlton Hills Bl, #30, Santee.

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Thu, Apr 10, in Hollywood:
7 pm-midnight  "WESTERN BEAT -- BILLY BLOCK FAMILY FUND -- BENEFIT CONCERT" in the Musicians Institute Concert Hall, 1655 N McCadden Pl, Hollywood.
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BILLY BLOCK, a giant presence on the Los Angeles music scene, is in the battle of his life, for his life, against cancer.
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Performers include:
♪  Wendy Waldman
♪  Jack Tempchin
♪  Stephen Bishop
♪  The Radical Poets with Brad Parker & David Parker
♪  Bum Steers: Ed Tree & Taras Prodaniuk
♪  Dan Navarro
♪  Teresa James & the Rhythm Tramps
♪  Karen Tobin
♪  Ed Berghoff
♪  Freebo
♪  Rick Shea
♪  Bliss Bowen
♪  John Stowers
♪  Marty Axelrod
♪  Jamie Houston
♪  Phil Parlapiano
♪  Maia Sharp
♪  Randy Sharp
♪  Lawrence Lebo
♪  Matt Cartsonis
♪  Jenny Yates
♪  Paul Zollo
♪  Kevin Fisher
♪  Eddie Cunningham
♪  Mark Islam
♪  John Cate
♪  Warren Sellers & James Grey
♪  Lois Blaisch
♪  Steven McClintock
♪  The Zydeco Party Band with Doug Lacy
♪  Mark Shark & Freebo
and more
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All the artists performing at tonight’s benefit found a welcoming home with Western Beat, which provided a supportive forum for veteran and developing artists alike. To regular performers and attendees, it was more than just a stage;it was a nurturing oasis in a challenging metropolis, one defined in no small part by the positive attitude embodied in one of Block’s favorite maxims: “If you see someone without a smile,give them one of yours.” That kind generosity will be returned tonight, with love.
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Billy Block has touched the lives of the Los Angeles music-making community in many ways over the years. Billy co-founded “Western Beat” with Wendy Waldman & Brad Parker in the ’90s. It was a phenomenal success. The L.A. music community is playing tonight’s benefit for him and his family and the lineup of performing artists wants you to be there.
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Tonight’s big benefit show is cosponsored by Musicians Institute, Music Connection Magazine, Riozen Media and the Friends of Western Beat.
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Tix are on sale online at Eventbrite, at:
http://bit.ly/Q6z29x
or at:
www.eventbrite.com/e/western-beat-billy-block-family-fund-benefit-concert-hollywood-ca-tickets-11048459239

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Thu, Apr 10,
FILM SCREENING,
in Pasadena:
7 pm  “BIDDER 70” screens tonight in the FREE "Conscientious Projector" series at the Armory Center for the Arts, 145 N Raymond Av (across from the Levitt Pavilion and the Gold Line light rail Memorial Park station), in Pasadena 91105.
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"Bidder 70" is a film about climate activist Tim DeChristopher, who posed as a bidder at a Bureau of Land Management lease auction to protect wilderness land in Utah from being developed for gas and oil. He was prosecuted and served 21 months in prison, and this film covers his act of civil disobedience. The free screening is followed by a discussion.
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More at www.conscientiousprojector.wordpress.com

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Thu, Apr 10, in San Diego:
7-11 pm  CAJUN ZYDECO LIVE MUSIC at Humphrey’s Backstage Lounge, 2241 Shelter Island Dr, San Diego 92101; 619-224-3577. Happy Hour is 5- 7pm, $5 cover after 7 pm.

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Thu, Apr 10,
CLOSING NIGHT,
In West L.A.:
Time tba  “SILENT” and “FORGOTTEN” are two Irish theatre shorts at the Oddyssey Theatre, 2055 Sepulveda Bl, West Los Angeles; 310-477-2055.
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Those who missed Irish writer / actor Pat Kinevane's exhilaratingly theatrical, award-winning plays in their West Coast premieres (or those who want to see them again) can catch both as the Odyssey Theatre Ensemble and Dublin's Fishamble bring Kinevane back for a limited 3-week run - direct from a sold-old run at Ireland's Abbey Theatre and en route to a world tour.
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“Silent” is the touching story of homeless McGoldrig, who once had splendid things. But he has lost it all - including his mind. He now dives into the wonderful wounds of his past through the romantic world of Rudolph Valentino. “Forgotten” reveals the interconnecting stories of four elderly people living in retirement homes and care facilities around Ireland. Insightful and dark with startling moments of hilarity, “Forgotten” is a unique collage of Kabuki dance and Irish storytelling.
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Tix, $25; Students $10; rush tix (if any remain) are $15.

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Thu, Apr 10, in Altadena:
7:30 pm  RICHARD SMITH, fingerstyle guitar master, performs with cello master JULIE ADAMS, at the Coffee Gallery Backstage, 2029 N Lake Av, Altadena.
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From Bach to Beatles and barn-burners to ballads, passion is guaranteed when world renowned fingerstyle guitarist Richard Smith and cellist Julie Adams join forces. Can you imagine a full orchestra playing in your living room? Or two lovers flirting in a symphony hall? It's a little bit of both that you get from world renowned fingerstyle guitarist Richard Smith and his wife, versatile cellist Julie Adams – and they serve-up so much more. The combination of Richard’s fretboard fire and Julie’s warm tone and lyrical style will melt your heartstrings, have your toes tapping and your jaws hanging open. Their ever-growing repertoire comprises a wide variety of music from classical Bach to Beatles pop. It includes Scott Joplin Rags just like Sousa marches, Chopin, Mozart and fiddle tunes. It ranges from jazz standards to Chet Atkins and Jerry Reed and to Django Reinhardt gypsy swing, not to mention their intriguing originals. Richard and Julie deliver both, lightning fast barn-burners and beautiful ballads, occasionally spiced with gentle and witty vocals. Their incredible stylistic wealth is founded in a lifelong love for music.
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When Richard Smith picks up a guitar, it's a treat for the ears and the eyes. Audiences watch in amazement, while his fingers dance over fretboard and strings, and listen in delight, as melody and groove fill the room. It's a natural gift.
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Born in Beckenham, Kent in England in 1971, he started playing on a six-string at the age of 5 after hearing his father picking “Down South Blues” by Chet Atkins and Merle Travis. When Richard asked “Dad, how do you do that?”, his father obliged, and Richard never looked back. Often, a single hearing was all it took to get a piece under his fingers, and eventually his hero, the “Godfather” of fingerstyle, Chet Atkins, invited Richard to share the stage with him at Her Majesty's Theatre in London, when he was only eleven years old.
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After studying the music of Atkins, Travis, and Jerry Reed, Richard soon graduated to classical guitar pieces, Gypsy jazz, poppin’ tele playing, bluegrass and bebop licks by listening to an array of recordings by the likes of Django Reinhardt, Joe Pass, Doc Watson, Newgrass Revival, Albert Lee, Jorge Morel and countless other virtuoso musicians. With his brothers Rob and Sam he formed the Richard Smith Guitar Trio for about 8 years. Having married American cellist Julie Adams, he moved to Nashville in 2000. Since then, he has toured constantly around the US and Europe either solo, with his cellist wife, and with his swing band The Hot Club of Nashville.
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With 10 CD releases and a DVD to his name, and concentrating mainly on a solo career, Richard is well-known for mixing it up and playing a wide range of musical styles using various techniques. Blues, Joplin Rags, Bach, Chopin, flatpicking fiddle tunes, Sousa Marches, fingerstyle jazz to straight Travis picking tunes make up his evolving repertoire. Nowadays, Richard balances his time between concertizing on the road and lending his ears and licks to other artists' music, producing their records in his very own Tunesmith Studio.
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A few highlights:
• 1999 AFG Golden Thumbpick Award
• 2001 National Fingerstyle Guitar Champion
• 2008 Thumbpicker of the Year
• 2009 National Thumbpickers Hall of Fame Induction
• Played with Chet Atkins, Nato Lima, Boots Randolph, Tommy Emmanuel, John Jorgenson, Marcel Dadi, Tommy Tedesco, Thom Bresh, Joe Pass, Biréli Lagrène, Bryan Sutton, Les Paul, Mark O'Connor, Sam Bush, Martin Taylor, Jorge Morel, Suzy Bogguss, Muriel Anderson, Guy Van Duser, Béla Fleck, Victor Wooten, Tony McManus, Joscho Stephan, Buster B. Jones.
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What did a very famous fellow musician say? “The most amazing guy I know on the guitar. He can play anything I know, only better.” ~ Chet Atkins, CGP.
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Tix, $18. All-ages. Reservations, 626-798-6236, 10 am-10 pm, seven days. There’s more on the venue’s website, at www.coffeegallery.com

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Thu, Apr 10, in Santa Barbara:
8 pm  BECK plus a special guest play the Arlington Theater, on the campus of UCSB, 1317 State St, Santa Barbara; 805-963-4408; www.artsandlectures.ucsb.edu
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Tix,  $49.50 advance, $55 at door. Tix link at www.goldenvoice.com. Doors at 6:30 pm. The Guide brough you a TICKET ALERT long ago.

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Thu, Apr 10, in Echo Park (L.A.):
7:30 pm  “FORGOTTEN POETS: A Reading of Neglected / Overlooked Poets,” at Stories Books & Café, 1716 Sunset Bl, Echo Park 90026; www.storiesla.com; 213-413-3733.
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Ever discover a poet whose work speaks to you but is not a household name? Lots of people love the famous poets (Dickinson, Whitman, Neruda, Rilke, Bukowski, etc.), but what about those many, many poets who, for whatever reason, have been largely forgotten and neglected? In this event, three (or four) astute and passionate readers of poetry have been asked to select 2 or 3 poets whom they think have been unjustly neglected (i.e. deserve a wider audience) and resurrect them in a reading. Readings by: Nat Green, Kim Calder, Vincent Lechowick & John Tottenham.
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No cover.

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Thu, Apr 10, in Silver Lake (L.A.):
8 pm  Weekly "HONK TONK HACIENDA" brings its weekly show to El Cid, 4212 W Sunset Bl, Silver Lake 90029; www.ElCidLA.com; 323-668-0318.
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Every Thursday, El Cid turns into “Honky Tonk Hacienda” with bands, songwriters and musical instigators tearing it up with Outlaw Country, Roots, Old Time and Americana.
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No cover before 8:30 pm, $5 thereafter. Venue is 21+. Doors at 7 pm, music starts at 8. Ample street parking; valet parking available.

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Thu, Apr 10, in L.A.:
8 pm  WICKED SAINTS play “Hollowbody L.A.” at Molly Malone's, 575 S Fairfax, Los Angeles.
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Band leader PAUL McCARTY tells us, “Two new songs on the set list at Molly's – one world debut and one almost brand new. Cover $10, or $8 with flyer from our band’s fan list. My favorite drink there - Irish Coffee! There's food too.”

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Thu, Apr 10, in L.A.:
8 pm  “L.A. HOOTENANNY” happens at Villains Tavern, 1356 Palmetto St, near downtown Los Angeles 90013; 213-613-0766.
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What started as a bunch of friends playing music for food became one of the most fun music parties in L.A. Just reporting their usual personnel the way do will give you some idea:
Guil- Vocals, Guitar, Pugilist
Todd- Vocals, Guitar, Communications
Eric- Vocals, Guitar, Underwater Demolition
Cody- Vocals, Washtub Bass, Edged Weapons
Kevin- Drums, Engineer, Poisons
Nick aka Knuckles- Electric Bass, Tuhon
Gerard- Lead Guitar, Ballistics
Tim- Banjo, Jester, sniper
Mars- Lead Guitar, Pharmacology
Ben- Harmonica, Sax, Interpreter
Miranda- Fiddle, Demolitions
Dustin- Vocals, Hoofer
Jessica- Vocals, Diva
Sally- M.I.A

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Thu-Sat, Apr 10-12, in OC (Costa Mesa):
8 pm  PACIFIC SYMPHONY performs Sibelius and Dvorak for three nights in Segerstrom Hall at the Orange County Performing Arts Center, 600 Town Center Dr, Costa Mesa; 714-556-2787; www.ocpac.org
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The incomparable Sarah Chang plays Sibelius. She is one of classical music's most captivating and gifted performers, interpreting one of the best-known violin pieces in the repertoire. Then, Dvorak's Symphony No. 8, a delightful work with expressive sound - fresh, crisp, even cheery.
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Go early for the Concert Preview at 7 pm with host Alan Chapman.
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Tix at 714-755-5799 or www.PacificSymphony.org

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Thu, Apr 10, in SFV (Chatsworth):
8 pm  An UNDISCLOSED AMERICANA / ALT-COUNTRY / TRAD COUNTRY / HONKY TONK BAND plays the Cowboy Palace, 21635 Devonshire St, Chatsworth; 818-341-0166.
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This is L.A.’s last real honky tonk. No cover, full bar, lots of fun. Go early for the free dance lesson.

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Thu, Apr 10, in Murrieta:
8 pm  An UNDISCLOSED (AND PROBABLY IRISH) BAND plays the Shamrock Irish Pub & Eatery, 39252 Winchester Rd #145, Murrieta 92563; 951-696-5252; www.theshamrockirishpubandeatery.com

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Thu-Sat, Apr 10-12,
STAGE PLAY,
in San Pedro:
8 pm  “PICNIC,” the brilliant play by WILLIAM INGE, runs three nights at the Grand Annex, 434 W 6th St, San Pedro 90731; www.grandvision.org; 310-833-4813.
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Marymount Univ. drama students, led by Director John Lane, present Inge's Pulizer Prize-winning play.
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Tix are $10 general, $5 for students & seniors.

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Thu, Apr 10, in Valencia:
8:30 pm-12:30 am  HUMBLE HOOLIGANS, a big hit at the recent Irish Fest, play the Tilted Kilt in Valencia.
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More at: http://humblehooligans.com

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Thu, Apr 10, in SFV (Sherman Oaks):
9 pm  Weekly “ACOUSTIC CORDIALE” showcase at Café Cordiale, 14015 Ventura Bl, Sherman Oaks 91423; 818-789-1985.

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Thu, Apr 10, in L.A.:
9:30 pm  KATHLEEN GRACE, the lovely and mega-talented pianist-vocalist, performs tonight with FLEETING HEART, at El Cid, 4212 Sunset Bl, L.A.; 323-668-0318;  HYPERLINK http://www.elcidla.com www.elcidla.com.
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Check out the beautiful Kathleen performing "Mood Indigo" her “Official Music Video,” at:
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http://m.youtube.com/watch?feature=youtu.be&v=85S8PYI4C-w

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Thu, Apr 10, in OC (Costa Mesa):
10 pm  MOONSVILLE COLLECTIVE plays the Memphis Café, 2920 Bristol St, Costa Mesa 92626.

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Thu, Apr 10, in Venice:
10 pm  SMACK JONEZ, who makes music something like an amalgam of The Meters, Otis Redding, Al Green, Muddy Waters, The Rolling Stones, Jimmy Hendrix, Luther Allison, & Sam Cooke, plays the Good Hurt Nightclub in Venice.

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Thu, Apr 10, in Burbank:
10 pm  REVEREND MARTINI'S PSYCHO THURSDAY with THE QUARANTEDS and DJ Von Badsville, at Viva Cantina, 900 Riverside Dr (next to L.A. Equestrian Center), Burbank; 818-845-2425 or 818-515-4444; www.vivacantina.com.
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No cover. Venue is known for its Mexican food and full bar. Okay to park free across the street at Pickwick Bowl (free, nearly unlimited parking for Viva patrons).
 
 
 
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More, soon, as always.
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♪  The Guide will be making CH-CH-CHANGES – turn, embrace the change -- in 2014. Some folks will like some, others will not. There will be points of departure to make room (and time) for the new. We’ll do what we can, because as always, we operate with the editor’s motto, “One does what one can.”
 
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Contents copyright © 2014,
Lawrence Wines & Tied to the Tracks.
All rights reserved.
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The ACOUSTIC AMERICANA MUSIC GUIDE endeavors to bring you NEWS and views of interest to artists everywhere, more specifically to musicians and the creative community, and music makers and fans of acoustic and Folk-Americana music, both traditional and innovative. We provide a wealth of resources, including a HUGE catalog of acoustic-friendly venues, and schedules of performances in Southern California venues large and small. We cover workshops and other events for artists and folks in the music industry, and all kids o’ things in the world of acoustic and Americana and accessible classical music. From washtub bass to musical spoons to oboe to viola to banjo to squeezebox, from Djangostyle to new-fangled-old-time string band music, from sweet Cajun fiddle to pre-bluegrass Appalachian mountain music to proto blues.
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The Acoustic Americana Music Guide. We’re on it.
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