Friday, February 28, 2014
Rain? RAIN! And Music & Art, Friday, Feb 28 2014
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Inside-where-it’s dry Music & Art Events ~ Fri, Feb 28, 2014
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February 28 in History…
Birthdays…
√ Ballet legend VASLOV NIJINSKY, born 1890 in Kiev, Russia.
√ CHRIS HAYES, political commentator and MSNBC program host.
Some will make a connection that today is also the officially proclaimed “Public Sleeping Day.”
And anybody you know who was born tomorrow – if tomorrow was February 29th the year they were born – is only one-fourth as old as you are.
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In this edition…
♪ TICKET ALERTS
♪ SATURDAY WORKSHOP ALERT (must sign-up online or by phone today)
♪ NEWS FEATURE
. √ DEADLINE IS TODAY TO VOTE FOR NSAI SONGWRITING CONTEST WINNERS
♪ Friday’s MUSIC-ON-TV
♪ WEEKEND FESTIVALS
♪ ONGOING MUSIC & ART EVENTS
♪ FRIDAY’s MUSIC & ART EVENTS
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♪ TICKET ALERTS ~
We’ve listed over SIXTY events in the last two weeks for which tickets were about to become available, or with passwords to get tix early, or where tickets were about to be gone. Here are a few more.
√ Discounts for Mona Golabek's “THE PIANIST OF WILLESDEN LANE” at the Geffen; a very generous 30% off for all Feb 28-Mar 7 shows when you reserve online or through the box office and use Code Word CLASSIC. “PIANIST” premiered in 2012 and was scheduled to run six weeks -- it ran nearly 6 months. Tix at http://geffenplayhouse.com/more_info.php?show_id=196
√ VINCE GILL, EMMYLOU HARRIS, HEART, JASON MRAZ, and special guests, at Club Nokia / L.A. Live for "All for the Hall" benefit for the Country Music Hall of Fame, on Tue, Mar 4. (We’ve listed it before; tix still available.) Tix, $46-$121.50, still available at: http://m.axs.com/events/247979/all-for-the-hall-featuring-vince-gill-and-emmylou-harris-tickets?skin=goldenvoice
√ CROSBY, STILLS & NASH are part of a big lineup for "AUTISM SPEAKS" benefit Sat, Apr 5, 7:30 pm, at the Theatre at Ace, Los Angeles. Tix now on sale, $171-$796, at https://m.stubhub.com/#/crosby-stills-nash-tickets/autism-speaks-los-angeles-the-theatre-at-ace-5-4-2014-8992395/?gcid=C12289x835§ion_id=645494
√ JAMES TAYLOR plays Sat, Jun 7, 8 pm at the Hollywood Bowl, 2301 N Highland Av, Hollywood 90068. Tix, $25-$175, now on sale at http://www.vividseats.com/concerts/james-taylor-tickets/james-taylor-hollywood-bowl-6-7-1544662.html?utm_source=eventful&utm_medium=cpc&utm_campaign=Concert&utm_term=James+Taylor&wsUser=172
If you missed any recent editions with TICKET ALERTS, they’re all still available. After midnight tonight, you’ll need to “View Web Edition,” and click “February” in the sidebar at left. Things automatically archive each month.
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♪ SATURDAY WORKSHOP ALERT (must sign-up online or by phone today)
Sat, Mar 1,
WORKSHOP,
in Santa Barbara:
9-3 pm "ALL-DAY SONGWRITING CLASS" taught by NICOLA GORDON of the HONEYSUCKLE POSSUMS, at Santa Barbara City College, Schott Campus.
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Must sign-up by Friday, Feb 28. Listed as "Songwriting Playshop" under "Adult Ed" listings, at: http://sbcc.augusoft.net/index.cfm?method=ClassListing.ClassListingDisplay
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Fee, $30.
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♪ NEWS FEATURE
√ DEADLINE IS TODAY TO VOTE FOR NSAI SONGWRITING CONTEST WINNERS
NSAI, the Nashville Songwriters Association International, has an active L.A. chapter and the Guide lists its events. NSAI is also very well connected in Nashville. That includes the “CMT Listeners' Choice Award,” back for the seventh year in NSAI’s Songwriting Competition. Beginning Feb 1, the Top 10 finalists (excluding the Grand Prize Winner) in “The NSAI Song Contest Presented by CMT” were posted where you can listen and vote on them, at:
www.nsai.cmt.com.
Music fans can go to the site through this evening ONLY, Feb 28, 2014, listen to the finalists' demos, and vote for their favorite song.
The song with the most audience votes will be the CMT “Listeners' Choice Award” winner. Prizes are awarded to one Grand Prize Winner, one CMT Listeners' Choice Winner, one Lyric-Only Winner, ten Runners-Up, and ten Honorable Mentions. All songs entered receive a judging report. Music industry executives, professional songwriters and NSAI board members judge songs based on lyrics, melody and composition. Performance and production will not be evaluated.
The prizes received by contest winners are designed to help amateur songwriters on their road to becoming a professional songwriter and enhance their careers. There are many prizes up for grabs this year.
NSAI says, “Connections and the opportunity to develop long lasting relationships with industry professionals are what sets the song contest apart from all others. This year's NSAI Song Contest promises a full year of industry access.”
The NSAI Song Contest is presented by CMT and sponsored by the following organizations: American Airlines, ASCAP, BMI, Loews Vanderbilt Hotel, Olympus, SESAC, Sonicbids, the Bluebird Cafe and We Make Tapes & Discs. NSAI is the world's largest not-for-profit songwriters trade organization.
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♪ Friday’s MUSIC-ON-TV
Fri, Feb 28, on KLCS:
8-8:30 pm “BLUEGRASS UNDERGROUND” repeats the 2013 season opener with THE ALISON BROWN QUARTET (repeats 3-3:30 am).
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Fri, Feb 28, on KCET:
8-9 pm “ROTARIES: AVALANCHE ON THE MOUNTAIN” is a not-music-but-waaay-cool new 2014 documentary about the rotary snow plow invented in the 1800s and still used on high mountain railways, including the tracks that get the heaviest snow in the world, Donner Pass in the Sierra.
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Fri, Feb 28, on KLCS:
8:30-9 pm “JAMMIN’ AT HIPPIE JACK’S” repeats a 2013 show with country singer-songwriter PHIL LEE (repeats 3:30-4 am).
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Fri, Feb 28, on KLCS (aka PBS SoCal):
9-11 pm “PETER, PAUL & MARY” is the 2004 music documentary chronicling the career of one of folkdom’s greatest trios. (Repeats 3:30-5:30 am.)
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Fri, Feb 28, on KCET:
9-10 pm “PRETTY MUCH 100% SCANDINAVIAN” is a 2013 documentary about Scandinavian Americans that includes roots music.
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Fri night / Sat AM, Feb 28 / Mar 1, on KLCS:
3-3:30 am “BLUEGRASS UNDERGROUND” repeats the 2013 season opener with THE ALISON BROWN QUARTET.
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Fri night / Sat AM, Feb 28 / Mar 1, on KLCS:
3-3:30 am “JAMMIN’ AT HIPPIE JACK’S” repeats a 2013 show with country singer-songwriter PHIL LEE.
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♪ FRIDAY’s Art & MUSIC EVENTS
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♪ WEEKEND FESTIVALS
Fri-Sun, Feb 28-Mar 2,
FESTIVAL,
in OC (Dana Point):
43rd Annual "DANA POINT FESTIVAL OF WHALES" and "OCEAN INSTITUTE JAZZ FESTIVAL" bring science, exciting activities, and world-renowned jazz musicians to the Ocean Institute, 24200 Dana Point Harbor Dr, Dana Point 92629
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The Ocean Institute's popular jazz fundraising weekend event partners with the 43rd Annual “Dana Point Festival of Whales” and combines renowned jazz artists with an elegant evening of epicurean dining, cocktails, and live and silent auctions.
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Event Overview:
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Friday, February 28 is the opening night, which offers a Wine and Appetizer Reception and Concert Performance, limited to 300 guests.
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Saturday, March 1: Saturday is the Premier Evening at the Ocean Institute and features a Gala Gourmet Dinner and Jazz Performance. The elegant, intimate affair includes a cocktail reception with passed canapés, and an award-winning, four-course taste extravaganza with wine pairing. The dinner is specially created for this event and prepared by celebrated local chefs from St. Regis Monarch Beach Resort & Spa, Laguna Cliffs Marriott Resort & Spa, Montage Laguna Beach, and The Ritz-Carlton, Laguna Niguel. The evening also includes connoisseur silent and live auctions.
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Sunday, March 2: Sunday changes the pace with a relaxed lunch and Encore Performance. This unique experience includes a beer and wine tasting as well as a Bristol Farms gourmet boxed lunch and time for questions with the artists. All events are held at the Ocean Institute.
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Event Packages:
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VIP Package $700 ($800 Value) VIP Admission for one on Friday Gala Admission for one on Saturday Premier Admission for one on Sunday
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General Package $150 ($170 Value) General Admission for one on Friday General Admission for one on Sunday
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More info & tickets at:
www.oijazzfestival.com
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Fri & Sat Feb 28 & Mar 1,
PSEUDO-FESTIVAL,
in Laughlin, Nevada:
Annual “TROPICANA EXPRESS CASINO MARDI GRAS” includes performances by LISA HALEY & THE ZYDEKATS beginning Friday at 9 pm; Tropicana Express Casino, 2121 S Casino Dr, Laughlin, NV 89029; 800-243-6846 or www.tropicanax.com
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Sat, Mar 1,
FESTIVAL,
in L.A.:
Noon-4 pm “ST. DAVID'S DAY FESTIVAL” brings performances by the Welsh Choir of Southern California, Meinir Gwilym, Lorin Morgan-Richards, Christopher D. Lewis, Peter Anthony Freeman, Kimberly Wlassak, Jason Shepherd, and J.A. Pringles, at the Cinefamily Silent Movie Theater, 11611 Woodbridge St, Los Angeles 90036. Presented by “A Raven Above Press.”
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♪ ONGOING MUSIC & ART EVENTS
Ongoing (through Mar 17),
in Santa Monica:
8 pm "CIRQUE DU SOLEIL" presents "TOTEM" under the Big Top at the Santa Monica Pier.
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"TOTEM" plays the Santa Monica Pier through March 16:
Tue-Fri, 8 pm
Sat, 4:30 & 8 pm
Sun, 1 & 4:30 pm
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"TOTEM traces the fascinating journey of the human species from its original amphibian state to its ultimate desire to fly. The characters evolve on a stage evoking a giant turtle, the symbol of origin for many ancient civilizations. Inspired by many founding myths, TOTEM illustrates, through a visual and acrobatic language, the evolutionary progress of species. Somewhere between science and legend, TOTEM explores the ties that bind Man to other species, his dreams and his infinite potential." -- the show's promo.
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"Spectacular, artful. Breathtaking and deliciously ironic." -- The Toronto Star.
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"TOTEM is visually ravishing" -- The Boston Globe.
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Tix by phone, at 800-450-1480.
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Tix & info online, at:
http://m.cirquedusoleil.com/en/shows/totem/americas/usa/california/santa-monica.aspx
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Friday-only events,
February 28, 2014
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Fri, Feb 28, in Burbank:
1-3 pm THE WOODYJAMES 15-piece BIG BAND plays one of the two stages at Viva Cantina, 900 Riverside Dr (next to L.A. Equestrian Center), Burbank; 818-845-2425 or 818-515-4444; HYPERLINK "http://www.vivacantina.com" www.vivacantina.com.
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More shows here, on one or the other of the venue’s two stages, at 5 pm and 8 pm; see listings.
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All shows on both stages are no cover. Venue is known for its Mexican food and full bar. Okay to park free across the street at Pickwick Bowl (free, nearly unlimited parking for Viva patrons).
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Fri, Feb 28, in Burbank:
5-8 pm THE CODY BRYANT TRIO plays Viva Cantina, 900 Riverside Dr (next to L.A. Equestrian Center), Burbank; 818-845-2425 or 818-515-4444; HYPERLINK "http://www.vivacantina.com/" www.vivacantina.com.
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More music here tonight at 8 pm. See listing.
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No cover. Venue is known for its Mexican food and full bar. Okay to park free across the street at Pickwick Bowl (free, nearly unlimited parking for Viva patrons).
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Fri, Feb 28, in Long Beach:
6-9 pm MIKE FLANAGAN from PADDY’S PIG plays Irish music solo at the Auld Dubliner, 71 S Pine Av, Long Beach 90802; 562-437-8300; www.aulddubliner.com
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Mike will play new songs and old tonight.
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Fri, Feb 28, in Santa Barbara:
6-8 pm PRESTON SMITH & THE CROCODILES play an all-acoustic set at the Carr Winery, 414 S. Salsipuedes St, Santa Barbara.
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Preston, the winner of the Ventura County Blues Challenge, reliably delivers a bluesy, smokey, smoldering, folky Americana show.
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Fri, Feb 28, in Monrovia:
6-10 pm Weekly “MONROVIA FAMILY FESTIVAL” is a year-’round street fair with live music in venues and on street corners, plenty of it acoustic, in picturesque old downtown Monrovia.
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It includes the trad-roots-dulcimer-friendly “KATTYWOMPUS CONCERT & JAM” at 7 pm at Dollmakers Kattywompus, 412 S Myrtle Av, Monrovia 91016; info, 626-357-1091.
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*** CALL DOLLMAKERS KATTYWOMPUS BEFORE ATTENDING TONIGHT. WITH THE STORMS, ALL OR PART OF THIS MAY BE CANCELLED.
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Fri, Feb 28, in SFV (Northridge):
7-10 pm “FRIDAY NIGHT MUSIC SHOWCASE” brings WICKED SAINTS, PAM LOE & CHAD WATSON, and BRYAN CHAN, at Pho-King Delicious, 9350 Corbin Av, Northridge 91324.
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Tonight’s lineup:
7-7:45pm --- Bryan Chan says he is “always trying to achieve the goal of giving blues music the heart, soul and respect it deserves.” Competed at the 2009 International Blues Challenge in Memphis TN. You tube video of Bryan Chan http://youtu.be/uVewjXwCJr4 http://www.youtube.com/watch?v=kcrIBv1ug4c
8-8:45 pm --- Pam Loe & Chad Watson. A marriage of Country, Blues, Gospel & Jazz...these two Hall of Famers bring their chemistry & original Americana to the stage with guitars, bass, mandolin & HARMONY! Their originals have been heard in films, onstage and TV for 25 years. Their studio work {vocal & instrumental} has been featured with such icons as Janis Ian, Charlie Rich and David Arkenstone! {Pam is a member of The California Country Music Hall of Fame and Chad is a member of The Idaho Cowboy Entertainers Hall of Fame} www.pamloe.com and www.chadwatson.us
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9-9:45 pm --- Wicked Saints. Raw organic music with NO artificial sweeteners. It's GOOD for you! "Our slogan isn’t completely true,” says Wicked Saints lead singer Paul McCarty. "Some is slightly toxic.” Wicked Saints' music is a cool eclectic mix of styles – from folk-rock, americana, swampy Louisiana grooves to reggae styled pop/blues, a driving beat, or sweet and heartfelt. Paul McCarty sings lead, and plays guitar and harmonica, with Bobby Thomas on accordion & keyboards, Chad Watson on bass, and drummer, John Gannon. You can hear Wicked Saints' debut album. More at http://wickedsaints.net
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No cover. Venue has a variety of noodle dishes, salads, spring rolls, soups, sandwiches, and Vietnamese pho.
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Fri, Feb 28,
FILM EVENT,
in
7:30 pm ‘BEST ANIMATED FEATURE FILM OSCAR NOMINEES” event tonight at the Samuel Goldwyn Theater, 8949 Wilshire Bl, Beverly Hills 90211.
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The Guide brought you a TICKET ALERT before the tix went on-sale. It is, without doubt, sold-out, but you could always go work the line and search for someone with an extra ticket.
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The nominees in the "Best Animated Feature Film" category (schedules permitting) will discuss how their films were developed, reveal their creative processes, and present clips illustrating their techniques.
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The nominees for "Best Animated Feature Film" are:
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"The Croods"
"Despicable Me 2"
"Ernest & Celestine"
"Frozen"
"The Wind Rises"
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Oscars event page:
http://www.oscars.org/events-exhibitions/events/2014/01/animated.html
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Fri, Feb 28, in L.A.:
7:45 pm “NETTE RADIO & FRIENDS” does its monthly live show for web radio broadcast, at the “Music on Friday Nights” series at MUSE on 8th, 759 S La Brea Av, Los Angeles 90036; 323-933-MUSE (6873); www MUSEon8th.com
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Tonight brings performances by The Conlons, Krysta Youngs, Partners n' Crims, and Sabrina and Craig.
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Nette Radio, hosted by Annette Conlon of THE CONLONS, features music by women artists and female-fronted bands. More at www.netteradio.com
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All ages, no cover.
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Fri, Feb 28, in Santa Monica:
8 pm ELENI MANDELL plus VIKESH KAPOOR opening at McCabe’s, 3101 Pico Bl (Pico at 31st), Santa Monica 90405; HYPERLINK http://www.mccabes.com www.mccabes.com; 310-828-4403; tix, 310-828-4497.
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McCabe’s booker Lincoln Myerson says, “We welcome back one of our favorites when we present a special show with acclaimed singer-songwriter (and member of the Living Sisters) Eleni Mandell plus special guest Vikesh Kapoor. "I didn't fly a kite for thirty years," says Eleni Mandell. "Then I had kids and all of a sudden we were flying kites all the time." Mandell's utterly charming new album, Let's Fly A Kite, recorded over three weeks in London with legendary UK songwriter (and Mandell superfan) Nick Lowe's band, is about remembering those simple joys. The acclaimed LA songwriter, who's earned raves from The New Yorker, LA Times, SPIN, and the Associated Press for an eclectic catalog that evokes everything from Tom Waits and X to Cat Power and Patsy Cline, gave birth to twins in 2010. They now accompany her nearly everywhere on the road (a prospect she says is actually less stressful than traveling with a band), and have radically transformed every aspect of her life. Kite basks in the richness and contentment of single motherhood, and finds Mandell writing with a wit and joie de vivre that take center stage from the very first lines of the album's opener, "Put My Baby To Bed," a double entendre of parental doting and romantic desire that showcases her lyrical prowess at its finest. Opening this much anticipated night of music will be singer-songwriter Kapoor, who gained a lot of attention with last year's The Ballad Of Willy Robbins. Just a few tickets left for this one. Join us!”
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Tix, $15.
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Fri, Feb 28, in Altadena:
SOLD OUT: 8 pm MICHAEL McGINNIS & FRIENDS play the Coffee Gallery Backstage, 2029 N Lake Av, Altadena.
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Each year it comes more quickly, but it is Annual birthday concert time again!!!! Please come help me celebrate 72, doing the thing I love to do the most, which is to perform for you along with a few surprise guests. This should not be missed! The ballad of John Henry and the legendary “Buck Dance” May or may not happen, but There will be lots of new music…(that means you've never heard me do it), stories, poetry, and fun! Don't forget to call for reservations, and arrive a little early. ( Last year we turned too many away). It is a small club, and will probably sell out.
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MICHAEL MC GINNIS: Singer, Songwriter, Poet, Actor, Story Teller, Member of the Original New Christy Minstrels, YMCA Camp Director/Chaplain, (the chaplain part is humorous!) Winner of several beauty contests, (not recently however) Attention Deficit Survivor, (what?), and otherwise pretty good guy. Listed in the Folk Music Hall of Fame, has played for presidents, queens, and other assorted heads of state, is the honorary “Duke” of Peoria, Illinois, and puts on one heck of an entertaining show so don't miss it. ALONG WITH: David P Jackson; legendary player of most instruments; hilarious story teller; and a really good guy to have on your side when you're trying to win over an audience..... AND…This year we will be joined by the lovely Linda Dillard! Linda is a premier vocalist who has a performance bio longer than an arm AND a leg, certainly too long to list here, but be advised she is a star in her own right, and will stun you with her amazing voice! Along with John David, former Limelighter and premier guitar, mandolin, and harmonica virtuoso.
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Tix, $20. SOLD OUT. Reservations, 626-798-6236, 10 am-10 pm, seven days. There’s more on the venue’s website, at www.coffeegallery.com
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Fri, Feb 28, in San Pedro:
8 pm JANET KLEIN & HER PARLOR BOYS bring their masterfully delivered and really fun vintage tunes of the 1920s & 1930s to the Grand Annex, 434 W 6th St, San Pedro 90731; www.grandvision.org; 310-833-4813.
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Experience an amazing night of obscure, naughty and lovely tunes from the 1910s, '20s and '30s. Stylish and adorable chanteuse Klein and her band, The Parlor Boys, treat you to spirited renditions of Tin Pan Alley, early hot jazz, vaudeville, Yiddish novelty numbers, ragtime and vintage-style tunes.
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General admission is $20 advance, $25 at door (if seats remain). Special "Cabaret Table Seat" is $25 adv (subject to availability). Cafe Deck VIP is $30 advance and includes bar ticket with drink service (limited to 15 people).
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Fri, Feb 28, in L.A.:
8 pm DAMNGIVERS, MARC FORD & THE NEPTUNE BLUES CLUB, THE BLACK TONGUED BELLS, and FUNKYJENN & THE FRINGE BENEFITS, play a big Americana music evening at the Mint, 6010 W Pico Bl, Los Angeles 90035; 323-954-9400.
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Advance tix $8, at http://themintla.com
$10 at door; doors at 7 pm.
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Fri, Feb 28, in Arcadia:
8 pm-1 am JOE WALLA & KINGS OF THE DESERT play the Arcadia Blues Club, 16 E Huntington Dr, Arcadia 91006; HYPERLINK "http://www.arcadiabluesclub.com" www.arcadiabluesclub.com; 626-447-9349.
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Good food is available from 7 pm until midnight. Free parking is available on the street and in the city lot across the street behind Denny’s. Fun place. But bring earplugs. Seriously.
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Advance tix (and even reservations) are discounted, at http://arcadiabluesclub.ticketleap.com
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Fri, Feb 28, in Kagel Canyon (L.A.):
8 pm-midnight WILD COUNTRY, with STEVE TRAVATO & PAUL MARSHALL, plays in the hidden recesses of Kagel Canyon, at the Hideaway, 12122 Kagel Canyon Rd, Los Angeles 91342; 818-890-1225.
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Quite a night, featuring Carmine & Buddy Sardo, Steve Trovato, Peter Freiberger (on steel), Steve Duncan, Gary Swan, and Paul Marshall.
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Paul says “Admission? It's a bar. Have a couple of beers.”
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Fri, Feb 28, in SFV (Chatsworth):
8 pm J.D. CRAWFORD plays the Cowboy Palace, 21635 Devonshire St, Chatsworth; 818-341-0166.
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This is L.A.’s last real honky tonk. No cover, full bar, lots of fun. Go early for the nightly free dance lesson.
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Fri, Feb 28, in Burbank:
8 pm LUCID CREW plays Viva Cantina, 900 Riverside Dr (next to L.A. Equestrian Center), Burbank; 818-845-2425 or 818-515-4444; HYPERLINK "http://www.vivacantina.com/" www.vivacantina.com.
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“Great band. Had all the musicians listening.” ~ Cody Bryant.
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No cover. Venue is known for its Mexican food and full bar. Okay to park free across the street at Pickwick Bowl (free, nearly unlimited parking for Viva patrons).
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Fri, Feb 28, in Glendale:
8-11 pm Piano man MARC BOSSERMAN plays the Left Coast Wine Bar and Art Gallery, 117 E Harvard, Glendale 91205; 818-507-7011; HYPERLINK "http://www.leftcoastwinebar.com" www.leftcoastwinebar.com.
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Marc says, “This is just a great space with a Yamaha Upright piano and a nice PA, and if you sing, it's the best place to come and hang and sing with me. Also very up in the air and open as to what I play. Casual -comfortable and cool. Cute menu.”
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More at: www.marcbosserman.com/gigs
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Fri, Feb 28, in Hollywood:
SOLD OUT: 8 pm KODALINE plus LP play the Hollywood Forever Cemetery concert series in the Masonic Lodge.
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Okay, so it’s sold-out. As is their other gig, tomorrow night at Hollywood Forever Cemetery. You still need to know about LP, aka Laura Pergolizzi.
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She performs as LP. She’s the one who sings that soaring rapid-fire vocal on the TV commercial with the girl who takes the guy rock climbing on a redrock spire, after using her credit card to “pick up a few things: “nylons” – being climbing runners, and “what girl wouldna need new shoes?” – being climbing shoes. The fragment of lyrics is “Somebody left the gate open…”
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Michele Marotta, a Guide correspondent, reports, “I've seen her a few times. She's 4'10 - maybe, very butch (I've met her girlfriend several times - we went to Stella Adler together), but so incredibly talented. I liked the song so much from the commercial I tracked it down, then got [the credit card it advertises]! That could have been taking it too far but hey, zero interest for 18 months!”
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More info: http://hollywoodforever.ticketfly.com/event/419559/
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Tix, $25, but sold-out.
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Fri, Feb 28, in Long Beach:
8:30-11:30 pm ANDY & RENEE of Hard Rain, named the “Best Band in the South Bay” in 2013, play the Eldorado Bar & Grille, 3014 N Studebaker Rd, Long Beach 90808; 562-421-4590.
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Fri, Feb 28, in Hollywood:
9-11 pm THE RECORD COMPANY plays the Hotel Café, on Cahuenga, half-a-block S of Hollywood Bl, Hollywood.
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Fri, Feb 28, in Murrieta:
9 pm GALWAY HOOKER BAND plays the Shamrock Irish Pub & Eatery, 39252 Winchester Rd #145, Murrieta 92563; 951-696-5252; www.theshamrockirishpubandeatery.com
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Fri, Feb 28, in L.A.:
9:30-11:30 pm THE HADEN TRIPLETS play their Record Release show, hosted by The Fold Silverlake at the Bootleg Theater, 2220 Beverly Bl, Los Angeles 90057.
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The Haden Triplets bring special guests to celebrate their CD release, on Third Man Records. It’s been rendered and produced beautifully by American music legend Ry Cooder. It’s the debut album from The Haden Triplets, daughters of Jazz bass legend Charlie Haden. These are songs steeped in history and sung in a close harmony that could only be achieved from sharing a lifetime of sisterly togetherness and a near psychic vocal interplay that can only come from being born mere seconds apart from each other.
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This is an album expanding on an American musical tradition. It is not pastiche or a tribute, but rather a direct antecedent and extension of the original folk legacy that is being exhibited within these songs.
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Here’s a little more about it in the Haden’s own words. During our early life, we were surrounded by music on both sides of our family. We visited our dad’s family in Missouri, where they taught us old country songs they used to perform on the radio as The Haden Family. Our grandparents on our mother’s side used to sing us to sleep with old Yiddish songs. Growing up, we often had music playing in the house, whether it be our mom playing Billie Holiday and Nina Simone records, or our dad playing Keith Jarrett and Ornette Coleman in the living room. We met Ry when we played with his son Joachim, and Joachim asked him if he’d sit in for our show. Once Ry heard we were singing “Voice From On High” by Bill Monroe, he was in right away. The next day we got a call from Ry suggesting we record an album. We wrote down a collection of songs we all liked, then narrowed it down to the music that became the Haden Triplets album. These songs are rich in history, and by recording them we hope to help keep them alive. – Tanya, Rachel & Petra Haden
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Both general admission (standing) and seated tickets are available, at http://foldsilverlake.com/show.cfm?...
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More, soon, for the rest of the weekend.
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♪ The Guide will be making CH-CH-CHANGES – turn, embrace the change -- in 2014. Some folks will like some, others will not. There will be points of departure to make room (and time) for the new. We’ll do what we can, because as always, we operate with the editor’s motto, “One does what one can.”
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Direct to the current editions /
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MOBILE-DEVICE-FRIENDLY editions load quickly at
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www.acousticamericana.blogspot.com
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CONTACT US / Questions / Comments / SUBSCRIBE to our notices, etc., all at
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tiedtothetracks@hotmail.com
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Contents copyright © 2014,
Lawrence Wines & Tied to the Tracks.
All rights reserved.
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The ACOUSTIC AMERICANA MUSIC GUIDE endeavors to bring you NEWS and views of interest to artists everywhere, more specifically to musicians and the creative community, and music makers and fans of acoustic and Folk-Americana music, both traditional and innovative. We provide a wealth of resources, including a HUGE catalog of acoustic-friendly venues, and schedules of performances in Southern California venues large and small. We cover workshops and other events for artists and folks in the music industry, and all kids o’ things in the world of acoustic and Americana and accessible classical music. From washtub bass to musical spoons to oboe to viola to banjo to squeezebox, from Djangostyle to new-fangled-old-time string band music, from sweet Cajun fiddle to pre-bluegrass Appalachian mountain music to proto blues.
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The Acoustic Americana Music Guide. We’re on it.
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Thursday, February 27, 2014
Music & Art, between the most welcome of rainstorms ~ Thu, Feb 27, 2014
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Ahh. Rain. Blessed rain. Southern California is suddenly less parched, with more to come. Best yet, snow in the High Sierra -- where the winter snowpack had been a disastrous 15% of normal. We still must conserve water of course. But we can swim in flowing music, and especially celebrate tonight, between the storms.
February 27th in history…
Today is the birthday of musician
♪ PATRICIA LYNN HENRY, based in Nashville and perhaps not well known to Southern Californians. Patricia is an “earth-friendly singer-songwriter” with a Celtic folk sound. And the Guide wishes her a happy birthday.
√ It is also the birthday of HENRY WADSWORTH LONGFELLOW (1807). Among this American poet’s countless iconic verses is “Listen my children and you shall hear of the midnight ride of Paul Revere.” His other works include “Evangeline,” “The Song of Hiawatha,” “The Courtship of Miles Standish,” and “The Village Blacksmith.” Check out his works. They’ll become fresh as you read them.
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In this edition…
♪ TICKET ALERT THURSDAY
♪ NEWS FEATURE
. √ L.A.'s MUSIC TASTES ON RADIO DO NOT MATCH WHAT'S POPULAR AT VENUES
. √ JESSE McREYNOLDS CELEBRATES 50 YEARS AS A MEMBER OF THE GRAND OLE OPRY ®
♪ ONGOING MUSIC & ART EVENTS
♪ THURSDAY’S LIVE MUSIC & ART EVENTS
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♪ TICKET ALERT THURSDAY
Two were included in yesterday’s “Late Additions,” so in case you missed ’em, we repeat these two now:
√ ÁSGEIR, the Icelandic singer-songwriter, plays the Hollywood Forever concert series in the Masonic Lodge, on Tue, Mar 18, at 9 pm (doors at 8 pm). Tix, $25, go on sale at Noon, TODAY, Feb 26, at: http://hollywoodforever.ticketfly.com/event/508293/
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√ “JAZZ FOR KIDS” is FREE on Sat, Mar 29, at 11 am & 1 pm, presented by the Thelonious Monk Institute of Jazz in the Edye at the Broad in Santa Monica. Tix available beginning TODAY, Wed, Feb 26, only over the phone at 310-434-3200, or in person at the box office.
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Hopefully, you’re keeping up with the Guide’s TICKET ALERTS in most every edition. If we wait and list them all only on Thursdays, as we had planned to do, you’d be behind. Many venues (especially the biggest venues) announce special one-day deals on short notice, and sometimes, tix will go on sale a day early with special passwords – and we always do our best to find out about those things, and bring them to you. If you’ve missed recent editions with ticket alerts, they’re still available.
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NEWS FEATURES for
Thursday, February 27
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√ L.A.'s MUSIC TASTES ON RADIO DO NOT MATCH WHAT'S POPULAR AT VENUES
Numbers, out this week, prove things do not compute. We've long contended -- or simply observed as fact -- that while L.A. is the most ethnically diverse city in America, with the biggest radio market in the US, it has, by far, the LEAST diverse radio. Fly to Kansas City or Omaha, rent a car, spin around the radio dial, and you'll find vastly more variety on the airwaves there. Or anywhere, for that matter.
We know why. But the numbers still don’t add up. The “why” is because "big entertainment" is headquartered in L.A., and nearly two decades ago, the industry abruptly and unilaterally divested itself of people who understand musical diversity, and oftentimes, those who were schooled in music. Since corporate-mega-giant payola (by any other name) controls what gets played on corporate-mega-giant radio, they'll only allow what they own to get played. What they own is what they sign to their labels, and it’s the latest clone of the same thing, and intentionally disposable, so you’ll get tired of it and rapidly replace it with something else equally disposable.
There's abundant evidence for it. Just turn on the radio in L.A. and spin the dial. If you hear an accordion or a fiddle, it is, of course, a Spanish station. Otherwise...
Now, to those numbers, out this week. The numbers show things have reached the point where they don't even try to hide it anymore. The numbers arrive in the form of a Dell ad for their new music-like-the-radio/without-all-the-commercials service. Dell released it Tuesday at 1 pm. It has numbers that can be quoted and challenged, and it proves how bad things are.
It reads, "LA loves music! What genre are people listening to most throughout their day? Hear it all with the Dell Venue 7: http://del.ly/61855UZD"
But before you click their link, you'd better look at the ad's pictorial to see what you'll be getting:
https://fbcdn-photos-c-a.akamaihd.net/hphotos-ak-ash3/t1/1622101_10151895044187056_1037719970_n.jpg
Or just read it here. Dell's "station," reflecting L.A. broadcast radio, is:
√ 35% hip-hop & r&b
√ 30% dance & electronica
√ 26% pop & rock
√ 9% country
Egads. But no. We must note and challenge several things here.
(1) This does not compute. Those four categories add-up to 100% of “what L.A. is listening to.” That can’t be right, because even in a city with a dearth of diversity, there’s more out there than that.
(2) For starters, L.A. has two full-time classical music stations, and one full-time jazz station (that becomes listenable with a once-a-week blues show), and another station that plays elevator-music jazz. Yet Dell's reckoning of "what L.A. listens to" adds-up to 100% without including a place for any of that?
(3) It's interesting that r&b is now statistically indistinguishable from hip-hop. Certainly they are not miscategorizing jazz and stuffing it in there?
(4) “Dance” now IS electronica (and far more annoying, since it sounds like an electrocution with "singers" sounding like Stephen Hawking).
(5) “Pop and rock” are now lumped together, INEXCUSABLY to the detriment of real rock.
(6) "Country," since it's the only thing left to make the numbers comprise 100%, is a "catch-all" category that incongruously includes everything else.
They allot NINE PERCENT, as the total, in a forced-fit category of "country" as an amalgamation of everything? Everything from dysfunctional-relationship-Nashville-pop-country with "thet fahke ackscent" -- to the almost-impossible-to-find-on-local-radio / L.A.-endangered species list of trad-country, alt-country, folk-americana, and indeed, ALL of Americana?
Just hold your horses. AMERICANA MUSIC, the genre that is the fastest-growing EVERYWHERE else in America, is but a minority fragment of a 9% market share in L.A., and most of that 9% is pop-country?
Folks, the numbers are provably not right. And if those numbers are driven by the artificially of what makes it to L.A. radio, where the hot-house of Big Entertainment prevails as the wannabe taste-maker, then L.A. is not leading anything. It is in a bubble that has been created by the arrogantly intentional lack of diversity imposed by Big Entertainment. Begging the question, how long before the rest of the country, voting with its wallets, breaks that bubble? (Not soon enough for us.)
The fact that the Great Disconnect is factual is easy to prove, as well. Look at what L.A. region live-music venues book: It is predominantly Folk-Americana, Acoustic Renaissance, Nu-Nolk, and mainstream Americana music that includes honky-tonk and alt- and trad- country. In second place of what's booked in the venues? It's rock. Not rap. Not hip-hop. Not electrocution dance.
The numbers prove themselves. Just count the venues. See who books what. The Guide lists over 600 acoustic and Americana-friendly venues in Southern California; that's orders of magnitude more than the combined numbers of venues that book everything else.
We’re not talking an armchair exercise to make you feel better about what you want to hear. Venue owners are presumably rational business people who need to pay the light bill, the staff, their taxes, and the entertainment. That would strongly suggest that venue operators are the ones who actually KNOW what people want to see -- and hear. And what they book does not bear any resemblance to Dell's claim of “what L.A. is listening to.”
It all brings us back to our long-standing wish that venue owners would get together and buy a radio station in this town.
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√ JESSE McREYNOLDS CELEBRATES 50 YEARS AS MEMBER OF THE GRAND OLE OPRY ®
“Jim & Jesse Radio Shows” album reaches #1 on AirPlay Direct
Just announced this morning (Feb 27, 2014) in Nashville, is celebratory news about bluegrass icon JESSE McREYNOLDS. Inducted as members of the GRAND OLE OPRY in 1964, Bluegrass legends JIM & JESSE are celebrating their 50 year anniversary this year, and on March 1st, the Grand Ole Opry® will honor Jesse McReyonlds.
The success of JIM & JESSE’s ’60s radio shows prompted Martha White Flour to bring them to Nashville to star on their early morning show on WSM. In 1964, a life time dream came true for the duo when they became regular members of the Grand Ole Opry®.
Deep in the mountains of southwest Virginia, there still stands the white aging farmhouse Jim & Jesse first called home. Raised in the small community of Carfax (before that name became a completed unrelated websites), located near Coeburn, VA, the boys grew-up in a family steeped in traditional mountain music. Their harmony was exceptional, a rarity some say only brothers can produce. Jim's enhanced high tenor combined with Jesse's deep lead and unique mandolin style set this duo apart in the world of traditional music, now termed Bluegrass.
Very early in their career, Jesse developed a "McReynolds style" technique on the mandolin, combining his invention of "crosspicking and split-string playing", which distinguished his picking from others. Many have imitated, but few have successfully mastered his unique style of fast execution of intricate melodic patterns.
In 1952, Jim & Jesse debuted on their first major label, Capitol Records. Since that time, they have recorded for various labels including Columbia, Epic, again for Capitol, Opryland, CMH, Rounder, and their own label, Old Dominion. In 1960, their first single for Columbia, "The Flame of Love," backed on its B side by "Gosh I Miss You All The Time," spent weeks climbing the top 100 national charts. "Cotton Mill Man," "Diesel on My Tail," "Are You Missing Me," and "Paradise" are a few songs regarded as Jim & Jesse classics.
The year 2002 was a difficult one for Jim and Jesse. Jim was diagnosed with cancer. He passed away on December 31, 2002. His death ended the longest active professional brother duet in country music history. They had been performing together 55 years.
Jesse has carried on the Jim & Jesse tradition and has since gone on to play throughout the world with the VIRGINIA BOYS.
The beautiful music that originated from the brothers in the mountains of southwest Virginia back in 1947 remains as timeless as ever. The Jim & Jesse tradition continues to grow in 2014 with the release of the album “RADIO SHOWS,” which is currently #1 on both the AirPlay Direct Global Radio Indicator Charts for “Top 50 Albums” and the “Top 50 Bluegrass Albums” for the month of February.
“Jim & Jesse have captured something truly special here. A lifetime of radio fans and professionals giving them input on which songs were best, I LOVE IT…!” – Robert Weingartz, Chairman & Founder – AirPlay Direct.
Originally released in 1978 as a 2 record set on the Old Dominion label, “RADIO SHOWS” will be available for the first time on CD and digital formats on March 4th. “RADIO SHOWS” has a longer history even than that. It was recorded in 1962, and contained mainly songs never before recorded by JIM & JESSE and THE VIRGINIA BOYS, songs selected because of the heavy requests for them on their radio shows – hence the name applied when the list and recordings eventually became an album.
Produced by Jesse McReynolds and Gordon Reid, “RADIO SHOWS” contains 24 songs on one compact disc, re-mastered from the original master tapes with performances by JIM & JESSE McREYNOLDS, ALLEN SHELTON, JIM BUCHANAN, DON McHAN, and DAVID SOUTHERLAND.
A special, “added-value feature to the album,” notes the label Rural Rhythm Records, is online access to a Jesse McReynolds video interview reminiscing about the “RADIO SHOWS” album and era, as well as exclusive photos from his private collection during the musically most wonderful period in the lives of Jim & Jesse as a duo.
Jim & Jesse recorded and released many albums on the Old Dominion label dating back to the early ’70s including “The Jim & Jesse Show,” “Jim & Jesse Show Live In Japan,” and “Superior Sounds Of Bluegrass.” And what could more traditionally bluegrass than the themes embodied in their albums, “Jesus Is The Key,” “Songs About Our Country,” “Palace Of Song,” “Songs of Inspiration,” and more.
Rural Rhythm will be making these albums available for Jim & Jesse fans to enjoy again, bringing their music to a whole new generation of Bluegrass & Country music fans. More on the current and forthcoming re-releases is at www.ruralrhythm.com
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♪ THURSDAY’s LIVE MUSIC &
ART EVENTS
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♪ ONGOING MUSIC & ART EVENTS
ONGOING (through March 16), in Santa Monica:
8 pm "CIRQUE DU SOLEIL" presents "TOTEM" under the Big Top at the Santa Monica Pier.
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"TOTEM" plays the Santa Monica Pier:
Tue-Fri, 8 pm
Sat, 4:30 & 8 pm
Sun, 1 & 4:30 pm
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"TOTEM traces the fascinating journey of the human species from its original amphibian state to its ultimate desire to fly. The characters evolve on a stage evoking a giant turtle, the symbol of origin for many ancient civilizations. Inspired by many founding myths, TOTEM illustrates, through a visual and acrobatic language, the evolutionary progress of species. Somewhere between science and legend, TOTEM explores the ties that bind Man to other species, his dreams and his infinite potential." -- the show's promo.
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"Spectacular, artful. Breathtaking and deliciously ironic." -- The Toronto Star.
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"TOTEM is visually ravishing" -- The Boston Globe.
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Tix by phone, at 800-450-1480.
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Tix & info online, at:
http://m.cirquedusoleil.com/en/shows/totem/americas/usa/california/santa-monica.aspx
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Thursday, February 27, 2014
TODAY / TONIGHT ONLY
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Thu, Feb 27, in Long Beach:
5 pm KEN O'MALLEY brings a solo show of his authentic and original Irish music to the Auld Dubliner, 71 S Pine, Long Beach 90802; 562-437-8300.
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Thu, Feb 27, in South Pasadena:
5 pm BARRY “BIG B” BRENNER plays his blues residency at the Firefly Bistro, 1009 El Centro St, South Pasadena 91030; 626-441-2443.
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Thu, Feb 27, in VC (Camarillo):
5:30 pm SONGMAKERS monthly “CAMARILLO ROUND TABLE PIZZA SONG CIRCLE” at Round Table Pizza in Camarillo 93010; address & info, www.songmakers.org
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Thu, Feb 27, in Torrance:
6-8:30 pm ANDY & RENEE of HARD RAIN, named the Best Band in the South Bay for 2013, play their residency at the Buffalo Fire Department, 1261 Cabrillo Av, Torrance 90501; 310-320-2332.
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Renee tells us, "The food is delicious and reasonably-priced; the staff is friendly and helpful; all ages are welcome, and it's a great place to hear music."
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Thu, Feb 27, in L.A.:
6 pm "LE SALON DE MUSIQUES" brings “AN EVENING OF EXQUISITE CHAMBER MUSIC ~ FRANZ SCHUBERT DURING HIS ‘SCHUBERTIADES’” at The Beverly Hills Country Club, 3084 Motor Av, Los Angeles 90064.
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"LE SALON DE MUSIQUES" brings to Los Angeles a totally unique Chamber Music experience never heard before: it is Music with no walls, no stage, it is where the Art meets the Audience and connects as one. The concert is followed by interactive discussions between the artists and the audience, while enjoying Champagne and Delightful Food.
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PROGRAM, introduced by Musicologist Julius Reder-Carlson, is FRANZ SCHUBERT:
♪ "WINTERREISE" op 89, for Baritone & Piano (Excerpts)
♪ Piano Trio No.2 in E flat Major, D.929 Op.100 (2nd Movement)
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Featuring:
DAVID CASTILLO baritone, JESSICA GUIDERI violin, JOHN WALZ cello, FRANCOIS CHOUCHAN piano
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Event organized by The Beverly Hills Country Club. After the performance, a lively discussion of the works will follow. We welcome the audience to mingle around during the delightful buffet, exchange ideas, and meet the artists who will share their extensive knowledge of the pieces.
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"This downtown Chamber Music Series takes listeners closer to the Music and Musicians than any other." -- Rick Schultz, Los Angeles Times
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Tix, $65, including Champagne & Hors D'oeuvres. Tix and more info a 310-558 6461 or online:
www.LeSalondeMusiques.com
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Thu, Feb 27, in SFV (Universal City):
6-9 pm Piano man MARC BOSSERMAN plays the Hilton Universal in Universal City.
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Marc tells us, “It's a great space. Huge atrium. Kawai Grand piano. And I'm singing and playing--everything from Stephen Foster to Bruno Mars! The food is great. And it's at Universal Studios so you just never know who might be hanging out.”
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Thu, Feb 27, in OC (Fountain Valley):
6-10 pm Weekly “BLUEGRASS JAM” at Orange County Archery, 18792 Brookhurst St, Fountain Valley 92708.
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Thu, Feb 27, in Monrovia:
6:30 pm THE LICATA BROTHERS play Friends Café, 425 S Myrtle Av, Monrovia.
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Tony and Jimmy Licata are teenage musical prodigy guitar phenoms who perform great Americana tunes and Iconic songs from the ’50s, ’60s and more.
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Venue has "some yummy salads, and goodies and lots of drink choices," says a music fan.
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Thu, Feb 27, in Burbank:
6:30-10 pm Monthly “CLICKERS & FLICKERS DINNER” features renowned photographer & motion picture still photog, DAVE FRIEDMAN, presenting his new book, "Photographing the Beauty and Drama of Ballet," at The Castaway,1250 Harvard Rd, Burbank 91501.
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DAVE FRIEDMAN, a world renowned photographer and motion picture still photographer, returns for another action-packed visual presentation at C&F's photo-network dinner. (In August 2013, Dave presented “Remembering ‘Enter The Dragon’ and Bruce Lee,” in connection with his just-released photographic coffee table book for Warner Bros’ 40th anniversary of the release of “Enter The Dragon.”) Tonight, Dave returns to present "Photographing The Beauty and Drama of Ballet" and to share his passion for photographing the power of classical ballet at C&F's photo-networking dinner. RSVP & payment required in advance.
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Dave Friedman will share what he loves most about shooting the ballet, and that is the challenge of getting it right. He states "Since I have little say in the lighting, I must work with a multitude of extremes from very bright to almost no light as well. These situations are what challenge me to do my best work. The costumes, sets, music, production value, and most of all the beautiful dancers who devote their lives to this art are a big part of it too. When you see the overall production on stage, the beauty of what is being presented takes everyone's breath away but few people know what goes into the making of that production and the sacrifice of the dancers." Following Dave’s photography presentation there will be a Q&A.
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Dave Friedman is known for his pictures of celebrities, cinema, racing and classical ballet. At 23, he became the company photographer for Shelby American from 1962 to 1965, capturing some of the biggest icons in racing. When the Shelby Cobra racing program was terminated, he was hired to work on the Ford Le Mans Program as an outside contractor in 1966 and 1967. Wanting to spread his wings, Friedman was given an opportunity to work in the motion picture industry in July 1965. That’s when he was given his first assignment as an assistant cameraman at 20 th Century Fox. During his brief career as an assistant cameraman, Friedman worked on some of the biggest classics in film history, including The Sound of Music, Doctor Doolittle, The Sand Pebbles, Butch Cassidy and the Sundance Kid.
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Friedman achieved still photographer status in June 1969. His first assignment was Little Fauss and Big Halsey, a motorcycle racing film starring Robert Redford and Lauren Hutton. Over the next two decades, his film resume swelled and he shot some of celluloid’s biggest stars including Steve McQueen, Bruce Lee, Robert Redford, Ann-Margret, Jack Nicholson, Warren Beatty, Michael Caine, Diane Keaton, Charles Bronson, Christopher Reeve, John Travolta, and many more. Friedman was also on the set of many modern-day classics., and lent his considerable skills to television, snapping photos for classic shows such as M*A*S*H, Happy Days, The Dukes of Hazzard, Laverne & Shirley, Julia, Room 222, Mork & Mindy, The Ghost & Mrs. Muir and the epic mini-series The Thorn Birds. In 1986, Friedman became the first and only Still Photographer to be voted in to the Motion Picture Academy of Arts and Sciences. By the 1990s, he decided to move on to other photographic challenges such as international endurance racing and the beautiful classical ballet, for which his pictures have won numerous awards. Dave has authored or co-authored over 30 books on motor racing and been published in major magazine and newspapers.
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Clickers & Flickers’ photo-networking dinners are open to the public. Amateurs, professionals & non-photographs are welcome. Reservations & payment is discounted if made five days in advance. Dinner / lecture is $65 at the door. Reservations and to confirm space is available, phone 626-794-7447 or e-mail: Photographer@ClickersAndFlickers.com
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Thu, Feb 27, in Echo Park (L.A.):
7 pm JENNIFER TRESS presents a reading and signing of “You’re Not Pretty Enough,” at Stories Books & Cafe, 1716 W Sunset Bl, Echo Park (Los Angeles) 90026.
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Smart, uproarious and utterly relatable “You’re Not Pretty Enough” is chock full of truths and provides an example of how to be comfortable in your own skin, and ultimately, to live a full life (even if you screw up, royally, along the way). More at www.yourenotprettyenough.com/
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No cover.
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Thu, Feb 27, in San Diego:
7 pm GREGORY PAGE plays the “Folkey Monkey” concert series at the Visual Center for Spiritual Living, 6154 Mission Gorge Rd, San Diego 92120; 619-871-1653.
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Thu, Feb 27,
FILM EVENT,
throughout America:
(various times) “INEQUALITY FOR ALL” by former US Labor Secretary ROBERT REICH and director JACOB KORNBLUTH, screens for guests attending in thousands of homes in events organized by “Democracy for America.” Find a location near you at www.democracyforamerica.com
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What the film is about:
In the wake of the U.S. economic crisis, the widening gap between the rich and the poor has gained unprecedented public awareness. Former US Labor Secretary, UC Berkeley professor, and noted economic policy expert ROBERT REICH brings understanding of how this extreme inequality has roots in economic and policy changes that began over 30 years ago. Through newly shot and archival footage and innovative graphics,we learn how we got here and where we are headed if we don't act soon. Punctuated by moments that allow us to know Reich personally, we also see his unwavering passion to return our society to one in which the American dream is possible for everyone.
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A live online discussion follows with director Jacob Kornbluth and Robert Reich. More at www.democracyforamerica.com
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Thu, Feb 27, in SFV (NoHo):
7:30 pm "KULAK'S 'RENT CLUB' SHOW" with the TALL MEN GROUP and the DAVE MORRISON BAND performing in another benefit to come up with the rent money for Kulak's Woodshed, at 5230 Laurel Canyon Bl, North Hollywood; info or watch live online at www.kulakswoodshed.com.
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Dave Morrison explains, “Once a month we rally the troops and have a special show to raise the rent money for Kulak's Woodshed. As you know, The Woodshed is an all-volunteer, donation-supported listening room, recording studio, and creative laboratory. It's up to us all to keep this amazing place solvent, so that it will continue to be the valuable community hub that it's been for 14 years. Many of L.A.s most notable musicians and singer-songwriters have performed here and formed musical and personal relationships that have greatly enriched their lives. Our performers for this event are no exception. Each has graced the stage here, either solo, or as part of The Tall Men Group.”
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Dave continues, describing THE TALL MEN GROUP: “Ed Tree is a legendary singer-songwriter, producer, guitarist who has been a key figure on the scene for longer than he would like me to say. Severin Browne is one of our most enduring and beloved artists, and a long-time supporter of Kulak's. John Stowers was a noted and popular singer-songwriter and performer before joining TMG. And Marty Axelrod has been long-respected both for his solo work and as the creator of ‘Songs Of Shiloh,’ the gorgeous song-cycle featuring Nicole Gordon.
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Dave concludes, “We're grateful to these guys for coming out to lend a hand. Here's a chance to hear them doing some songs that they can't get to in a TMG show. Don't miss it. My band will be on hand. We'll open the show with a short set. I have a couple of new songs to debut. As usual, we will have food and refreshments on hand. This show will likely sell out, so it's a good idea to get there by 7 pm if you can. Remember, if you have friends in far-off and frozen locations, send them the web-link, and encourage them to watch online.” More at www.davemorrisonmusic.com
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$15, money goes to the venue.
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Thu, Feb 27, in Santa Monica:
7:30 pm ATALAYA PERCUSSION & VENEZUELAN BRASS ENSEMBLES play the “Classical and Opera Series” at Broad Stage at the Santa Monica College Performing Arts Center, 1310 11th St, Santa Monica 90401. Box office, 310-434-3200.
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Music is beauty and joy. Nobody knows this better than the youthful Venezuelan ensembles of the Simón Bolívar Symphony Orchestra of Venezuela, the crown jewel of youth orchestras. Under the direction of Thomas Clamor, the Venezuelan Brass Ensemble has triumphed in world-class venues with their powerful and passionate mix of classical and South American repertoire—while the young percussionists of the Atalaya Percussion Ensemble blend Latin American and Afro-Venezuelan rhythms.
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Program:
Part One - Atalaya Percussion Ensemble
“The First Circle” (arr. Felix Mendoza) .... Pat Metheny (b. 1954) “Better Days Ahead”
“Rhythm Song” ....Paul Smadbeck (b. 1955) (arr. Atalaya Percussion Group)
“Repuercusiones” ..... Matias Azpurua
Intermission
Part Two - Venezuelan Brass Ensemble
“Toccata” (from Orfeo) ..... Claudio Monteverdi (1567-1643)
“Canzone XX” .... Giovanni Gabrielli (1554-1612) “Omnes Gentes Plaudite Manibus ”
Romance op.5; Nutcracker Suite (Miniature Overture, March, Arab Dance, Chinese Dance, Trepak) .... Pyotr Ilyich Tchaikovsky (1840-1893)
Carinthian Music Academy Fanfare .... A. Stevenson
The Pines of the Appian Way .... O. Respighi (1879-1936)
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Thu, Feb 27, at UCLA:
8 pm “OSCAR CONCERT” is a first-ever event this year, showcasing the music of the eight nominees for the Oscar for Film Score, in UCLA's Royce Hall, 340 Royce Dr, Los Angeles 90095.
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The Guide brought you a TICKET ALERT for this weeks ago; more at www.oscars.org
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Tix at ticketmaster.com, or save the outrageous fees and get ’em from the Royce Hall / UCLA box office.
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Thu, Feb 27, in Silver Lake (L.A.):
8 pm Weekly "HONK TONK HACIENDA" brings its weekly show to El Cid, 4212 W Sunset Bl, Silver Lake 90029; www.ElCidLA.com; 323-668-0318.
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Tonight, it’s:
♪ BEN REDDELL, plus,
♪ CHRIS SHIFLETT & THE DEAD PEASANTS.
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BEN REDDELL is someone you may recall from his place on the bass behind L.A.’s Leslie Stevens & The Badgers — he’s the tall, mustachioed longhair who seems like he’d have been equally at home playing with Willie Nelson as with Roky Erickson. But Reddell has a guitar and a band of his own and a voice that comes out as weather-beaten and world-weary as any classic Texan troubadour. Hey, Guy Clark, Townes Van Zandt, There's room for one more to share that bottle of the strong stuff.
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CHRIS SHIFLETT & THE DEAD PEASANTS: While touring around Foo Fighters’ album “Wasting Light,” lead guitarist Shiflett was struck with an idea for his other band, The Dead Peasants: to tour as a cover band after learning as many classic honky-tonk songs as they could master. As a musician raised on a steady diet of AC/DC and KISS, and one who’s also a longtime fan of quintessential country and rockabilly artists like Merle Haggard, Buck Owens, and Johnny Burnette, the notion was rooted in a mix of reverence and revelry. Once he arrived home, the band got together and spent months rehearsing a set before performing a slew of shows through spring and summer 2012. Together with Shiflett on vocals and guitar, The Dead Peasants are Jeff Gross (bass) and Luke Tierney (guitar) – three friends who grew up playing in bands together – as well as Mitch Marine (drums), Marty Rifkin (pedal steel), and Derek Silverman (keyboards). Most of them also toured with Shiflett around the group’s 2010 self-titled debut, which introduced his skill in writing understated, infectious good ol’ Americana-laced rock songs. They recorded “All Hat and No Cattle” live and together in one room at Studio 606 in Los Angeles with only vocals overdubbed. That’s indicative of what a lot of practice gets you.
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Every Thursday, El Cid turns into “Honky Tonk Hacienda” with bands, songwriters and musical instigators tearing it up with Outlaw Country, Roots, Old Time and Americana.
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No cover before 8:30 pm, $5 thereafter. Venue is 21+. Doors at 7 pm, music starts at 8. Ample street parking; valet parking available.
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Thu, Feb 27, in Altadena:
8 pm THE SHOW PONIES plus JOSEPH return to the Coffee Gallery Backstage, 2029 N Lake Av, Altadena.
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THE SHOW PONIES played here with JOSEPH a couple months back and positively packed the place. Venue impresario Bob Stane called the night, “All around excellence... fresh, new... but with solid experience. Great music and wit.”
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The Show Ponies are a five-piece indie folk band with old-tyme country influences. The band features “Daniel Pearl Memorial Fiddle” winner Phillip Glenn, and award-winning male and female vocalists Clayton Chaney and Andi Schrock. They are backed by Jason Harris on the guitar and banjo and Kevin Brown on the drums. When you see The Show Ponies, you’ll clap your hands, stomp your feet and sing along to their originals you’re learning as you hear them, and to classic folk standards. The Show Ponies love to hoot, holler and have a good time.
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JOSEPH is a band of three sisters from the beautiful Pacific Northwest, and they’re opening the show at 8 pm. They bring songs with honest words, beautiful instrumentation and genetically perfect harmonies. Last time here, the final portion brought everyone from both bands on stage for a rollicking hootenanny that was truly memorable. If you’re out late, JOSEPH scurries-off to play the Hotel Café tonight at 11 pm, too.
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Bring your family, bring your friends and come celebrate the rare occasion of Joseph being in Los Angeles and the festival-favorite Show Ponies playing such an up-close and intimate venue.
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Tix, $15. Reservations at 626-798-6236, 10 am-10 pm, seven days. There’s more on the venue’s website, at: www.coffeegallery.com
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Thu, Feb 27, in Burbank:
8 pm COW BOP plays Viva Cantina, 900 Riverside Dr (next to L.A. Equestrian Center), Burbank; 818-845-2425 or 818-515-4444; HYPERLINK "http://www.vivacantina.com/" www.vivacantina.com.
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More on the venue’s other stage at 10 pm. See listing.
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No cover. Venue is known for its Mexican food and full bar. Okay to park free across the street at Pickwick Bowl (free, nearly unlimited parking for Viva patrons).
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Thu, Feb 27, in downtown L.A.:
8-11 pm DUSTBOWL REVIVAL plays the Edison, 108 W 2nd St #101, Los Angeles 90012; HYPERLINK "http://www.edisondowntown.com" www.edisondowntown.com; 213-613-0000.
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Thu, Feb 27, in L.A.:
SOLD OUT: 8 pm KODALINE plus LP play the El Rey Theatre, 5515 Wilshire Bl, L.A.
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Okay, so it’s sold-out. As is their other gig, tomorrow night at Hollywood Forever Cemetery. You still need to know about LP, aka Laura Pergolizzi.
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She performs as LP. She’s the one who sings that soaring rapid-fire vocal on the TV commercial with the girl who takes the guy rock climbing on a redrock spire, after using her credit card to “pick up a few things: “nylons” – being climbing runners, and “what girl wouldna need new shoes?” – being climbing shoes. The fragment of lyrics is “Somebody left the gate open…”
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Michele Marotta, a Guide correspondent, reports, “I've seen her a few times. She's 4'10 - maybe, very butch (I've met her girlfriend several times - we went to Stella Adler together), but so incredibly talented. I liked the song so much from the commercial I tracked it down, then got [the credit card it advertises]! That could have been taking it too far but hey, zero interest for 18 months!”
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Thu, Feb 27, in SFV (Chatsworth):
8 pm CLOSED FOR FILMING; THERE’S NO SHOW TONIGHT at the Cowboy Palace, 21635 Devonshire St, Chatsworth; 818-341-0166.
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This is L.A.’s last real honky tonk. No cover, full bar, lots of fun.
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Thu, Feb 27, in Murrieta:
8 pm DEVOCEAN plays the Shamrock Irish Pub & Eatery, 39252 Winchester Rd #145, Murrieta 92563; 951-696-5252; www.theshamrockirishpubandeatery.com
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Thu, Feb 27, in Agoura Hills:
9 pm LUCINDA WILLIAMS plays the Canyon Club 28192 Roadside Dr, Agoura Hills 91301; 818-879-5016; www.canyonclub.net
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Her music defined one of the main thrusts of Americana music before anybody was calling it Americana music.
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Doors at 6 pm, show at 9 pm. You need to make a dinner reservation to get a seat; otherwise, just a ticket will get you in to stand.
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Tix are available online, plus applicable fees. Under age 18 must be accompanied by a paying adult. Call 818- 879-5016 to make dinner reservations, necessary for guaranteed seats.
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Thu, Feb 27, in Culver City:
9 pm PODUNK POETS play the Cinema Bar, 3967 Sepulveda Bl, Culver City 90230.
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No cover, but contribute to the artists’ tip jar.
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Thu, Feb 27, in SFV (Sherman Oaks):
9 pm Weekly “ACOUSTIC CORDIALE” showcase at Café Cordiale, 14015 Ventura Bl, Sherman Oaks 91423; 818-789-1985.
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Thu, Feb 27, in L.A.:
9 pm “L.A. HOOTENANNY” happens at Villains Tavern, 1356 Palmetto St, near downtown Los Angeles 90013; 213-613-0766.
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What started as a bunch of friends playing music for food became one of the most fun music parties in L.A. Just reporting their usual personnel the way do will give you some idea:
Guil- Vocals, Guitar, Pugilist
Todd- Vocals, Guitar, Communications
Eric- Vocals, Guitar, Underwater Demolition
Cody- Vocals, Washtub Bass, Edged Weapons
Kevin- Drums, Engineer, Poisons
Nick aka Knuckles- Electric Bass, Tuhon
Gerard- Lead Guitar, Ballistics
Tim- Banjo, Jester, sniper
Mars- Lead Guitar, Pharmacology
Ben- Harmonica, Sax, Interpreter
Miranda- Fiddle, Demolitions
Dustin- Vocals, Hoofer
Jessica- Vocals, Diva
Sally- M.I.A
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Thu, Feb 27, in Burbank:
10 pm REVEREND MARTINI'S “ROCKABILLY DANCE CLUB PARTY” at Viva Cantina, 900 Riverside Dr (next to L.A. Equestrian Center), Burbank; 818-845-2425 or 818-515-4444; HYPERLINK "http://www.vivacantina.com/" www.vivacantina.com.
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No cover. Venue is known for its Mexican food and full bar. Okay to park free across the street at Pickwick Bowl (free, nearly unlimited parking for Viva patrons).
++++++
Thu, Feb 27, in Hollywood:
11 pm JOSEPH plays the Hotel Café, 1623 1/2 N Cahuenga Bl (a half-block S of Hollywood Bl), Hollywood 90038; 323-461-2040.
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JOSEPH is a marvelously rootsy band of three sisters from the beautiful Pacific Northwest, and they’re playing here late after sharing an earlier show with THE SHOW PONIES at 8 pm at the Coffee Gallery Backstage in Altadena. These lovely young ladies bring songs with honest words, beautiful instrumentation and genetically perfect harmonies.
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More, soon, as always.
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♪ The Guide will be making CH-CH-CHANGES – turn, embrace the change -- in 2014. Some folks will like some, others will not. There will be points of departure to make room (and time) for the new. We’ll do what we can, because as always, we operate with the editor’s motto, “One does what one can.”
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Direct to the current editions /
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MOBILE-DEVICE-FRIENDLY editions load quickly at
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www.acousticamericana.blogspot.com
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CONTACT US / Questions / Comments / SUBSCRIBE to our notices, etc., all at
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tiedtothetracks@hotmail.com
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Contents copyright © 2014,
Lawrence Wines & Tied to the Tracks.
All rights reserved.
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The ACOUSTIC AMERICANA MUSIC GUIDE endeavors to bring you NEWS and views of interest to artists everywhere, more specifically to musicians and the creative community, and music makers and fans of acoustic and Folk-Americana music, both traditional and innovative. We provide a wealth of resources, including a HUGE catalog of acoustic-friendly venues, and schedules of performances in Southern California venues large and small. We cover workshops and other events for artists and folks in the music industry, and all kids o’ things in the world of acoustic and Americana and accessible classical music. From washtub bass to musical spoons to oboe to viola to banjo to squeezebox, from Djangostyle to new-fangled-old-time string band music, from sweet Cajun fiddle to pre-bluegrass Appalachian mountain music to proto blues.
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The Acoustic Americana Music Guide. We’re on it.
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Tuesday, February 25, 2014
UPDATED: News, Events, Tuesday Tuneage & Midweek Music, through Wed ~ Feb 25 & 26, 2014
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Happens every time we present multiple days: all the tardy people breathlessly arrive with late word of their events.
SOOOO,
the complete edition, as published, follows. But we have the following
*** LATE ADDITIONS for Wed, Feb 26…
♪ Added TICKET ALERTS…
♪ Added LIVE on the WEB TONIGHT: a BERKLEY HART performance.
♪ Added LIVE in the venues TONIGHT: In addition to the 14 events already included for tonight when we published this edition, here are xxx more. First, our freshly-added Ticket Alert.
* * * * * * * * * * * * * * * * * * * * * * * *
♪ TICKET ALERTS
(two fresh ones, in addition to one in the original edition AND over 50 in recent days):
√ ÁSGEIR, the Icelandic singer-songwriter, plays the Hollywood Forever concert series in the Masonic Lodge, on Tue, Mar 18, at 9 pm (doors at 8 pm). Tix, $25, go on sale at Noon, TODAY, Feb 26, at: http://hollywoodforever.ticketfly.com/event/508293/
√ “JAZZ FOR KIDS” is FREE on Sat, Mar 29, at 11 am & 1 pm, presented by the Thelonious Monk Institute of Jazz in the Edye at the Broad in Santa Monica. Tix available beginning TODAY, Wed, Feb 26, only over the phone at 310-434-3200, or in person at the box office.
~`~`~`~`~`~`~`~`~`~`~`~`~`~`~`~
♪ LIVE on the WEB TONIGHT…
Wed, Feb 26, on the web:
7 pm (Pacific) BERKLEY HART, the multiple-award-winning, San Diego-based duo, plays a “Concert Window” show on the web “at your house or wherever you are online.” It's a "Pay-What-You-Want" live online concert, at www.concertwindow.com/shows/3130-berkley-hart
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More info at www.berkleyhart.com
~`~`~`~`~`~`~`~`~`~`~`~`~`~`~`~
♪ LIVE SHOWS…
In the venues tonight, in addition to the 14 events we cover when we first published this edition, here are five more.
Wed & Thu, Feb 26 & 27, in SFV (Universal City):
6-9 pm Piano man MARC BOSSERMAN plays the Hilton Universal in Universal City.
+
Marc tells us, “It's a great space. Huge atrium. Kawai Grand piano. And I'm singing and playing--everything from Stephen Foster to Bruno Mars! The food is great. And it's at Universal Studios so you just never know who might be hanging out.”
++++++
Wed, Feb 26, in OC (Fullerton):
7 pm STEVE NOONAN plays his folk music residency at Bourbon Street, 00 E Commonwealth, Fullerton.
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Tonight his performing guests are DOUG HAYWOOD and MAURY MANSEAU.
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Wed, Feb 26, in WeHo:
8 pm FREEBO & FRIENDS play "A NIGHT OF MUSIC, MESSAGE and MAJOR FUN" at Genghis Cohen, 740 N Fairfax Av (1/2 block N of Melrose), West Hollywood 90046.
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Legendary bass player and award-winning singer-songwriter FREEBO is bringing "dynamic and inspirational singers" JANA STANFIELD and LYNN ROSE. He says, "We will be focusing on "MUSIC and MESSAGE," as both of these amazing women and I are firmly entrenched in The New Thought Worlds. You will be entertained, motivated, and uplifted throughout this intimate three-person IN-THE-ROUND acoustic experience." More at www.lynnrose.com and at www.janastanfield.com
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He adds, "No Fuzzbee and Chad, they are on tour and will be returning for next month's show on the 26th of March."
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Freebo advises, "get there early, it might be crowded."
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$10 cover.
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Wed & Thu, Feb 26 & 27, in SFV (Chatsworth);
The Cowboy Palace is CLOSED FOR FILMING.
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Wed, Feb 26, in L.A.:
Venue Change:
7:30 pm SHARON CORR plays the Mint tonight, instead of the El Rey Theatre. “All tickets purchased for the original venue will be honored, or refunds available at point of purchase,” says producer Goldenvoice.
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Now, HERE’S THE FULL EDITION,
AS ORIGINALLY PUBLISHED
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Welcome new readers! You're joining a community that registers a quarter-million page views per year!
There's plenty within, nicely organized, all about the here and now on the arts and music scene. The "guide to the Guide" is just ahead. As always, we open with an homage to the past.
Tuesday and Wednesday in history …
*** February 25 is the anniversary of the day in 1913 when the SIXTEENTH AMENDMENT to the US Constitution went into effect. It gave Congress the power to tax the incomes of citizens for the first time. No one is sure who gave Congress the right to tax our patience and sense of disbelief at their inability to do anything for the past five years.
*** February 26 is the anniversary of the day in 1963 that Vee Jay Records released the first BEATLES record in the US, “Please Please Me,” a single backed with “Ask Me Why.” At the time, the single went unnoticed by the record-buying public. And the rest -- is history. (Contributed by Michele Marotta, whose father owned Vee Jay Records.)
*** February 26 is the birthday, in 1846, of WILLIAM FREDERICK CODY, aka BUFFALO BILL. He was the greatest showman of his time, and one of the greatest of all time. He spent his early life, after being orphaned at age 11, as a Pont Express rider, Union Army scout, Indian fighter, and buffalo meat salesman. Later, upon recognizing the near-extermination of most western tribes of Native American Indians, he organized the “Wild West Show” to entertain people worldwide, while giving employment to Indians he knew and creating some early appreciation for their cultures and humanity. In that regard, he is controversial to our modern sensibilities.
*** BIRTHDAYS:
Wednesday, February 26 is the birthday of musicians
√ JOHNNY CASH (1932-2003)
√ BILL BURNETT
√ PAUL COTTON of POCO
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In this edition…
♪ TICKET ALERTS
♪ NEWS FEATURES
. 1) WHEN A SINGER CAN’T MAKE A SOUND: JANET ROBIN’s JOURNEY
. 2) "AN ACOUSTIC TRIBUTE TO WARREN ZEVON" ~ Tuesday night at Brennan's Pub
in Marina del Rey
. 3) MARAH releases new album package, “MOUNTAIN MINSTRELSY,” out today
. 4) THE FAR WEST has a new album, “ANY DAY NOW,” out today
. 5) BRITISH BLUES GUITARIST MATT SCHOFIELD's new CD, "FAR AS I CAN SEE"
. 6) “THE LAST ELVIS,” film acclaimed at Sundance, out today on DVD
♪ LIVE ON THE WEB
♪ ONGOING MUSIC & ART EVENTS
♪ TUESDAY’s MUSIC & ART EVENTS
♪ WEDNESDAY’s MUSIC & ART EVENTS
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♪ TICKET ALERTS
√ The Drop: LA SANTA CECILIA” happens Wed, Mar 5, at 8 pm, at the Grammy Museum in L.A. This is a performance-interview and CD release event, hot off the band’s 2013 GRAMMY Award win for “Best Latin Rock, Urban or Alternative Album.”
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Public ticket sale begins today, Tue, Feb 25, at noon. Tix are $20, at 213-765-6803 or at www.grammymuseum.org. Previous tix sales were available only by American Express card.
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√ We’ve had well over FIFTY ticket alerts in the past 10 days or so. Check recent editions, before everything you want to see is sold-out.
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♪ NEWS FEATURES
1) WHEN A SINGER CAN’T MAKE A SOUND: JANET ROBIN’s JOURNEY
Renowned and respected globe-trotting guitarist, banjo player, composer, singer-songwriter and vocalist Janet Robin has a big fan base in Europe and tours everywhere. She once delighted radio listeners on the old “Tied to the Tracks” show playing live with Anne McCue, doing everything from the Appalachian mountain tune “Gray Eagle Hornpipe” to Django Reinhardt’s “Minor Swing.” She’s shared lineups with the iconic names as one of the best female guitarists of our time. She composes and she sings. Until suddenly she couldn’t do the latter. Or even talk. Janet shares her story, exclusively with the Guide’s readers.
by Janet Robin
“Silence is Golden” – I found this to be the truth as one who recently had vocal cord surgery, an experience I share with such famous singers as Adele and John Mayer (even though I am not yet as well-known as they are…I’m still waitin’ on the gold records :)
This is the story of my personal journey of vocal cord surgery.
Last year, I was diagnosed with a benign cyst on my right vocal cord. I suspected a problem, because during some of my shows, I had been experiencing straining and hoarseness – and sometimes pain when I was talking. Even though I am more of a guitar player, I still needed a clear voice for my performances and for communication.
My Doc said cysts are much harder to work on then nodules or polyps, and especially this one because it was not well-defined. It's much harder to go in there and just snip it off. You have to literally cut a flap in the cord, pull out the cyst, and then put the flap back over, in a "micro-flap" surgery. Yes, it actually has a name. Already, I was thinking maybe I could call my next CD, "Janet Robin, Songs from the Micro-Flap."
We decided at the time to wait. Timing was an issue as the recovery process after surgery is at least three months, and I was in the middle of several tours. And money, of course, was a bit of an issue as well. The surgery was expensive, even though I had some insurance, and the time off – not performing, and not even being able to speak for two-to-four weeks, would impact my ability to work. My doctor suggested some alternatives that might help my condition. She referred me to a vocal therapist who was also a vocal coach, one who is very experienced and has helped people with vocal issues, but, more importantly, actual working musicians, like me.
I went to her for over a year to correct some of my bad vocal techniques, things I had developed from years of touring and back-to-back two-hour shows, day-after-day on the road. We also worked on my speaking voice, which can be a big problem for singers.
I knew this to be especially true for me, and I know the reason why. While growing up, I spent years and years trying to be taken seriously as a guitar player in what is basically a male-dominated world. I subconsciously lowered my voice so my pitch was not the natural pitch of my voice. In fact, it was almost two steps lower. So she had me work on raising the pitch of my speaking voice and learning new habits for healthy singing.
This therapeutic approach was supposed to – possibly – decrease the size of the cyst, so it wouldn't cause as much of a problem. That did work for a while on the road. But ultimately, touring really takes its toll on your body and your voice. And even with all my new good habits, that little "cyst did persist"... nice rhyming huh?
After second opinions – two of them, by some of the other great vocal doctors (they’re called otolaryngologists) in the Los Angeles area – the decision was made to go for the surgery. There were a lot of risks involved. The problems that might occur? Scar tissue could form and cause a problem worse than I already had. Or vocal paralysis might happen – though very rare. Or worse yet, there could be chipped teeth during the surgery! Ah. That was the scariest part! :)
I decided the risks outweighed the benefits. We chose a surgery date right before Christmas, which is usually a slower time for me with music work. I also teach guitar and produce other artists in my studio, and many people take a break for holidays. I would have to take-off at least two weeks of work.
And absolutely no singing for three months.
My next tour wasn't until May, so that would give me at least four months. So this was the time for the surgery.
Now, I had to figure out how to pay for this all. A friend of mine was involved with “Sweet Relief,” an organization that helps musicians who experience health-related problems pay their medical bills and/or living expenses. I checked it out online, and while there, I found a number of other links to many foundations that offer help or grants.
I had health insurance, but my deductible was quite high, and my insurance did not cover some parts of the surgery that were not in-network with this particular doctor. I decided to dive-right-in to the work of filling out applications for these grants, a time consuming process, and finding financial help for my surgery and living expenses.
Surprisingly, after several hours at Kinko’s copying tax info, proof of being a pro musician for the last five years, biography info, pictures of scopes of my vocal cords, medical quotes on the surgery, doctors notes, and more, I received every single grant I applied for.
The biggest help came from “Music Cares.” That paid for my entire co-pay portion of the surgery that my insurance didn't cover. “The Actors Fund,” “Society of Singers,” and “Sweet Relief” all pitched-in for financial help on some other bills... and then the next biggest grant came from “The Haven,” a foundation that author Stephen King (yes “The Shining” guy) heads-up. He has a foundation for all artists in need, including musicians.
They sent the grant to me personally, the one that covered all of my rent and bills for the rest of December and most of January. I’m telling you, my faith in the music business went up to 100% after dealing with these organizations. Their professionalism and their care in helping was absolutely, truly from the heart. You do not have to be a poor and down-and-out musician. You just need to be a real working musician who needs help during a health crisis, and that's exactly what it was for me. I can't say a big enough thanks to them all.
If you ever contribute to charities, please consider these amongst your contributions.
So the surgery came and went. I had to be completely silent for the first seven days. Try that sometime. It’s nearly impossible, especially for a performer like I am. I don't have a lot of experience in meditation, so I guess this was my chance to "live in the moment."
The first night after surgery was very difficult, as I had some complications with coughing. It was not only talking I wasn't allowed to do. It was also no coughing, no laughing, no sneezing if you can help it, no grunting, and no sounds at all. I tried. I really tried. But the coughing was tough, and it can happen after this kind of procedure. Finally, cough syrup with codeine and acid reflux meds really helped with that. But let's also not forget steroids (pills and shot), a humidifier, a facial / throat steamer, and enzyme supplements. Glutamine supplements, giving up coffee (even decaf), giving up alcohol, watching chocolate intake and dairy intake. And much more.
What the hell did I get myself into?
And then my creative side kept crying out to me. Ever try writing a song without singing? At least I could play guitar. But I had to watch my posture, even doing that. Those darn tiny little cords are sooooo sensitive. Who knew? What would have happened to Janis Joplin if she were still around?
Still, some very positive things happened through the experience. For one, I became a better listener, I can tell you that. I also found that I didn't have to join in every conversation like I used to – or rather, take over the conversation like I’m used to doing. :) It was nice to just hear everyone else talking about whatever they were talking about. I sort of felt like a spy sometimes. Or like an observer. Or that maybe I had a secret.
I also noticed that body language becomes a big deal when you can't talk. There is so much you can do with your body language if you can't speak. When I was finally allowed five minutes per hour of talking, after the first week, I talked very lightly and softly. And then I noticed every time I did that, everyone else spoke the same way back to me. Even the guy at 7-eleven. That was really funny. When I went out with friends and they told waiters and other workers that I couldn't speak because I was on vocal rest from surgery, they spoke to me very clearly and thoughtfully, like they maybe I couldn't hear as well as speak? That was really funny, too.
Anyhow, the point is: We don't always have to talk to everyone about everything. We can listen, we can decide before speaking what we really want to say, and we can take our time. I'm hoping this will last for me, because it is definitely like being "more in the moment," something I think we all strive for that will enable us to have more fulfilling experiences in life.
So, when I was given the go ahead to speak five minutes an hour, and then 15 minutes per hour in week three, I think it was actually still too much for me. Though I tried, it was very hard to monitor those time periods.
I may have spoken a little too much a little too early, because even though the cyst was out, the scar was healing a bit too hard and pointed. So after several post-op visits, my Doc decided it was time for yet another procedure.
Oh boy, here we go again. I was worried – and a little depressed I have to say, because I was still living like a monk – but also not sure what my singing voice would be like, or if I would ever sing again. Doc said, "Let's go back in. Let's take a look at everything, and inject the cord directly with a steroid to soften the healing of the scar." “Ok,” I said. Well, obviously, I really didn't have another choice.
Meanwhile, time was flying by without working. My very loyal guitar students, and artists I work with, were patiently waiting for my recovery. But I must say, it was difficult financially, making things work as the grant money was running out. Family helped a little, but mostly I had to get back to teaching a few students with my trusty magic erase pad, that I had learned to carry-around everywhere. Not an easy way to conduct lessons, but I made the best of it.
I was told again: more vocal rest, up until the second surgery, and absolutely no speaking the day of surgery. Well, one day I could handle. By now I was a pro at this. But all the anesthesia and drugs were really taking a toll on me. For being a musician for nearly 30 years, I’ve never taken so many drugs in my life! I was so puffy and uncomfortable, and I felt like the Pillsbury doughboy.
I finally did the second procedure. Thankfully, the doc said the tissue was much softer then she thought, and the steroid she injected would aid in healing, and less scar tissue. I went ahead and maintained total silence for three more days after this procedure, just to be safe.
After this last procedure, the post-op showed that the cord looked pretty good. Less swelling, less scar tissue and better closure between the two cords. Yay! Doc was happy. I was happy. I actually didn't believe it, but she showed me pictures from the procedure itself. I was given the okay for unrestricted talking. But of course I can't be stupid and go drink bottles of whiskey and smoke cigars at a Dodger game.
So, here I am now, post-vocal cord surgery – all seemly successful, I hope! I find that I’m still not running to answer the phone. I don't miss that. I’m talking when I need to talk. And I’m listening when I need to listen. I’m working on my speaking voice, which includes proper technique and higher pitch. Soon we will begin vocalizing so I can get back to doing the business of what I do best and what I love the most. I am once again a working musician – singer / songwriter / guitarist, who certainly learned the lesson that silence is indeed golden.
Tour dates in May! See you around!
~ Janet Robin, Los Angeles, California
On Valentine’s Day, Janet sent this message:
"Harmony is pure love, for love is a concerto." ~ Lope de Vega.
She added. “I'm lucky to say, I hear the harmony loud and proud in the concerto in my life, every day.”
Last week, Janet posted to her Facebook friends:
1. Talking again, singing soon.
2. 7 new songs written, + one instrumental. Demo-ing to begin soon.
3. More writing TBC.
4. Gearing up for May 11 special Hotel Cafe show w [the band] November 2nd.
5. Gearing up for 5 week European Tour.
6. Gearing up. Check.
To which her friend, Jeff Estes, replied for everyone, “So glad your healing journey continues. The music world awaits.”
More, including signing-up for Janet’s email notices of gigs and tours and her Facebook page, and purchasing her CDs, at www.janetrobin.com and www.facebook.com/janet.robin
*** (Janet's picture adorns our home page in conjunction with the publication of her story. If you're reading on your mobile device, you may not see it. Back-up one screen, scroll down and click "view web version" and you'll "get the picture.")
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♪ NEWS FEATURE #2
√ "AN ACOUSTIC TRIBUTE TO WARREN ZEVON" ~ TONIGHT
at Brennan's Pub in Marina del Rey
by Nate Hertweck,
special to the Acoustic Americana Music Guide
Few L.A. songwriters in the past 40 years have made an impression as bold and lasting as Warren Zevon has. Fueled by 12 solo albums of audacious, clever, mischievous, dark and beautiful songs, Zevon’s legacy and impact within the community that he inspired cannot be underestimated.
There have been several notable tributes organized in Warren Zevon’s honor since his tragic death from cancer in 2003. The first, and possibly the finest, is the 2004 tribute album "Enjoy Every Sandwich," featuring performances of Zevon classics by the likes of his friends and admirers, including co-writer Jorge Calderon, Bob Dylan, Jackson Browne, Bonnie Raitt, Bruce Springsteen, the Wallflowers, Warren’s son Jordan, and more.
Nearly 10 years later, the newest tribute to the genius himself comes to a small stage at a locals’ bar on the west side of Los Angeles.
On Tuesday, February 25, from 8 pm to midnight, Brennan’s Pub in Marina del Rey will host over 30 local artists performing acoustic versions of Zevon songs. This show will be unique in its stripped-down approach to interpreting a wide representation of Zevon’s prolific catalog.
Brennan’s, best known for its Thursday night turtle racing, hosts live music four nights a week, including acoustic shows every Tuesday night.
Over the past three decades the pub has earned a fine reputation for valuing live music and musicians that is difficult to match in the L.A. bar circuit. In addition to pro-level bands that play rock, blues, R&B and more, Brennan’s also hosts one acoustic tribute show on the last Tuesday of each month.
In the past, songwriting greats such as Elvis Costello, Tom Waits, and Neil Young have been honored, though none of these artists mustered quite the L.A. folklore that Zevon did. In fact, there is a story floating around that Zevon himself showed up at Brennan’s one night and performed a couple songs.
Songwriter/author and one of the event organizers, Paul Zollo, says of Zevon, “Warren was a genuine musical genius, and could have been a serious composer of instrumental music, if not for his great love for the language of song. His songs are as funny and smart as they are soulful and genuine, speaking to the heart and mind at the same time, the ultimate achievement of any songwriter. His legacy contains a rich and remarkable body of work which will stand with the greatest any American songwriter has written.”
"An Acoustic Tribute to Warren Zevon" happens tonight, Tuesday, February 25, 2014 at Brennan’s Pub, 4089 Lincoln Bl, Marina del Rey, 8 pm-midnight. Admission is FREE.
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This event is hosted by L.A. songwriters and Zevon fans Nate Hertweck, Jeff Cleveland, and Paul Zollo. For more information email natehertweck@gmail.com
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♪ NEWS FEATURE #3
√ MARAH releases new album package, “MOUNTAIN MINSTRELSY,” out today
by Kim Fowler
Let’s start with a definition, even if you think you know. “Minstrel – (Historical Terms) a medieval wandering musician who performed songs or recited poetry with instrumental accompaniment.”
This album, “MOUNTAIN MINSTRELSY,” is a detour into a "Ghost World" of long-lost Pennsylvania folk songs, waltzes, rafting chants and mountain ballads. And it’s done by a heretofore rock / country-rock band.
It all started with an obscure book, “Mountain Minstrelsy of Pennsylvania,” published nearly a century ago as a collection of song lyrics gathered in the mountains of Pennsylvania by Henry Shoemaker, a folklorist and "song catcher." It eventually found its way into the hands of DAVID BIELANKO and CHRISTINE SMITH, members of the rock band MARAH. That was shortly after they relocated from Brooklyn to rural central Pennsylvania.
Excited by the idea of creating a new and relevant album based upon the lost writings, Bielanko and Smith took liberties in writing new original music, as well as reworking the 100+ year old song lyrics that were often fragmented – and at other times admittedly inaccurate. Finally, they put together an analog studio in an old church in Millheim, PA, and recruited a band to tackle the recordings. That band included Gus, then an 8-year-old fiddle prodigy.
The record was made on a Studer 8 Track tape machine and mastered directly to a vinyl lathe. "Mountain Minstrelsy is a collection of raw and unprocessed tape recordings, by today's standards, and that was the whole idea. Here we play together and all at once, one mic bleeding into the next right down the line," said Bielanko.
He says he feels that limitations of the old technology line-up perfectly with the spirit of folk music. "There's nothing casual when tape is rolling. You're forced to make it happen in that moment. There's a tension and sense of urgency in the room that I have never experienced in the digital world. Beyond that, we approached this as if we were making any other rock and roll album."
To further add to the wild and freewheeling spirit, the church doors were left open during the recording sessions so that curious music fans and neighbors could come and go as they wished. Through those doors also came tuba players, bagpipers, tap dancers, whistlers and barbershop singers. On the song "Ten Cents at the Gate" a hundred folks from the “one traffic light town” are singing along.
It was the atmosphere and enormous sense of place of the book that drew them in. Bielanko has often written with precisely that in mind, perhaps most notably on Marah's album “Kids In Philly.” He says, "We realized it was possible to co-write new songs with the ghosts of Pennsylvania."
Although Bielanko and Smith wrote much of the album, it was 8-year-old Gus Tritsch who invented "Harry Bell." "He instinctually knew that this song could only work in the old 'major chord / minor theme' tradition," said Bielanko. "Gus seems to know a lot of stuff that takes other people lifetimes to figure out," added Smith. "He stepped up to the microphone with his banjo and simply laid it down in one take."
Although the album will also be released in digital format, it was always intended to be a 12-inch vinyl LP. The band recently released a 7" vinyl-only single from the forthcoming album. The small vinyl disc is called "Ten Cents at the Gate" and features a local barbershop quartet.
Bielanko sums-up, "Mostly we are just proud to have played some role in keeping these songs on the planet. It seemed to us that they were in grave danger of vanishing all together, and they are too good for that."
The resulting album is an all-in-one omnibus. It’s being released as a vinyl package, including an inserted CD, plus a download card. The physical CD will not be sold separately, but the digital format will be on all leading music retail sites.
There’s more on the band’s website, www.marah-usa.com
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♪ NEWS FEATURE #4
√ THE FAR WEST releases new album, “ANY DAY NOW,” out today
by Kim Fowler and Larry Wines
The Los Angeles-based band THE FAR WEST has been presenting compelling shows all over town. Today, February 25, 2014, they release their second album, “Any Day Now,” on Medina River Records. It’s steeped in alt-country with a few flourishes, and produced by Colin McLean.
The Far West is a five-piece roots-rock band. Their sound has been described as an “authentically Americana sound” and “technically pure, slightly jaded, no-nonsense and honest with stellar storytelling.” The band members are Lee Briante, Robert Black, James Williams, Travis Popichak, and Aaron Bakker.
The band came together in 2010 in the most unlikely way. It was thanks, in part, to a Craigslist ad, featuring nothing but a link to a live clip of Waylon Jennings on YouTube. Each of the five members left other bands for a common goal: to make music inspired by artists in the spirit and traditions of Gram Parsons, Uncle Tupelo, Son Volt, and The Band.
They released their first recording, a self-titled debut album, in 2010. That debut immediately attracted attention. “The Far West bring LA’s signature Gram-Parsons-style country rock together with the type of honky tonk that is unmistakably Texan,” said Turnstyled Junkpiled. “But whatever it is they play, The Far West exceed in coming together to produce a distinct sound that is undeniably their own.”
Music manager Kim Fowler notes, “Before long, the band partnered with respected booking agent Mongrel Music. They’ve been consistently growing and selling-out shows across the West ever since.”
“Any Day Now” stays close to the roots of their inspiration. The album kicks off with “On The Road,” written by vocalist and guitarist Lee Briante from the Hudson Valley. Driven by train-beat drums and haunting Leslie organ, "It's about my perception of Hollywood after moving here," says Briante. "It’s a place of self-created identities and it may certainly seem like people out here think they are the next big thing, but there's a bigger Tinsel Town ethos and mythology at play.”
But not everything has a roadhouse sound. “Leonard,” about the folk-artist who built the famed Salvation Mountain in the California desert, includes horns. "You can definitely hear the influence of songs like 'Minnie the Moocher' here," says Briante, "but this arrangement is also influenced by Springsteen’s ‘Seeger Sessions,’ and some of Levon Helm’s horn treatments.” The band called on Nic Chaffee, who added the warm and vibrant brass.
“The Bright Side” has a little more kick reminiscent of The Old 97s with excellent picking on guitar by Aaron Bakker. Writer Robert Black (bass, mandolin, vocals) says, “We all take our little trips to the dark side from time to time. ‘The Bright Side’ is your fist-in-the-air anthem for those days when you wish the rest of the world would just ‘f--k off’ already.”
“The song ‘Wichita’ is about the journey back to a certain time and place when I was a kid,” says Black. The band decided to give the title something of a double-meaning and, in keeping with the Midwestern theme, they pay respects to some of their favorite music from the region including Son Volt, Wilco and of course The Jayhawks on this song -- a deliberate homage.
Black backed many a band in his home state of Texas, as well as groups from the across the country. Briante, from New York state, has played in dozens of bands since he was a teen, and found Black in L.A. via that sparse Waylon Jennings Craigslist ad. James Williams has lent his keys to several acts over the years and has performed live on KCRW's “Morning Becomes Eclectic.” Chicago native Aaron Bakker (guitars, vocals) found his true passion for music when he picked up his first guitar at fourteen. He was an integral part of the Chicago outfit Dorian Taj, and dozens of others. Travis Popichak has been a hotly sought-after drummer in Los Angeles for years.
This is producer Colin McLean's second album with The Far West. He recorded their first album at an American Legion Post while the bar was open for business – and, in keeping with his interest in using unusual spaces, recorded “Any Day Now” in a vintage hot rod repair shop.
“The room you use to record really makes an imprint on the overall sound of a record, so using places that have lives of their own adds something special, I think,” says McLean. Indeed, the album’s title, “Any Day Now,” was borrowed from an article on the band that asserted expectantly, "A follow up album is due any day now." That was over a year ago, and any day now has finally come.
Their new label has a story, as well. Median River Records was formerly based in San Antonio. In November, the struggling label announced the signing of two new bands – one of them The Far West, the other, Rod Melancon (due March 4) – and with that, their move to L.A.
Los Angeles has played a significant role in the history of real country music, before it became pop “weth thet fahke twang” and was only about dysfunctional relationships. Indeed, the role of L.A. in classic and trad country is often ignored. But the city has never stopped producing first-rate, unsurpassed country and Americana music. “Medina River Records plans to unearth the myriad of gems and bring these independent talents to the forefront of the Americana music faction,” says Southern Cal-based music promoter Kim Grant.
Grant explains, “Medina River Records (MRR) was founded in 2006 by Peter Bowman specifically to oversee the release of the critically acclaimed album, ‘Cold Beer and Hot Tamales’ from The McKay Brothers. After a seven-year hiatus, the label will be revived with the intent of developing independent artists and restoring Los Angeles as a major source of great independent country and Americana music.”
Medina River Records will be presenting artists that are broadening their musical identities outside the limits of mainstream country music. They will release two albums in 2014, this one, “Any Day Now” from The Far West, and Rod Melancon’s upcoming “Parish Lines.”
There’s more on The Far West on their website, including performance videos and a link to buy the new album, at:
www.thefarwestband.com
More on Americana music label Medina River Records is at:
www.medinariverrecords.com
Specific info on the label’s two new releases is at:
www.medinariverrecords.com/site
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♪ NEWS FEATURE #5
√ BRITISH BLUES GUITARIST MATT SCHOFIELD has new CD, "FAR AS I CAN SEE"
The Los Angeles Times says, “In Schofield, the U.K. has produced the best Blues guitarist from any country in decades. Head and shoulders above the herd.”
Out February 18, 2014, in time to propel a North American tour commencing in March, is MATT SCHOFIELD's new album, “FAR AS I CAN SEE” on the Provogue label. New York-based Mascot Label Group reports that guitarist, singer, songwriter and producer Schofield “has been frequently lauded as the British blues guitarist of current times.”
He is no stranger to accolades, and has been honored as the recipient of major awards that include British Blues Awards’ “Guitarist of the Year” in 2010, 2011 and 2012, making him the first guitarist in the British Blues Awards Hall of Fame. He also was complimented by Mojo Magazine with “Blues Album of the Year” in 2011, and received the nod for British Blues Awards “Album of the Year” in 2010. He was among the top ten British blues guitarists of all time by Guitar & Bass Magazine, alongside such icons as ERIC CLAPTON and PETER GREEN. In the “Penguin Book of Blues Recordings,” Schofield is cited as one of only two living British artists to gain a maximum four-star rating.
With this debut album for Provogue, Schofield finds himself as representative for the long tradition of British Blues on what’s arguably the ultimate blues guitar label, and gaining a home amongst his peers – the world's greatest contemporary blues players.
Schofield's career has gained momentum for the last several years on both sides of the Atlantic. Successful runs in the UK, Europe and North America have been met with critical acclaim and exponentially increasing audiences. Overseas, Guitarist Magazine published simply, “There isn’t a better British blues guitarist playing currently.”
The new collection is Schofield's fifth album, offering two choice covers from his musical heroes alongside nine original tracks. Schofield has broadened the canvas far beyond this album being a pure Blues release. The core is there amongst all of the cuts, but the boundaries are blurred.
Long-time fans will anticipate the epic slow blues of "The Day You Left," as the guitarist re-harmonizes a traditional 12-bar form. The album track is the first take he played in the studio, totally live, with an intensity and immediacy that breathes life into the performance. The album's second track, "Clean Break," is a classic trio shuffle. Another track, "Getaway," shows Schofield is eager to continue finding new ways to play the blues, integrating odd time signatures into the genre.
He offers, "You don't find this approach much in the genre, new or old. To make it work, the unusual time, in this case 7/8, has to be especially groovy, with just the right feel. The end result makes for uniquely tense solo sections where the lines played on guitar have to weave around the time. Lyrically, the inspiration came from the desire to create intimacy with the audience, by inviting them to share in the moment with the music – the same way the musicians must be in order to play it – something that, in these days of an audience filled with camera phones, seems harder to achieve."
The instrumental cut "Oakville Shuffle" features a cameo by DENNY ILETT, one of Schofield's favorite U.K. jazz / blues guitarists. On the track "Hindsight," the horn section is in full flight in a setting Schofield describes as "What if Albert Collins and Maceo Parker sat in with Tower of Power." James Morton's funky alto sax weaves through the guitar lines. Additional tracks include an upbeat and simple organ trio track titled "Everything," The Texas-blues nod to Jimmie Vaughan, "Tell Me Some Lies." And there’s "Red Dragon," a tribute to Hendrix's approach to the Blues, done in one take, all live, late at night, with the band following his every move.
There are covers, too. As a life-long fan of Albert King, Schofield pays his respect when taking-on "Breaking Up Somebody's Home." He reveals, "When I make an album I always go back to a long list of songs I love. I’ve been compiling this list over the years, reaching back to my first discovery of blues. We tried to put our own spin on the groove, it also marks the first appearance of a horn section on one of my records." The second cover on the release is the classic "Yellow Moon." Schofield reminisces, "I've loved this song since I was a kid going through my Dad’s records. Funky New Orleans blues, originally done by the Neville Brothers, and produced by Daniel Lanois, who we’re also a big fan of. I’ve tried to make this great song my own with a unique approach to the arrangement, featuring Jordan’s incredible vocals interplaying with my guitar."
Matt Schofield is an inspired character. His lyrical approach is driven by inspiration from all facets of life's experiences, and the impact on his deepest thoughts of what he reads, watches and absorbs. This is best displayed with the album opener, "From Far Away." The track is a song that has been brewing for years, where the singer finds inspiration from late science icon CARL SAGAN. He offers, "I'm a big lover of science, humanism and their related philosophies. Lyrically I have known for a long time that I wanted to do something inspired by Sagan’s incredible and inspiring monologue 'Pale Blue Dot' - this song is my tribute to his beautiful, stirring words."
Schofield will begin his North American Tour on March 13 in Ridgefield, CT, with nine confirmed dates, all on the East Coast so far. The latest thus far is April 11 at the Tampa Bay Blues Festival in St. Petersburg, FL.
There’s more at www.mattschofield.com and www.facebook.com/mattschofieldofficial
More on the record label and its stable of artists is at www.mascotlabelgroup.com
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♪ NEWS FEATURE #6
√ “THE LAST ELVIS,” film acclaimed at Sundance, out today on DVD
Rolling Stone calls it, “One of the 10 Best Music Films at Sundance! An emotion-laden and intense journey.” This 2012 film by ARMANDO BO runs 92 minutes. It’s fiction, it’s in color, and it’s in Spanish with English subtitles. But wait.
The universality of the film is why you want it. It shows how performing on stage can bestow glamour and grace to the unlikeliest of people. With a jaw-dropping performance by real-life Elvis tribute artist John McInerny, this powerful yet tender film imbues its lead character with depth and dignity, creating a portrait of a broken man who seeks shelter in his dreams and singular talent.
“A knockout, riveting performance! John McInerny is utterly compelling.” – The Hollywood Reporter.
Here’s the premise. Most evenings in Buenos Aires, "Elvis" Gutiérrez is a star - his singing and stage presence bring back to life the King of Rock and Roll in all his glory. By day, though, Gutiérrez slaves away at a dead-end factory job and endures the scorn of his ex-wife. Only his young daughter, Lisa Marie, brings any joy outside of his Elvis tribute gigs. Feeling more connected to his stage persona than to the world around him, Gutiérrez retreats from reality until a tragic accident forces him to grapple with his real-world responsibilities.
Armando Bo's feature debut premiered at the 2012 Sundance Film Festival and has been making the rounds of the art theater circuit, and it arrives today on DVD. It’s packaged in a 100% Certified Green Forestry Practices Eco Pack.
The film is available through First Run Features, at www.firstrunfeatures.com
UPC: 7-20229-91584-7 | Catalog #: FRF 915847D | SRP: $24.95 | Street Date: February 25
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♪ TUESDAY’s and
WEDNESDAY’s
LIVE EVENTS
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♪ LIVE ON THE WEB
Tue, Feb 25, on the web
8 pm (Pacific) CINDY MANGSEN & STEVE GILLETTE offer a live webcast of their concert tonight at the famous Freight & Salvage in Berkeley, California
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Cindy says, “If you can't actually be with us, you can still tune in! The webcast price is $5, and you can purchase a ticket online anytime,” at:
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www.concertwindow.com/shows/3100-steve-gillette-and-cindy-mangsen
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Cindy adds, “The webcast will be viewable on computers, iPhones, and iPads. The show will not be recorded or archived, but you can watch it live in HD. This time around, we'll be playing some old favorites, as well as selections from our new CD, ‘Berrymania’.”
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♪ ONGOING MUSIC & ART EVENTS
ONGOING (through March 16), in Santa Monica:
8 pm "CIRQUE DU SOLEIL" presents "TOTEM" under the Big Top at the Santa Monica Pier.
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"TOTEM" plays the Santa Monica Pier:
Tue-Fri, 8 pm
Sat, 4:30 & 8 pm
Sun, 1 & 4:30 pm
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"TOTEM traces the fascinating journey of the human species from its original amphibian state to its ultimate desire to fly. The characters evolve on a stage evoking a giant turtle, the symbol of origin for many ancient civilizations. Inspired by many founding myths, TOTEM illustrates, through a visual and acrobatic language, the evolutionary progress of species. Somewhere between science and legend, TOTEM explores the ties that bind Man to other species, his dreams and his infinite potential." -- the show's promo.
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"Spectacular, artful. Breathtaking and deliciously ironic." -- The Toronto Star.
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"TOTEM is visually ravishing" -- The Boston Globe.
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Tix by phone, at 800-450-1480.
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Tix & info online, at:
http://m.cirquedusoleil.com/en/shows/totem/americas/usa/california/santa-monica.aspx
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♪ TUESDAY’s Today/Tonight-Only
MUSIC & ART EVENTS
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Tuesday, February 25, 2014
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Tue, Feb 25, in VC (Camarillo):
5:30 pm SONGMAKERS twice-monthly “CAMARILLO SONG CIRCLE” in Camarillo 93010. Location and info, www.songmakers.org
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Tue, Feb 25, in Hollywood:
6 pm SILVERSUN PICKUPS play the free "Live at Amoeba" in-store series at Amoeba Music Hollywood, 6400 Sunset Bl, Hollywood; 323-245-6400; HYPERLINK "http://www.amoeba.com" www.amoeba.com.
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They’re playing a special acoustic set in celebration of "The Singles Collection, 7” Vinyl Box Set." Box set will be available Feb 25 for purchase and signing at Amoeba. Post-performance signing limited to copies of the box set purchased at Amoeba (you will need to have receipt to show in line).
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Arrive early for the show so you’ll get-in; lineup starts at 4 pm on the sidewalk on Ivar.
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A message from the band's Brian: “When Dangerbird approached us about doing a singles collection, we said, ‘No way! That’s crazy talk. In our heads, we still don’t see ourselves as a singles band swimming in a singles universe. Our thought is, we’re okay with all of our songs. So it was very important to us that if we were going to do it that we could make it special. With that in mind, we were inspired to go in and record some new songs. Looking back, it ended up being quite positive, almost like a nightcap to the last 10 years…”
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Free.
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Tue, Feb 25, in Ventura:
6-10 pm “VENTURA BLUEGRASS JAM” at Milano’s Italian Restaurant, in the Ventura Marina, 1559 Spinnaker Dr #100, Ventura; 805-658-8311.
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Tue, Feb 25, in Signal Hill:
6 pm Weekly “BLUEGRASS SOUP JAM” at Convert-A-Tape, 2420 Gundry Av, Signal Hill 90755.
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Tue, Feb 25, in Hollywood:
7-9 pm MIRANDA LEE RICHARDS and TYLER LYLE play the “MSO & BUZZBANDS.LA ENTERTAINMENT INDUSTRY & MEDIA NETWORKING PARTY” presented by Hard Rock Café Hollywood Blvd, at the Hard Rock Café, 6801 Hollywood Bl, Hollywood 90028; www.hardrock.com/hollywoodblvd
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The night features brief acoustic sets from singer-songwriter-musicians Miranda Lee Richards and Tyler Lyle. Industry event, by invitation. If you’re interested and you know somebody, now you know about it.
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Tue, Feb 25,
“not-music-but-worthwhile” pick,
at USC:
7 pm “LOST BORDERS: WATER, CLIMATE CHANGE AND THE WEST” combines science and performing art, at Friends of the USC Libraries Lecture Hall, Doheny Memorial Library 240, on the USC Campus in University Park (L.A.)
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Theatre and earth sciences intersect in “Lost Borders,” a multidisciplinary event exploring the lack of water in the American West and the fragility of our land. Water has long been a defining issue of the American West, affecting state borders, agriculture, economics, immigration and settlement — and now it is a major factor in the climate-change crisis. The event will combine a play, “The Chisera,” by USC playwright Paula Cizmar, with a multimedia presentation of desert images and a conversation facilitated by USC geologist Sarah J. Feakins.
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Tix are free, but it’s expected to fill-up completely. Online reservations are required at:
www.visionsandvoices.usc.edu
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Tue, Feb 25, in Santa Monica:
7-7:45 pm MARINA V returns to the Sonoma Wine Garden, 395 Santa Monica Pl, Santa Monica 90401.
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She tours the world, and she’s touring her latest CD, “Inner Superhero.” Marina delightfully blends nu-folk sensibilities with what acoustic pop should be.
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No cover.
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Tue, Feb 25, in Arcadia:
7 pm Weekly "SONGWRITERS SERENADE" tonight brings an especially appealing lineup of accomplished recording artists, and performing host JC HYKE, all playing fully acoustic, at Matt Denny's Ale House Restaurant, 145 E Huntington Dr, Arcadia 91006.
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No cover. Venue has full menu and full bar. All ages. Show is on a covered patio with plenty of heaters. Free parking in back or on thr street.
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Tue, Feb 25, in SFV (Toluca Lake):
7 pm Weekly “TRADITIONAL IRISH MUSIC SESSION” is a structured jam at Timmy Nolan's Tavern & Grill, 10111 Riverside Dr, Toluca Lake 91602; 818-985-3359.
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Tue, Feb 25, in Echo Park:
7:30-11 pm LUCINDA WILLIAMS plus an opening set by THE KENNETH BRIAN BAND, sponsored by “The Grand Ole Echo” at the Echoplex; located below The Echo, enter through the alley at 1154 Glendale Bl, Echo Park; 213-413-8200. HYPERLINK http://www.attheecho.com www.attheecho.com.
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We’re told by the producers, “There will be a handful of tickets left at the door so get there early.” (The Guide brought you a Ticket Alert early for this one.)
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In addition, several times, this has been reported sold-out, then more tix become available. Check for tix at:
www.ticketfly.com/purchase/event/465615?utm_medium=bks
Event details, www.attheecho.com/event/465615
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$24 standing, $34 seated. All ages.
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Tue, Feb 25, in SFV (Northridge):
7:30 pm PAT METHENY UNITY GROUP plays the Great Hall at the Valley Performing Arts Center, on the campus at CSUN, 18111 Nordhoff St, Northridge 91330; www.valleyperformingartscenter.org; ticket office 818-677-3000.
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Tue, Feb 25, in Beverly Hills:
7:30 pm “BEST ANIMATED AND LIVE ACTION SHORT FILMS OSCAR NOMINEES” screening at the Samuel Goldwyn Theater, 8949 Wilshire Bl, Beverly Hills 90211.
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Hosted by KEVIN POLLAK, the night includes screenings of all the 2013 Oscar-nominated films in the Animated and Live Action Short Film categories, plus onstage discussions with the filmmakers (schedules permitting).
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The nominees for "Best Animated Short Film" are:
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"Feral"
"Get a Horse"
"Mr. Hublot"
"Possessions"
"Room on the Broom"
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The nominees for "Best Live Action Short Film" are:
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"Aquel No Era Yo (That Wasn't Me)"
"Avant Que de Tout Perdre (Just Before Losing Everything)"
"Helium"
"Pitaako Mun Kaikki Hoitta (Do I Have to Take Care of Everything?)"
"The Voorman Problem"
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Event page:
http://www.oscars.org/events-exhibitions/events/2014/01/shorts.html
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The Guide ran a News Feature and Ticket Alert weeks ago, before the first day tix were available. You can check your sources for tickets, or take your chances on finding someone with spare tix for sale in line at the theatre. Doors open at 6:30 pm.
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Tue, Feb 25, in San Diego:
CANCELLED: 7:30 pm BILLY LEE & THE SWAMP CRITTERS play Tio Leos, 5302 Napa St, San Diego; 619-542-1462.
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$10 cover. Dance lesson at 6:45, and the band plays at 7:30 pm. Go early and enjoy $1.95 tacos.
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Tue, Feb 25, in Echo Park (L.A.):
7:30 pm “WRITING RESOLUTION WORKSHOP” is a performance presented by SHAWNA KENNEY, in a public reading celebrating a class completion and works-in-progress, at Stories Books & Cafe, 1716 W Sunset Bl, Echo Park (Los Angeles) 90026.
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Featuring local writers Chelsey Drysdale, Ellen Lawler, Tembi Locke, Lisa Willinger, Suvi Booth, and Kym Ghee.
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No cover.
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Tue, Feb 25, in WeHo:
Time tba THE ICY HOT CLUB plays “Jazz Tuesdays” at the Moonrise Club in West Hollywood.
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The Icy Hot Club is a Los Angeles-based group that plays modernized Gypsy Jazz music in the style of Django Reinhardt. They often include reworked versions of contemporary pop and rock songs alongside traditional Gypsy Swing, with 3 part vocal harmonies. Generally bringing two guitars, in the hands of Ethan Emerson and Ray Bergstrom, and an upright bass, Icy Hot Club might add violin, clarinet, and / or drums.
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Tue, Feb 25, in Altadena:
8 pm LOAFER'S GLORY plays the Coffee Gallery Backstage, 2029 N Lake Av, Altadena.
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This quartet features legends of pickin' and grinnin' in a unique ensemble of the finest of bluegrass players. Venue impresario Bob Stane calls this “A show that will be talked about for years to come. Treat you and yours to historical fun.”
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HERB PEDERSEN is a legendary Americana musician, guitarist, banjo player, and singer-songwriter who has played a variety of musical styles over the past forty years. Pedersen is a member of the Desert Rose Band, fronted his own band called the Laurel Canyon Ramblers, and worked with a who’s-who of musicians and groups. These include the Pine Valley Boys, Earl Scruggs, The Dillards, Smokey Grass Boys, Old and in the Way, David Grisman, Peter Rowan, Vassar Clements, Gram Parsons, Emmylou Harris, Tony Rice, Dan Fogelberg, Stephen Stills, Linda Ronstadt, Kris Kristofferson, John Prine, Jackson Browne, John Denver, John Jorgenson, and Leland Sklar.
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TOM SAUBER plays fiddle and banjo and sings vocals. A native of Southern California, Tom has helped bring authentic traditional music to the film industry. In 1980, along with Ry Cooder and David Lindley, he played the music for the motion picture “The Long Riders.” He has also appeared in “Bound for Glory,” “Geronimo,” and numerous TV movies and series.
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PATRICK SAUBER plays banjo and mandolin and does vocals. Patrick is the son of Tom Sauber, and he has mastered the music he grew-up with – old-time pre-bluegrass styles on banjo and mandolin, as well as the classic approach to good solid Scruggs-style 5-string banjo and mandolin, from Bill Monroe to more current styles. For such a young player, it’s always interesting to see where he carries this talent. He also sings all the needed parts in the good trio and quartet numbers.
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BILL BRYSON, on upright bass and vocals, brings a long and distinguished discography of bluegrass and country music. One of the most skilled of the upright bass players in the business, he's been with such great groups as: The Bluegrass Cardinals, The Country Gazette, The Laurel Canyon Ramblers, The Desert Rose Band, and Bluegrass Etc. He's a wonderful lead singer, and is one of the best and most in-demand baritones today. He also plays guitar and minstrel 5-string banjo.
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Tix, $20. Reservations an absolute must; call 626-798-6236, 10 am-10 pm, seven days. There’s more on the venue’s website, at www.coffeegallery.com
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Tue, Feb 25, in Marina del Rey:
8 pm-midnight "ACOUSTIC TRIBUTE TO WARREN ZEVON" at Brennan's Pub, 4089 Lincoln Bl, Marina del Rey 90292
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Hosts Nate Hertweck and Paul Zollo tell us it's "a very special acoustic tribute to the incomparable genius himself, Warren Zevon. This is a free show with tons of great performances by L.A. artists that share a love for the songs of Warren Zevon."
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See the NEWS FEATURE in today’s edition.
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Tue, Feb 25, in Burbank:
8 pm “JOHN PISANO’S GUITAR NIGHT” brings quite a lineup of virtuosic players every time they do this. at Viva Cantina, 900 Riverside Dr (next to L.A. Equestrian Center), Burbank; 818-845-2425 or 818-515-4444; HYPERLINK "http://www.vivacantina.com/" www.vivacantina.com.
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Tonight, it’s violinist HIRO GOTO, joined by JOHN PISANO on guitar and JOHN LEFTWICH on bass; no drums this time.
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No cover. Venue is known for its Mexican food and full bar. Okay to park free across the street at Pickwick Bowl (free, nearly unlimited parking for Viva patrons).
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Tue, Feb 25, in SFV (Chatsworth):
8 pm An undisclosed ALT-COUNTRY / TRAD COUNTRY / AMERICANA BAND plays the Cowboy Palace, 21635 Devonshire St, Chatsworth; 818-341-0166.
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This is L.A.’s last real honky tonk. No cover, full bar, lots of fun. Go early for the nightly free dance lesson.
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Tue, Feb 25, in Santa Monica:
8:30 pm BARRY “BIG B” BRENNER brings acoustic blues to Sonny MacLean’s, 2615 Wilshire Bl, Santa Monica 90403; 310-449-1811.
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Tue, Feb 25, in L.A.:
9 pm-1 am WUMBLOOZO plays the blues at Dave's, 708 E Broadway, Glendale 91205; 818-956-9123.
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More at www.wumbloozo.com
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♪ WEDNESDAY’s MUSIC & ART EVENTS
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Wednesday, February 26, 2014
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Wed, Feb 26, in Burbank:
6-11 pm A full evening with CODIO & THE SWINGING ARMANIS, plus DEBRA PRICE & GUIDO ARMANI’s CLASSICAL HOUR on one stage, and on the other stage, GLEN ROBERTS BIG BAND -- recently named “Best Free Big Band Event” in L.A. Weekly’s prestigious “Best of LA” issue – plus REVEREND MARTINI'S ROCKABILLYHOP ‘N HANG, all at Viva Cantina, 900 Riverside Dr (next to L.A. Equestrian Center), Burbank; 818-845-2425 or 818-515-4444; HYPERLINK "http://www.vivacantina.com/" www.vivacantina.com.
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√ CODIO & THE SWINGING ARMANIS play at 6 & 8 pm.
√ DEBRA PRICE & GUIDO ARMANI’s CLASSICAL HOUR happens at 7 pm.
√ GLEN ROBERTS BIG BAND at 7 pm, named “Best Free Big Band Event” in LA Weekly’s prestigious “Best of LA” issue.
√ REVEREND MARTINI'S ROCKABILLYHOP ‘N HANG at 10 pm.
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No cover. Venue is known for its Mexican food and full bar. Okay to park free across the street at Pickwick Bowl (free, nearly unlimited parking for Viva patrons).
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Wed, Feb 26, in Culver City:
6:30-9 pm Monthly “WEST SIDE HAMMERED DULCIMERS” are off their usual “2nd Wednesdays” schedule this month only, at Culver Palms United Methodist Church, Room 6, 4464 Sepulveda Bl, Culver City 90230.
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It’s about “Sharing tunes & playing for fun!” Register your wish to participate by email to Barbara Gershman - bgershman@socal.rr.com
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Wed, Feb 26, in Torrance:
6-8:30 pm ANDY & RENEE, leaders of HARD RAIN, named the Best Band in the South Bay for 2013, play their residency at the Buffalo Fire Dept., 1261 Cabrillo Av, Torrance 90501; 310-320-2332.
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Wed, Feb 26, in Murrieta:
6:30 pm “THE SHAM JAM” OPEN MIC, hosted by SIMON & HUNTER, at the Shamrock Irish Pub & Eatery, 39252 Winchester Rd #145, Murrieta 92563; 951-696-5252; www.theshamrockirishpubandeatery.com
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Wed, Feb 26, in Santa Monica:
7-11 pm THE GET DOWN BOYS play their every-Wednesday residency at Areal, 820 Main St, Santa Monica.
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$5 cover. More at www.thegetdownboys.com
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Wed, Feb 26, in L.A.:
7-11 pm “IRISH TRAD SESSION” is a structured jam at Tom Bergin's Public House, 840 S Fairfax Av, Los Angeles; 323-936-7151.
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Wed, Feb 26, in South Pasadena:
7 pm Weekly "WINE & SONG" showcase brings a slate of recording artists and performing host BRAD COLERICK, all performing all-acoustic, at Firefly Bistro, 1009 El Centro St, South Pasadena 91030; 626-441-2443; www.WineAndSong.com
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Wed, Feb 26, in Echo Park (L.A.):
7:30 pm THE WOMEN GROUP presents the official release of “SLUT CHURCH” by EMMA KOFFROTH, at Stories Books & Cafe, 1716 W Sunset Bl, Echo Park (Los Angeles) 90026.
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More at www.thewomengroup.wordpress.com
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No cover.
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Wed, Feb 26, in VC (Simi Valley):
7:30-11 pm SONGMAKERS twice-monthly “SIMI VALLEY HOOT.” Location and info at www.songmakers.org
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Wed, Feb 26, in Altadena:
8 pm Oscar- nominated WILL RYAN & THE CACTUS COUNTY COWBOYS, featuring this time only, THE SAGUARO SISTERS, at the Coffee Gallery Backstage, 2029 Lake Av, Altadena 91001; www.coffeegallery.com.
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Venue impresario Bob Stane says, “Get this: red carpet action concerning the vocal chops of Will Ryan, who has more Hollywood credits than about anyone in the business, and just about more than a guy his size can handle. Will he arrive in a limo?”
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NOW OSCAR-NOMINATED! WILL RYAN - as Peg-Leg Pete - battles WALT DISNEY - as Mickey Mouse - and the great RUSSI TAYLOR as Minnie Mouse, in the amazing new animated film “Get a Horse!” It's playing in theaters all over the world before the hit movie “Frozen.” You can even see it in 3-D. Nominated by the Motion Picture Academy as “Best Animated Short Film.”
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WILL RYAN & THE CACTUS COUNTY COWBOYS bring, ”in person,” Oscar nominated "voice over" actor WILL RYAN, winner of 2 Gold Records, BMI's Pioneer Award for songwriting, and self-styled “King of the Radio Cowboys;” WESTY WESTENHOFER, the band’s “Maharajah of Musical Mirth,” and veteran of playing ountless shows at Disneyland; JOHN “PRESTO” REYNOLDS, who Will calls, “Wizard of Wild String-osity!”
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THE SAGUARO SISTERS “are a ‘10’ on the ‘cute scale’,” says Bob Stane. He adds, “the other factor is just as interesting. Will Ryan, a regular at The Coffee Gallery Backstage, is chest deep in an Oscar Nomination, and giving a big break to a cute trio of teen girls.”
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Maybe you hear their singing every week on Pacifica Radio. Maybe you catch their acting on the syndicated series “Adventures in Odyssey.” Now, see 'em an' hear 'em in person, SHONA, KATRIONA and KARONA KENNEDY: THE SAGUARO SISTERS. Combining smooth Western Skiffle harmonies with witty, quirky, off-beat and sensitive lyrics, Will Ryan raves about the Saguaro Sisters, calling them, “The greatest new vocal sound West of the Great Divide.” Tonight, they team-up on a whole slew of new tunes with Will and the band.
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Tix, $18. All ages. Reservations recommended; call 626-798-6236, 10 am-10 pm, seven days. There’s more on the venue’s website, at www.coffeegallery.com
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Wed, Feb 26, in Beverly Hills:
7:30 pm “BEST DOCUMENTARIES OSCAR NOMINEES” screen tonight at the Samuel Goldwyn Theater, 8949 Wilshire Bl, Beverly Hills 90211.
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The hosted program includes clips from all of the films nominated for "Documentary Feature" and "Documentary Short Subject," and panel discussions with filmmakers from each group, schedules permitting.
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The nominees for "Best Documentary Short Subject" are:
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"The Lady in Number 6: Music Saved My Life"
"Cave Digger"
"Facing Fear"
"Karama Has No Walls"
"Prison Terminal: The Last Days of Private Jack Hall"
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The nominees for "Best Documentary Feature" are:
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"20 Feet from Stardom"
"The Act of Killing"
"Cutie and the Boxer"
"Dirty Wars"
"The Square"
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Event page:
http://www.oscars.org/events-exhibitions/events/2014/01/docs.html
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The Guide ran a News Feature and Ticket Alert weeks ago, before the first day tix were available. You can check your sources for tickets, or take your chances on finding someone with spare tix for sale in line at the theatre. Doors open at 6:30 pm.
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Wed, Feb 26, in Venice:
8 pm JENNI ALPERT plays her every-other-week residency with tonight’s special guests DEVYN RUSH and CHRIS JOYNER, at Witz End, 1717 Lincoln Bl, Venice 90291.
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Jenni tells us, “Come on down and join the fun. I will be performing several new songs that will be on my my new record which is in the making for later this year. If you are a songwriter, feel free to say hello and I will get you up for a song.”
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She adds, “Also excited to announce some very exciting news that will be taking place in Austin, TX during SXSW so please stay tuned for showcase information.”
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Wed, Feb 26, in SFV (Chatsworth):
8 pm An undisclosed ALT-COUNTRY / TRAD COUNTRY / AMERICANA BAND plays the Cowboy Palace, 21635 Devonshire St, Chatsworth; 818-341-0166.
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This is L.A.’s last real honky tonk. No cover, full bar, lots of fun. Go early for the nightly free dance lesson.
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Wed, Feb 26, near LAX:
8 pm Weekly “GUITAROLOGY” at Melody Bar & Grill, 9132 S Sepulveda Bl, Los Angeles 90045; 310-670-1994.
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More, soon, as always.
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♪ The Guide will be making CH-CH-CHANGES – turn, embrace the change -- in 2014. Some folks will like some, others will not. There will be points of departure to make room (and time) for the new. We’ll do what we can, because as always, we operate with the editor’s motto, “One does what one can.”
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Direct to the current editions /
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www.acousticamericana.blogspot.com
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CONTACT US / Questions / Comments / SUBSCRIBE to our notices, etc., all at
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tiedtothetracks@hotmail.com
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Contents copyright © 2014,
Lawrence Wines & Tied to the Tracks.
All rights reserved.
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The ACOUSTIC AMERICANA MUSIC GUIDE endeavors to bring you NEWS and views of interest to artists everywhere, more specifically to musicians and the creative community, and music makers and fans of acoustic and Folk-Americana music, both traditional and innovative. We provide a wealth of resources, including a HUGE catalog of acoustic-friendly venues, and schedules of performances in Southern California venues large and small. We cover workshops and other events for artists and folks in the music industry, and all kids o’ things in the world of acoustic and Americana and accessible classical music. From washtub bass to musical spoons to oboe to viola to banjo to squeezebox, from Djangostyle to new-fangled-old-time string band music, from sweet Cajun fiddle to pre-bluegrass Appalachian mountain music to proto blues.
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The Acoustic Americana Music Guide. We’re on it.
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