UPDATED: News, Events, Tuesday Tuneage & Midweek Music, through Wed ~ Feb 25 & 26, 2014

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Happens every time we present multiple days: all the tardy people breathlessly arrive with late word of their events.

SOOOO,
the complete edition, as published, follows. But we have the following

*** LATE ADDITIONS for Wed, Feb 26…

♪  Added TICKET ALERTS…
♪  Added LIVE on the WEB TONIGHT: a BERKLEY HART performance.
♪  Added LIVE in the venues TONIGHT: In addition to the 14 events already included for tonight when we published this edition, here are xxx more. First, our freshly-added Ticket Alert.

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♪  TICKET ALERTS
(two fresh ones, in addition to one in the original edition AND over 50 in recent days):

√  ÁSGEIR, the Icelandic singer-songwriter, plays the Hollywood Forever concert series in the Masonic Lodge, on Tue, Mar 18, at 9 pm (doors at 8 pm). Tix, $25, go on sale at Noon, TODAY, Feb 26, at: http://hollywoodforever.ticketfly.com/event/508293/

√   “JAZZ FOR KIDS” is FREE on Sat, Mar 29, at 11 am & 1 pm, presented by the Thelonious Monk Institute of Jazz in the Edye at the Broad in Santa Monica. Tix available beginning TODAY, Wed, Feb 26, only over the phone at 310-434-3200, or in person at the box office.

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♪  LIVE on the WEB TONIGHT…

Wed, Feb 26, on the web:
7 pm (Pacific)  BERKLEY HART, the multiple-award-winning, San Diego-based duo, plays a “Concert Window” show on the web “at your house or wherever you are online.” It's a "Pay-What-You-Want" live online concert, at  www.concertwindow.com/shows/3130-berkley-hart
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More info at www.berkleyhart.com

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♪  LIVE SHOWS…

In the venues tonight, in addition to the 14 events we cover when we first published this edition, here are five more.


Wed & Thu, Feb 26 & 27, in SFV (Universal City):
6-9 pm  Piano man MARC BOSSERMAN plays the Hilton Universal in Universal City.
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Marc tells us, “It's a great space. Huge atrium. Kawai Grand piano. And I'm singing and playing--everything from Stephen Foster to Bruno Mars! The food is great. And it's at Universal Studios so you just never know who might be hanging out.”

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Wed, Feb 26, in OC (Fullerton):
7 pm  STEVE NOONAN plays his folk music residency at Bourbon Street, 00 E Commonwealth, Fullerton.
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Tonight his performing guests are DOUG HAYWOOD and MAURY MANSEAU.

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Wed, Feb 26, in WeHo:
8 pm FREEBO & FRIENDS play "A NIGHT OF MUSIC, MESSAGE and MAJOR FUN" at Genghis Cohen, 740 N Fairfax Av (1/2 block N of Melrose), West Hollywood 90046.
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Legendary bass player and award-winning singer-songwriter FREEBO is bringing "dynamic and inspirational singers" JANA STANFIELD and LYNN ROSE. He says, "We will be focusing on "MUSIC and MESSAGE," as both of these amazing women and I are firmly entrenched in The New Thought Worlds. You will be entertained, motivated, and uplifted throughout this intimate three-person IN-THE-ROUND acoustic experience." More at www.lynnrose.com and at www.janastanfield.com
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He adds, "No Fuzzbee and Chad, they are on tour and will be returning for next month's show on the 26th of March."
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Freebo advises, "get there early, it might be crowded."
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$10 cover.

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Wed & Thu, Feb 26 & 27, in SFV (Chatsworth);
The Cowboy Palace is CLOSED FOR FILMING.

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Wed, Feb 26, in L.A.:
Venue Change:
7:30 pm  SHARON CORR plays the Mint tonight, instead of the El Rey Theatre. “All tickets purchased for the original venue will be honored, or refunds available at point of purchase,” says producer Goldenvoice.
 
 
 
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Now, HERE’S THE FULL EDITION,
AS ORIGINALLY PUBLISHED

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Welcome new readers! You're joining a community that registers a quarter-million page views per year!

There's plenty within, nicely organized, all about the here and now on the arts and music scene. The "guide to the Guide" is just ahead. As always, we open with an homage to the past.

Tuesday and Wednesday in history …

*** February 25 is the anniversary of the day in 1913 when the SIXTEENTH AMENDMENT to the US Constitution went into effect. It gave Congress the power to tax the incomes of citizens for the first time. No one is sure who gave Congress the right to tax our patience and sense of disbelief at their inability to do anything for the past five years.

*** February 26 is the anniversary of the day in 1963 that Vee Jay Records released the first BEATLES record in the US, “Please Please Me,” a single backed with “Ask Me Why.” At the time, the single went unnoticed by the record-buying public. And the rest -- is history. (Contributed by Michele Marotta, whose father owned Vee Jay Records.)


*** February 26 is the birthday, in 1846, of WILLIAM FREDERICK CODY, aka BUFFALO BILL. He was the greatest showman of his time, and one of the greatest of all time. He spent his early life, after being orphaned at age 11, as a Pont Express rider, Union Army scout, Indian fighter, and buffalo meat salesman. Later, upon recognizing the near-extermination of most western tribes of Native American Indians, he organized the “Wild West Show” to entertain people worldwide, while giving employment to Indians he knew and creating some early appreciation for their cultures and humanity. In that regard, he is controversial to our modern sensibilities.

*** BIRTHDAYS:

Wednesday, February 26 is the birthday of musicians
√  JOHNNY CASH (1932-2003)
√  BILL BURNETT
√  PAUL COTTON of POCO

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In this edition…

♪  TICKET ALERTS
♪  NEWS FEATURES
.  1)  WHEN A SINGER CAN’T MAKE A SOUND: JANET ROBIN’s JOURNEY
.  2)  "AN ACOUSTIC TRIBUTE TO WARREN ZEVON" ~ Tuesday night at Brennan's Pub
in Marina del Rey
.  3)  MARAH releases new album package, “MOUNTAIN MINSTRELSY,” out today
.    4)  THE FAR WEST has a new album, “ANY DAY NOW,” out today
.    5)  BRITISH BLUES GUITARIST MATT SCHOFIELD's new CD, "FAR AS I CAN SEE"
.    6)  “THE LAST ELVIS,” film acclaimed at Sundance, out today on DVD
♪  LIVE ON THE WEB
♪  ONGOING MUSIC & ART EVENTS
♪  TUESDAY’s MUSIC & ART EVENTS
♪  WEDNESDAY’s MUSIC & ART EVENTS

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♪  TICKET ALERTS

√  The Drop: LA SANTA CECILIA” happens Wed, Mar 5, at 8 pm, at the Grammy Museum in L.A. This is a performance-interview and CD release event, hot off the band’s 2013 GRAMMY Award win for “Best Latin Rock, Urban or Alternative Album.”
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Public ticket sale begins today, Tue, Feb 25, at noon. Tix are $20, at 213-765-6803 or at www.grammymuseum.org. Previous tix sales were available only by American Express card.

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√  We’ve had well over FIFTY ticket alerts in the past 10 days or so. Check recent editions, before everything you want to see is sold-out.

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♪  NEWS FEATURES


1)  WHEN A SINGER CAN’T MAKE A SOUND: JANET ROBIN’s JOURNEY

Renowned and respected globe-trotting guitarist, banjo player, composer, singer-songwriter and vocalist Janet Robin has a big fan base in Europe and tours everywhere. She once delighted radio listeners on the old “Tied to the Tracks” show playing live with Anne McCue, doing everything from the Appalachian mountain tune “Gray Eagle Hornpipe” to Django Reinhardt’s “Minor Swing.” She’s shared lineups with the iconic names as one of the best female guitarists of our time. She composes and she sings. Until suddenly she couldn’t do the latter. Or even talk. Janet shares her story, exclusively with the Guide’s readers.

by Janet Robin

“Silence is Golden”  –  I found this to be the truth as one who recently had vocal cord surgery, an experience I share with such famous singers as Adele and John Mayer (even though I am not yet as well-known as they are…I’m still waitin’ on the gold records :)

This is the story of my personal journey of vocal cord surgery.

Last year, I was diagnosed with a benign cyst on my right vocal cord. I suspected a problem, because during some of my shows, I had been experiencing straining and hoarseness – and sometimes pain when I was talking. Even though I am more of a guitar player, I still needed a clear voice for my performances and for communication.

My Doc said cysts are much harder to work on then nodules or polyps, and especially this one because it was not well-defined. It's much harder to go in there and just snip it off. You have to literally cut a flap in the cord, pull out the cyst, and then put the flap back over, in a "micro-flap" surgery. Yes, it actually has a name. Already, I was thinking maybe I could call my next CD, "Janet Robin, Songs from the Micro-Flap."

We decided at the time to wait. Timing was an issue as the recovery process after surgery is at least three months, and I was in the middle of several tours. And money, of course, was a bit of an issue as well. The surgery was expensive, even though I had some insurance, and the time off – not performing, and not even being able to speak for two-to-four weeks, would impact my ability to work. My doctor suggested some alternatives that might help my condition. She referred me to a vocal therapist who was also a vocal coach, one who is very experienced and has helped people with vocal issues, but, more importantly, actual working musicians, like me.

I went to her for over a year to correct some of my bad vocal techniques, things I had developed from years of touring and back-to-back two-hour shows, day-after-day on the road. We also worked on my speaking voice, which can be a big problem for singers.

I knew this to be especially true for me, and I know the reason why. While growing up, I spent years and years trying to be taken seriously as a guitar player in what is basically a male-dominated world. I subconsciously lowered my voice so my pitch was not the natural pitch of my voice. In fact, it was almost two steps lower. So she had me work on raising the pitch of my speaking voice and learning new habits for healthy singing.

This therapeutic approach was supposed to – possibly – decrease the size of the cyst, so it wouldn't cause as much of a problem. That did work for a while on the road. But ultimately, touring really takes its toll on your body and your voice. And even with all my new good habits, that little "cyst did persist"... nice rhyming huh?

After second opinions – two of them, by some of the other great vocal doctors (they’re called otolaryngologists) in the Los Angeles area – the decision was made to go for the surgery. There were a lot of risks involved. The problems that might occur? Scar tissue could form and cause a problem worse than I already had. Or vocal paralysis might happen – though very rare. Or worse yet, there could be chipped teeth during the surgery! Ah. That was the scariest part! :)

I decided the risks outweighed the benefits. We chose a surgery date right before Christmas, which is usually a slower time for me with music work. I also teach guitar and produce other artists in my studio, and many people take a break for holidays. I would have to take-off at least two weeks of work.

And absolutely no singing for three months.

My next tour wasn't until May, so that would give me at least four months. So this was the time for the surgery.

Now, I had to figure out how to pay for this all. A friend of mine was involved with “Sweet Relief,” an organization that helps musicians who experience health-related problems pay their medical bills and/or living expenses. I checked it out online, and while there, I found a number of other links to many foundations that offer help or grants.

I had health insurance, but my deductible was quite high, and my insurance did not cover some parts of the surgery that were not in-network with this particular doctor. I decided to dive-right-in to the work of filling out applications for these grants, a time consuming process, and finding financial help for my surgery and living expenses.

Surprisingly, after several hours at Kinko’s copying tax info, proof of being a pro musician for the last five years, biography info, pictures of scopes of my vocal cords, medical quotes on the surgery, doctors notes, and more, I received every single grant I applied for.

The biggest help came from “Music Cares.” That paid for my entire co-pay portion of the surgery that my insurance didn't cover. “The Actors Fund,” “Society of Singers,” and “Sweet Relief” all pitched-in for financial help on some other bills... and then the next biggest grant came from “The Haven,” a foundation that author Stephen King (yes “The Shining” guy) heads-up. He has a foundation for all artists in need, including musicians.

They sent the grant to me personally, the one that covered all of my rent and bills for the rest of December and most of January. I’m telling you, my faith in the music business went up to 100% after dealing with these organizations. Their professionalism and their care in helping was absolutely, truly from the heart. You do not have to be a poor and down-and-out musician. You just need to be a real working musician who needs help during a health crisis, and that's exactly what it was for me. I can't say a big enough thanks to them all.

If you ever contribute to charities, please consider these amongst your contributions.

So the surgery came and went. I had to be completely silent for the first seven days. Try that sometime. It’s nearly impossible, especially for a performer like I am. I don't have a lot of experience in meditation, so I guess this was my chance to "live in the moment."

The first night after surgery was very difficult, as I had some complications with coughing. It was not only talking I wasn't allowed to do. It was also no coughing, no laughing, no sneezing if you can help it, no grunting, and no sounds at all. I tried. I really tried. But the coughing was tough, and it can happen after this kind of procedure. Finally, cough syrup with codeine and acid reflux meds really helped with that. But let's also not forget steroids (pills and shot), a humidifier, a facial / throat steamer, and enzyme supplements. Glutamine supplements, giving up coffee (even decaf), giving up alcohol, watching chocolate intake and dairy intake. And much more.

What the hell did I get myself into?

And then my creative side kept crying out to me. Ever try writing a song without singing? At least I could play guitar. But I had to watch my posture, even doing that. Those darn tiny little cords are sooooo sensitive. Who knew? What would have happened to Janis Joplin if she were still around?

Still, some very positive things happened through the experience. For one, I became a better listener, I can tell you that. I also found that I didn't have to join in every conversation like I used to – or rather, take over the conversation like I’m used to doing. :) It was nice to just hear everyone else talking about whatever they were talking about. I sort of felt like a spy sometimes. Or like an observer. Or that maybe I had a secret.

I also noticed that body language becomes a big deal when you can't talk. There is so much you can do with your body language if you can't speak. When I was finally allowed five minutes per hour of talking, after the first week, I talked very lightly and softly. And then I noticed every time I did that, everyone else spoke the same way back to me. Even the guy at 7-eleven. That was really funny. When I went out with friends and they told waiters and other workers that I couldn't speak because I was on vocal rest from surgery, they spoke to me very clearly and thoughtfully, like they maybe I couldn't hear as well as speak? That was really funny, too.

Anyhow, the point is: We don't always have to talk to everyone about everything. We can listen, we can decide before speaking what we really want to say, and we can take our time. I'm hoping this will last for me, because it is definitely like being "more in the moment," something I think we all strive for that will enable us to have more fulfilling experiences in life.

So, when I was given the go ahead to speak five minutes an hour, and then 15 minutes per hour in week three, I think it was actually still too much for me. Though I tried, it was very hard to monitor those time periods.

I may have spoken a little too much a little too early, because even though the cyst was out, the scar was healing a bit too hard and pointed. So after several post-op visits, my Doc decided it was time for yet another procedure.

Oh boy, here we go again. I was worried – and a little depressed I have to say, because I was still living like a monk – but also not sure what my singing voice would be like, or if I would ever sing again. Doc said, "Let's go back in. Let's take a look at everything, and inject the cord directly with a steroid to soften the healing of the scar." “Ok,” I said. Well, obviously, I really didn't have another choice.

Meanwhile, time was flying by without working. My very loyal guitar students, and artists I work with, were patiently waiting for my recovery. But I must say, it was difficult financially, making things work as the grant money was running out. Family helped a little, but mostly I had to get back to teaching a few students with my trusty magic erase pad, that I had learned to carry-around everywhere. Not an easy way to conduct lessons, but I made the best of it.

I was told again: more vocal rest, up until the second surgery, and absolutely no speaking the day of surgery. Well, one day I could handle. By now I was a pro at this. But all the anesthesia and drugs were really taking a toll on me. For being a musician for nearly 30 years, I’ve never taken so many drugs in my life! I was so puffy and uncomfortable, and I felt like the Pillsbury doughboy.

I finally did the second procedure. Thankfully, the doc said the tissue was much softer then she thought, and the steroid she injected would aid in healing, and less scar tissue. I went ahead and maintained total silence for three more days after this procedure, just to be safe.

After this last procedure, the post-op showed that the cord looked pretty good. Less swelling, less scar tissue and better closure between the two cords. Yay! Doc was happy. I was happy. I actually didn't believe it, but she showed me pictures from the procedure itself. I was given the okay for unrestricted talking. But of course I can't be stupid and go drink bottles of whiskey and smoke cigars at a Dodger game.

So, here I am now, post-vocal cord surgery – all seemly successful, I hope! I find that I’m still not running to answer the phone. I don't miss that. I’m talking when I need to talk. And I’m listening when I need to listen. I’m working on my speaking voice, which includes proper technique and higher pitch. Soon we will begin vocalizing so I can get back to doing the business of what I do best and what I love the most. I am once again a working musician – singer / songwriter / guitarist, who certainly learned the lesson that silence is indeed golden.

Tour dates in May! See you around!

~ Janet Robin, Los Angeles, California

On Valentine’s Day, Janet sent this message:

"Harmony is pure love, for love is a concerto." ~ Lope de Vega.

She added. “I'm lucky to say, I hear the harmony loud and proud in the concerto in my life, every day.”

Last week, Janet posted to her Facebook friends:

1. Talking again, singing soon.
2. 7 new songs written, + one instrumental. Demo-ing to begin soon.
3. More writing TBC.
4. Gearing up for May 11 special Hotel Cafe show w [the band] November 2nd.
5. Gearing up for 5 week European Tour.
6. Gearing up. Check.

To which her friend, Jeff Estes, replied for everyone, “So glad your healing journey continues. The music world awaits.”

More, including signing-up for Janet’s email notices of gigs and tours and her Facebook page, and purchasing her CDs, at  www.janetrobin.com and www.facebook.com/janet.robin

*** (Janet's picture adorns our home page in conjunction with the publication of her story. If you're reading on your mobile device, you may not see it. Back-up one screen, scroll down and click "view web version" and you'll "get the picture.")


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♪  NEWS FEATURE #2

√  "AN ACOUSTIC TRIBUTE TO WARREN ZEVON" ~ TONIGHT
at Brennan's Pub in Marina del Rey

by Nate Hertweck,
special to the Acoustic Americana Music Guide

Few L.A. songwriters in the past 40 years have made an impression as bold and lasting as Warren Zevon has. Fueled by 12 solo albums of audacious, clever, mischievous, dark and beautiful songs, Zevon’s legacy and impact within the community that he inspired cannot be underestimated.

There have been several notable tributes organized in Warren Zevon’s honor since his tragic death from cancer in 2003. The first, and possibly the finest, is the 2004 tribute album "Enjoy Every Sandwich," featuring performances of Zevon classics by the likes of his friends and admirers, including co-writer Jorge Calderon, Bob Dylan, Jackson Browne, Bonnie Raitt, Bruce Springsteen, the Wallflowers, Warren’s son Jordan, and more.

Nearly 10 years later, the newest tribute to the genius himself comes to a small stage at a locals’ bar on the west side of Los Angeles.

On Tuesday, February 25, from 8 pm to midnight, Brennan’s Pub in Marina del Rey will host over 30 local artists performing acoustic versions of Zevon songs. This show will be unique in its stripped-down approach to interpreting a wide representation of Zevon’s prolific catalog.

Brennan’s, best known for its Thursday night turtle racing, hosts live music four nights a week, including acoustic shows every Tuesday night.

Over the past three decades the pub has earned a fine reputation for valuing live music and musicians that is difficult to match in the L.A. bar circuit. In addition to pro-level bands that play rock, blues, R&B and more, Brennan’s also hosts one acoustic tribute show on the last Tuesday of each month.

In the past, songwriting greats such as Elvis Costello, Tom Waits, and Neil Young have been honored, though none of these artists mustered quite the L.A. folklore that Zevon did. In fact, there is a story floating around that Zevon himself showed up at Brennan’s one night and performed a couple songs.

Songwriter/author and one of the event organizers, Paul Zollo, says of Zevon, “Warren was a genuine musical genius, and could have been a serious composer of instrumental music, if not for his great love for the language of song. His songs are as funny and smart as they are soulful and genuine, speaking to the heart and mind at the same time, the ultimate achievement of any songwriter. His legacy contains a rich and remarkable body of work which will stand with the greatest any American songwriter has written.”

"An Acoustic Tribute to Warren Zevon" happens tonight, Tuesday, February 25, 2014 at Brennan’s Pub, 4089 Lincoln Bl, Marina del Rey, 8 pm-midnight. Admission is FREE.

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This event is hosted by L.A. songwriters and Zevon fans Nate Hertweck, Jeff Cleveland, and Paul Zollo. For more information email natehertweck@gmail.com


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♪  NEWS FEATURE #3

√  MARAH releases new album package, “MOUNTAIN MINSTRELSY,” out today

by Kim Fowler

Let’s start with a definition, even if you think you know. “Minstrel – (Historical Terms) a medieval wandering musician who performed songs or recited poetry with instrumental accompaniment.”

This album, “MOUNTAIN MINSTRELSY,” is a detour into a "Ghost World" of long-lost Pennsylvania folk songs, waltzes, rafting chants and mountain ballads. And it’s done by a heretofore rock / country-rock band.

It all started with an obscure book, “Mountain Minstrelsy of Pennsylvania,” published nearly a century ago as a collection of song lyrics gathered in the mountains of Pennsylvania by Henry Shoemaker, a folklorist and "song catcher." It eventually found its way into the hands of DAVID BIELANKO and CHRISTINE SMITH, members of the rock band MARAH. That was shortly after they relocated from Brooklyn to rural central Pennsylvania.

Excited by the idea of creating a new and relevant album based upon the lost writings, Bielanko and Smith took liberties in writing new original music, as well as reworking the 100+ year old song lyrics that were often fragmented – and at other times admittedly inaccurate. Finally, they put together an analog studio in an old church in Millheim, PA, and recruited a band to tackle the recordings. That band included Gus, then an 8-year-old fiddle prodigy.

The record was made on a Studer 8 Track tape machine and mastered directly to a vinyl lathe. "Mountain Minstrelsy is a collection of raw and unprocessed tape recordings, by today's standards, and that was the whole idea. Here we play together and all at once, one mic bleeding into the next right down the line," said Bielanko.

He says he feels that limitations of the old technology line-up perfectly with the spirit of folk music. "There's nothing casual when tape is rolling. You're forced to make it happen in that moment. There's a tension and sense of urgency in the room that I have never experienced in the digital world. Beyond that, we approached this as if we were making any other rock and roll album."

To further add to the wild and freewheeling spirit, the church doors were left open during the recording sessions so that curious music fans and neighbors could come and go as they wished. Through those doors also came tuba players, bagpipers, tap dancers, whistlers and barbershop singers. On the song "Ten Cents at the Gate" a hundred folks from the “one traffic light town” are singing along.

It was the atmosphere and enormous sense of place of the book that drew them in. Bielanko has often written with precisely that in mind, perhaps most notably on Marah's album “Kids In Philly.” He says, "We realized it was possible to co-write new songs with the ghosts of Pennsylvania."

Although Bielanko and Smith wrote much of the album, it was 8-year-old Gus Tritsch who invented "Harry Bell." "He instinctually knew that this song could only work in the old 'major chord / minor theme' tradition," said Bielanko. "Gus seems to know a lot of stuff that takes other people lifetimes to figure out," added Smith. "He stepped up to the microphone with his banjo and simply laid it down in one take."

Although the album will also be released in digital format, it was always intended to be a 12-inch vinyl LP. The band recently released a 7" vinyl-only single from the forthcoming album. The small vinyl disc is called "Ten Cents at the Gate" and features a local barbershop quartet.

Bielanko sums-up, "Mostly we are just proud to have played some role in keeping these songs on the planet. It seemed to us that they were in grave danger of vanishing all together, and they are too good for that."

The resulting album is an all-in-one omnibus. It’s being released as a vinyl package, including an inserted CD, plus a download card. The physical CD will not be sold separately, but the digital format will be on all leading music retail sites.

There’s more on the band’s website, www.marah-usa.com


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♪  NEWS FEATURE #4

√  THE FAR WEST releases new album, “ANY DAY NOW,” out today

by Kim Fowler and Larry Wines

The Los Angeles-based band THE FAR WEST has been presenting compelling shows all over town. Today, February 25, 2014, they release their second album, “Any Day Now,” on Medina River Records. It’s steeped in alt-country with a few flourishes, and produced by Colin McLean.

The Far West is a five-piece roots-rock band. Their sound has been described as an “authentically Americana sound” and “technically pure, slightly jaded, no-nonsense and honest with stellar storytelling.” The band members are Lee Briante, Robert Black, James Williams, Travis Popichak, and Aaron Bakker.

The band came together in 2010 in the most unlikely way. It was thanks, in part, to a Craigslist ad, featuring nothing but a link to a live clip of Waylon Jennings on YouTube. Each of the five members left other bands for a common goal: to make music inspired by artists in the spirit and traditions of Gram Parsons, Uncle Tupelo, Son Volt, and The Band.

They released their first recording, a self-titled debut album, in 2010. That debut immediately attracted attention. “The Far West bring LA’s signature Gram-Parsons-style country rock together with the type of honky tonk that is unmistakably Texan,” said Turnstyled Junkpiled. “But whatever it is they play, The Far West exceed in coming together to produce a distinct sound that is undeniably their own.”

Music manager Kim Fowler notes, “Before long, the band partnered with respected booking agent Mongrel Music. They’ve been consistently growing and selling-out shows across the West ever since.”

“Any Day Now” stays close to the roots of their inspiration. The album kicks off with “On The Road,” written by vocalist and guitarist Lee Briante from the Hudson Valley. Driven by train-beat drums and haunting Leslie organ, "It's about my perception of Hollywood after moving here," says Briante. "It’s a place of self-created identities and it may certainly seem like people out here think they are the next big thing, but there's a bigger Tinsel Town ethos and mythology at play.”

But not everything has a roadhouse sound. “Leonard,” about the folk-artist who built the famed Salvation Mountain in the California desert, includes horns. "You can definitely hear the influence of songs like 'Minnie the Moocher' here," says Briante, "but this arrangement is also influenced by Springsteen’s ‘Seeger Sessions,’ and some of Levon Helm’s horn treatments.” The band called on Nic Chaffee, who added the warm and vibrant brass.

“The Bright Side” has a little more kick reminiscent of The Old 97s with excellent picking on guitar by Aaron Bakker. Writer Robert Black (bass, mandolin, vocals) says, “We all take our little trips to the dark side from time to time. ‘The Bright Side’ is your fist-in-the-air anthem for those days when you wish the rest of the world would just ‘f--k off’ already.”

“The song ‘Wichita’ is about the journey back to a certain time and place when I was a kid,” says Black. The band decided to give the title something of a double-meaning and, in keeping with the Midwestern theme, they pay respects to some of their favorite music from the region including Son Volt, Wilco and of course The Jayhawks on this song -- a deliberate homage.

Black backed many a band in his home state of Texas, as well as groups from the across the country. Briante, from New York state, has played in dozens of bands since he was a teen, and found Black in L.A. via that sparse Waylon Jennings Craigslist ad. James Williams has lent his keys to several acts over the years and has performed live on KCRW's “Morning Becomes Eclectic.” Chicago native Aaron Bakker (guitars, vocals) found his true passion for music when he picked up his first guitar at fourteen. He was an integral part of the Chicago outfit Dorian Taj, and dozens of others. Travis Popichak has been a hotly sought-after drummer in Los Angeles for years.

This is producer Colin McLean's second album with The Far West. He recorded their first album at an American Legion Post while the bar was open for business – and, in keeping with his interest in using unusual spaces, recorded “Any Day Now” in a vintage hot rod repair shop.

“The room you use to record really makes an imprint on the overall sound of a record, so using places that have lives of their own adds something special, I think,” says McLean. Indeed, the album’s title, “Any Day Now,” was borrowed from an article on the band that asserted expectantly, "A follow up album is due any day now." That was over a year ago, and any day now has finally come.

Their new label has a story, as well. Median River Records was formerly based in San Antonio. In November, the struggling label announced the signing of two new bands – one of them The Far West, the other, Rod Melancon (due March 4) – and with that, their move to L.A.

Los Angeles has played a significant role in the history of real country music, before it became pop “weth thet fahke twang” and was only about dysfunctional relationships. Indeed, the role of L.A. in classic and trad country is often ignored. But the city has never stopped producing first-rate, unsurpassed country and Americana music. “Medina River Records plans to unearth the myriad of gems and bring these independent talents to the forefront of the Americana music faction,” says Southern Cal-based music promoter Kim Grant.

Grant explains, “Medina River Records (MRR) was founded in 2006 by Peter Bowman specifically to oversee the release of the critically acclaimed album, ‘Cold Beer and Hot Tamales’ from The McKay Brothers. After a seven-year hiatus, the label will be revived with the intent of developing independent artists and restoring Los Angeles as a major source of great independent country and Americana music.”

Medina River Records will be presenting artists that are broadening their musical identities outside the limits of mainstream country music. They will release two albums in 2014, this one, “Any Day Now” from The Far West, and Rod Melancon’s upcoming “Parish Lines.”

There’s more on The Far West on their website, including performance videos and a link to buy the new album, at:
www.thefarwestband.com

More on Americana music label Medina River Records is at:
www.medinariverrecords.com

Specific info on the label’s two new releases is at:
www.medinariverrecords.com/site


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♪  NEWS FEATURE #5

√  BRITISH BLUES GUITARIST MATT SCHOFIELD has new CD, "FAR AS I CAN SEE"

The Los Angeles Times says, “In Schofield, the U.K. has produced the best Blues guitarist from any country in decades. Head and shoulders above the herd.”

Out February 18, 2014, in time to propel a North American tour commencing in March, is MATT SCHOFIELD's new album, “FAR AS I CAN SEE” on the Provogue label. New York-based Mascot Label Group reports that guitarist, singer, songwriter and producer Schofield “has been frequently lauded as the British blues guitarist of current times.”

He is no stranger to accolades, and has been honored as the recipient of major awards that include British Blues Awards’ “Guitarist of the Year” in 2010, 2011 and 2012, making him the first guitarist in the British Blues Awards Hall of Fame. He also was complimented by Mojo Magazine with “Blues Album of the Year” in 2011, and received the nod for British Blues Awards “Album of the Year” in 2010. He was among the top ten British blues guitarists of all time by Guitar & Bass Magazine, alongside such icons as ERIC CLAPTON and PETER GREEN. In the “Penguin Book of Blues Recordings,” Schofield is cited as one of only two living British artists to gain a maximum four-star rating.

With this debut album for Provogue, Schofield finds himself as representative for the long tradition of British Blues on what’s arguably the ultimate blues guitar label, and gaining a home amongst his peers – the world's greatest contemporary blues players.

Schofield's career has gained momentum for the last several years on both sides of the Atlantic. Successful runs in the UK, Europe and North America have been met with critical acclaim and exponentially increasing audiences. Overseas, Guitarist Magazine published simply, “There isn’t a better British blues guitarist playing currently.”

The new collection is Schofield's fifth album, offering two choice covers from his musical heroes alongside nine original tracks. Schofield has broadened the canvas far beyond this album being a pure Blues release. The core is there amongst all of the cuts, but the boundaries are blurred.

Long-time fans will anticipate the epic slow blues of "The Day You Left," as the guitarist re-harmonizes a traditional 12-bar form. The album track is the first take he played in the studio, totally live, with an intensity and immediacy that breathes life into the performance. The album's second track, "Clean Break," is a classic trio shuffle. Another track, "Getaway," shows Schofield is eager to continue finding new ways to play the blues, integrating odd time signatures into the genre.

He offers, "You don't find this approach much in the genre, new or old. To make it work, the unusual time, in this case 7/8, has to be especially groovy, with just the right feel. The end result makes for uniquely tense solo sections where the lines played on guitar have to weave around the time. Lyrically, the inspiration came from the desire to create intimacy with the audience, by inviting them to share in the moment with the music – the same way the musicians must be in order to play it – something that, in these days of an audience filled with camera phones, seems harder to achieve."

The instrumental cut "Oakville Shuffle" features a cameo by DENNY ILETT, one of Schofield's favorite U.K. jazz / blues guitarists. On the track "Hindsight," the horn section is in full flight in a setting Schofield describes as "What if Albert Collins and Maceo Parker sat in with Tower of Power." James Morton's funky alto sax weaves through the guitar lines. Additional tracks include an upbeat and simple organ trio track titled "Everything," The Texas-blues nod to Jimmie Vaughan, "Tell Me Some Lies." And there’s "Red Dragon," a tribute to Hendrix's approach to the Blues, done in one take, all live, late at night, with the band following his every move.

There are covers, too. As a life-long fan of Albert King, Schofield pays his respect when taking-on "Breaking Up Somebody's Home." He reveals, "When I make an album I always go back to a long list of songs I love. I’ve been compiling this list over the years, reaching back to my first discovery of blues. We tried to put our own spin on the groove, it also marks the first appearance of a horn section on one of my records." The second cover on the release is the classic "Yellow Moon." Schofield reminisces, "I've loved this song since I was a kid going through my Dad’s records. Funky New Orleans blues, originally done by the Neville Brothers, and produced by Daniel Lanois, who we’re also a big fan of. I’ve tried to make this great song my own with a unique approach to the arrangement, featuring Jordan’s incredible vocals interplaying with my guitar."

Matt Schofield is an inspired character. His lyrical approach is driven by inspiration from all facets of life's experiences, and the impact on his deepest thoughts of what he reads, watches and absorbs. This is best displayed with the album opener, "From Far Away." The track is a song that has been brewing for years, where the singer finds inspiration from late science icon CARL SAGAN. He offers, "I'm a big lover of science, humanism and their related philosophies. Lyrically I have known for a long time that I wanted to do something inspired by Sagan’s incredible and inspiring monologue 'Pale Blue Dot' - this song is my tribute to his beautiful, stirring words."

Schofield will begin his North American Tour on March 13 in Ridgefield, CT, with nine confirmed dates, all on the East Coast so far. The latest thus far is April 11 at the Tampa Bay Blues Festival in St. Petersburg, FL.

There’s more at www.mattschofield.com and www.facebook.com/mattschofieldofficial

More on the record label and its stable of artists is at www.mascotlabelgroup.com


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♪  NEWS FEATURE #6

√  “THE LAST ELVIS,” film acclaimed at Sundance, out today on DVD

Rolling Stone calls it, “One of the 10 Best Music Films at Sundance! An emotion-laden and intense journey.” This 2012 film by ARMANDO BO runs 92 minutes. It’s fiction, it’s in color, and it’s in Spanish with English subtitles. But wait.

The universality of the film is why you want it. It shows how performing on stage can bestow glamour and grace to the unlikeliest of people. With a jaw-dropping performance by real-life Elvis tribute artist John McInerny, this powerful yet tender film imbues its lead character with depth and dignity, creating a portrait of a broken man who seeks shelter in his dreams and singular talent.

“A knockout, riveting performance! John McInerny is utterly compelling.” – The Hollywood Reporter.

Here’s the premise. Most evenings in Buenos Aires, "Elvis" Gutiérrez is a star - his singing and stage presence bring back to life the King of Rock and Roll in all his glory. By day, though, Gutiérrez slaves away at a dead-end factory job and endures the scorn of his ex-wife. Only his young daughter, Lisa Marie, brings any joy outside of his Elvis tribute gigs. Feeling more connected to his stage persona than to the world around him, Gutiérrez retreats from reality until a tragic accident forces him to grapple with his real-world responsibilities.

Armando Bo's feature debut premiered at the 2012 Sundance Film Festival and has been making the rounds of the art theater circuit, and it arrives today on DVD. It’s packaged in a 100% Certified Green Forestry Practices Eco Pack.

The film is available through First Run Features, at www.firstrunfeatures.com
UPC: 7-20229-91584-7 | Catalog #: FRF 915847D | SRP: $24.95 | Street Date: February 25



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♪  TUESDAY’s and
WEDNESDAY’s
LIVE EVENTS
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♪  LIVE ON THE WEB


Tue, Feb 25, on the web
8 pm (Pacific)  CINDY MANGSEN & STEVE GILLETTE offer a live webcast of their concert tonight at the famous Freight & Salvage in Berkeley, California
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Cindy says, “If you can't actually be with us, you can still tune in! The webcast price is $5, and you can purchase a ticket online anytime,” at:
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www.concertwindow.com/shows/3100-steve-gillette-and-cindy-mangsen
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Cindy adds, “The webcast will be viewable on computers, iPhones, and iPads. The show will not be recorded or archived, but you can watch it live in HD. This time around, we'll be playing some old favorites, as well as selections from our new CD, ‘Berrymania’.”



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♪  ONGOING MUSIC & ART EVENTS


ONGOING (through March 16), in Santa Monica:
8 pm  "CIRQUE DU SOLEIL" presents "TOTEM" under the Big Top at the Santa Monica Pier.
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"TOTEM" plays the Santa Monica Pier:
Tue-Fri, 8 pm
Sat, 4:30 & 8 pm
Sun, 1 & 4:30 pm
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"TOTEM traces the fascinating journey of the human species from its original amphibian state to its ultimate desire to fly. The characters evolve on a stage evoking a giant turtle, the symbol of origin for many ancient civilizations. Inspired by many founding myths, TOTEM illustrates, through a visual and acrobatic language, the evolutionary progress of species. Somewhere between science and legend, TOTEM explores the ties that bind Man to other species, his dreams and his infinite potential." -- the show's promo.
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"Spectacular, artful. Breathtaking and deliciously ironic." -- The Toronto Star.
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"TOTEM is visually ravishing" -- The Boston Globe.
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Tix by phone, at 800-450-1480.
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Tix & info online, at:
http://m.cirquedusoleil.com/en/shows/totem/americas/usa/california/santa-monica.aspx


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♪  TUESDAY’s Today/Tonight-Only
MUSIC & ART EVENTS
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Tuesday, February 25, 2014
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Tue, Feb 25, in VC (Camarillo):
5:30 pm  SONGMAKERS twice-monthly “CAMARILLO SONG CIRCLE” in Camarillo 93010. Location and info, www.songmakers.org 

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Tue, Feb 25, in Hollywood:
6 pm  SILVERSUN PICKUPS play the free "Live at Amoeba" in-store series at Amoeba Music Hollywood, 6400 Sunset Bl, Hollywood; 323-245-6400;  HYPERLINK "http://www.amoeba.com" www.amoeba.com.
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They’re playing a special acoustic set in celebration of "The Singles Collection, 7” Vinyl Box Set." Box set will be available Feb 25 for purchase and signing at Amoeba. Post-performance signing limited to copies of the box set purchased at Amoeba (you will need to have receipt to show in line).
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Arrive early for the show so you’ll get-in; lineup starts at 4 pm on the sidewalk on Ivar.
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A message from the band's Brian: “When Dangerbird approached us about doing a singles collection, we said, ‘No way! That’s crazy talk. In our heads, we still don’t see ourselves as a singles band swimming in a singles universe. Our thought is, we’re okay with all of our songs. So it was very important to us that if we were going to do it that we could make it special. With that in mind, we were inspired to go in and record some new songs. Looking back, it ended up being quite positive, almost like a nightcap to the last 10 years…”
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Free.

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Tue, Feb 25, in Ventura:
6-10 pm  “VENTURA BLUEGRASS JAM” at Milano’s Italian Restaurant, in the Ventura Marina, 1559 Spinnaker Dr #100, Ventura; 805-658-8311.

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Tue, Feb 25, in Signal Hill:
6 pm  Weekly “BLUEGRASS SOUP JAM” at Convert-A-Tape, 2420 Gundry Av, Signal Hill 90755.

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Tue, Feb 25, in Hollywood:
7-9 pm  MIRANDA LEE RICHARDS and TYLER LYLE play the “MSO & BUZZBANDS.LA ENTERTAINMENT INDUSTRY & MEDIA NETWORKING PARTY” presented by Hard Rock Café Hollywood Blvd, at the Hard Rock Café, 6801 Hollywood Bl, Hollywood 90028; www.hardrock.com/hollywoodblvd
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The night features brief acoustic sets from singer-songwriter-musicians Miranda Lee Richards and Tyler Lyle. Industry event, by invitation. If you’re interested and you know somebody, now you know about it.

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Tue, Feb 25,
“not-music-but-worthwhile” pick,
at USC:
7 pm  “LOST BORDERS: WATER, CLIMATE CHANGE AND THE WEST” combines science and performing art, at Friends of the USC Libraries Lecture Hall, Doheny Memorial Library 240, on the USC Campus in University Park (L.A.)
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Theatre and earth sciences intersect in “Lost Borders,” a multidisciplinary event exploring the lack of water in the American West and the fragility of our land. Water has long been a defining issue of the American West, affecting state borders, agriculture, economics, immigration and settlement — and now it is a major factor in the climate-change crisis. The event will combine a play, “The Chisera,” by USC playwright Paula Cizmar, with a multimedia presentation of desert images and a conversation facilitated by USC geologist Sarah J. Feakins.
+
Tix are free, but it’s expected to fill-up completely. Online reservations are required at:
www.visionsandvoices.usc.edu

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Tue, Feb 25, in Santa Monica:
7-7:45 pm  MARINA V returns to the Sonoma Wine Garden, 395 Santa Monica Pl, Santa Monica 90401.
+
She tours the world, and she’s touring her latest CD, “Inner Superhero.” Marina delightfully blends nu-folk sensibilities with what acoustic pop should be.
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No cover.

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Tue, Feb 25, in Arcadia:
7 pm  Weekly "SONGWRITERS SERENADE" tonight brings an especially appealing lineup of accomplished recording artists, and performing host JC HYKE, all playing fully acoustic, at Matt Denny's Ale House Restaurant, 145 E Huntington Dr, Arcadia 91006.
+
No cover. Venue has full menu and full bar. All ages. Show is on a covered patio with plenty of heaters. Free parking in back or on thr street.

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Tue, Feb 25, in SFV (Toluca Lake):
7 pm  Weekly “TRADITIONAL IRISH MUSIC SESSION” is a structured jam at Timmy Nolan's Tavern & Grill, 10111 Riverside Dr, Toluca Lake 91602; 818-985-3359.

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Tue, Feb 25, in Echo Park:
7:30-11 pm  LUCINDA WILLIAMS plus an opening set by THE KENNETH BRIAN BAND, sponsored by “The Grand Ole Echo” at the Echoplex; located below The Echo, enter through the alley at 1154 Glendale Bl, Echo Park; 213-413-8200.  HYPERLINK http://www.attheecho.com www.attheecho.com.
+
We’re told by the producers, “There will be a handful of tickets left at the door so get there early.” (The Guide brought you a Ticket Alert early for this one.)
+
In addition, several times, this has been reported sold-out, then more tix become available. Check for tix at:
www.ticketfly.com/purchase/event/465615?utm_medium=bks
Event details, www.attheecho.com/event/465615
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$24 standing, $34 seated. All ages.

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Tue, Feb 25, in SFV (Northridge):
7:30 pm  PAT METHENY UNITY GROUP plays the Great Hall at the Valley Performing Arts Center, on the campus at CSUN, 18111 Nordhoff St, Northridge 91330; www.valleyperformingartscenter.org; ticket office 818-677-3000.

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Tue, Feb 25, in Beverly Hills:
7:30 pm “BEST ANIMATED AND LIVE ACTION SHORT FILMS OSCAR NOMINEES” screening at the Samuel Goldwyn Theater, 8949 Wilshire Bl, Beverly Hills 90211.
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Hosted by KEVIN POLLAK, the night includes screenings of all the 2013 Oscar-nominated films in the Animated and Live Action Short Film categories, plus onstage discussions with the filmmakers (schedules permitting).
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The nominees for "Best Animated Short Film" are:
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"Feral"
"Get a Horse"
"Mr. Hublot"
"Possessions"
"Room on the Broom"
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The nominees for "Best Live Action Short Film" are:
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"Aquel No Era Yo (That Wasn't Me)"
"Avant Que de Tout Perdre (Just Before Losing Everything)"
"Helium"
"Pitaako Mun Kaikki Hoitta (Do I Have to Take Care of Everything?)"
"The Voorman Problem"
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Event page:
http://www.oscars.org/events-exhibitions/events/2014/01/shorts.html
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The Guide ran a News Feature and Ticket Alert weeks ago, before the first day tix were available. You can check your sources for tickets, or take your chances on finding someone with spare tix for sale in line at the theatre. Doors open at 6:30 pm.

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Tue, Feb 25, in San Diego:
CANCELLED: 7:30 pm  BILLY LEE & THE SWAMP CRITTERS play Tio Leos, 5302 Napa St, San Diego; 619-542-1462.
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$10 cover. Dance lesson at 6:45, and the band plays at 7:30 pm. Go early and enjoy $1.95 tacos.

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Tue, Feb 25, in Echo Park (L.A.):
7:30 pm  “WRITING RESOLUTION WORKSHOP” is a performance presented by SHAWNA KENNEY, in a public reading celebrating a class completion and works-in-progress, at Stories Books & Cafe, 1716 W Sunset Bl, Echo Park (Los Angeles) 90026.
+
Featuring local writers Chelsey Drysdale, Ellen Lawler, Tembi Locke, Lisa Willinger, Suvi Booth, and Kym Ghee.
+
No cover.

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Tue, Feb 25, in WeHo:
Time tba  THE ICY HOT CLUB plays “Jazz Tuesdays” at the Moonrise Club in West Hollywood.
+
The Icy Hot Club is a Los Angeles-based group that plays modernized Gypsy Jazz music in the style of Django Reinhardt. They often include reworked versions of contemporary pop and rock songs alongside traditional Gypsy Swing, with 3 part vocal harmonies. Generally bringing two guitars, in the hands of Ethan Emerson and Ray Bergstrom, and an upright bass, Icy Hot Club might add violin, clarinet, and / or drums.

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Tue, Feb 25, in Altadena:
8 pm  LOAFER'S GLORY plays the Coffee Gallery Backstage, 2029 N Lake Av, Altadena.
+
This quartet features legends of pickin' and grinnin' in a unique ensemble of the finest of bluegrass players. Venue impresario Bob Stane calls this “A show that will be talked about for years to come. Treat you and yours to historical fun.”
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HERB PEDERSEN is a legendary Americana musician, guitarist, banjo player, and singer-songwriter who has played a variety of musical styles over the past forty years. Pedersen is a member of the Desert Rose Band, fronted his own band called the Laurel Canyon Ramblers, and worked with a who’s-who of musicians and groups. These include the Pine Valley Boys, Earl Scruggs, The Dillards, Smokey Grass Boys, Old and in the Way, David Grisman, Peter Rowan, Vassar Clements, Gram Parsons, Emmylou Harris, Tony Rice, Dan Fogelberg, Stephen Stills, Linda Ronstadt, Kris Kristofferson, John Prine, Jackson Browne, John Denver, John Jorgenson, and Leland Sklar.
+
TOM SAUBER plays fiddle and banjo and sings vocals. A native of Southern California, Tom has helped bring authentic traditional music to the film industry. In 1980, along with Ry Cooder and David Lindley, he played the music for the motion picture “The Long Riders.” He has also appeared in “Bound for Glory,” “Geronimo,” and numerous TV movies and series.
+
PATRICK SAUBER plays banjo and mandolin and does vocals. Patrick is the son of Tom Sauber, and he has mastered the music he grew-up with – old-time pre-bluegrass styles on banjo and mandolin, as well as the classic approach to good solid Scruggs-style 5-string banjo and mandolin, from Bill Monroe to more current styles. For such a young player, it’s always interesting to see where he carries this talent. He also sings all the needed parts in the good trio and quartet numbers.
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BILL BRYSON, on upright bass and vocals, brings a long and distinguished discography of bluegrass and country music. One of the most skilled of the upright bass players in the business, he's been with such great groups as: The Bluegrass Cardinals, The Country Gazette, The Laurel Canyon Ramblers, The Desert Rose Band, and Bluegrass Etc. He's a wonderful lead singer, and is one of the best and most in-demand baritones today. He also plays guitar and minstrel 5-string banjo.
+
Tix, $20. Reservations an absolute must; call 626-798-6236, 10 am-10 pm, seven days. There’s more on the venue’s website, at www.coffeegallery.com

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Tue, Feb 25, in Marina del Rey:
8 pm-midnight  "ACOUSTIC TRIBUTE TO WARREN ZEVON" at Brennan's Pub, 4089 Lincoln Bl, Marina del Rey 90292
+
Hosts Nate Hertweck and Paul Zollo tell us it's "a very special acoustic tribute to the incomparable genius himself, Warren Zevon. This is a free show with tons of great performances by L.A. artists that share a love for the songs of Warren Zevon."
+
See the NEWS FEATURE in today’s edition.

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Tue, Feb 25, in Burbank:
8 pm  “JOHN PISANO’S GUITAR NIGHT” brings quite a lineup of virtuosic players every time they do this. at Viva Cantina, 900 Riverside Dr (next to L.A. Equestrian Center), Burbank; 818-845-2425 or 818-515-4444;  HYPERLINK "http://www.vivacantina.com/" www.vivacantina.com.
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Tonight, it’s violinist HIRO GOTO, joined by JOHN PISANO on guitar and JOHN LEFTWICH on bass; no drums this time.
+
No cover. Venue is known for its Mexican food and full bar. Okay to park free across the street at Pickwick Bowl (free, nearly unlimited parking for Viva patrons).

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Tue, Feb 25, in SFV (Chatsworth):
8 pm  An undisclosed ALT-COUNTRY / TRAD COUNTRY / AMERICANA BAND plays the Cowboy Palace, 21635 Devonshire St, Chatsworth; 818-341-0166.
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This is L.A.’s last real honky tonk. No cover, full bar, lots of fun. Go early for the nightly free dance lesson.

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Tue, Feb 25, in Santa Monica:
8:30 pm  BARRY “BIG B” BRENNER brings acoustic blues to Sonny MacLean’s, 2615 Wilshire Bl, Santa Monica 90403; 310-449-1811.

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Tue, Feb 25, in L.A.:
9 pm-1 am  WUMBLOOZO plays the blues at Dave's, 708 E Broadway, Glendale 91205; 818-956-9123.
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More at www.wumbloozo.com



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♪  WEDNESDAY’s MUSIC & ART EVENTS
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Wednesday, February 26, 2014
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Wed, Feb 26, in Burbank:
6-11 pm  A full evening with CODIO & THE SWINGING ARMANIS, plus DEBRA PRICE & GUIDO ARMANI’s CLASSICAL HOUR on one stage, and on the other stage, GLEN ROBERTS BIG BAND -- recently named “Best Free Big Band Event” in L.A. Weekly’s prestigious “Best of LA” issue – plus REVEREND MARTINI'S ROCKABILLYHOP ‘N HANG, all at Viva Cantina, 900 Riverside Dr (next to L.A. Equestrian Center), Burbank; 818-845-2425 or 818-515-4444;  HYPERLINK "http://www.vivacantina.com/" www.vivacantina.com.
+
√  CODIO & THE SWINGING ARMANIS play at 6 & 8 pm.
√  DEBRA PRICE & GUIDO ARMANI’s CLASSICAL HOUR happens at 7 pm.
√  GLEN ROBERTS BIG BAND at 7 pm, named “Best Free Big Band Event” in LA Weekly’s prestigious “Best of LA” issue.
√  REVEREND MARTINI'S ROCKABILLYHOP ‘N HANG at 10 pm.
+
No cover. Venue is known for its Mexican food and full bar. Okay to park free across the street at Pickwick Bowl (free, nearly unlimited parking for Viva patrons).

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Wed, Feb 26, in Culver City:
6:30-9 pm  Monthly “WEST SIDE HAMMERED DULCIMERS” are off their usual “2nd Wednesdays” schedule this month only, at Culver Palms United Methodist Church, Room 6, 4464 Sepulveda Bl, Culver City 90230.
+
It’s about “Sharing tunes & playing for fun!” Register your wish to participate by email to Barbara Gershman - bgershman@socal.rr.com

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Wed, Feb 26, in Torrance:
6-8:30 pm  ANDY & RENEE, leaders of HARD RAIN, named the Best Band in the South Bay for 2013, play their residency at the Buffalo Fire Dept., 1261 Cabrillo Av, Torrance 90501; 310-320-2332.

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Wed, Feb 26, in Murrieta:
6:30 pm  “THE SHAM JAM” OPEN MIC, hosted by SIMON & HUNTER, at the Shamrock Irish Pub & Eatery, 39252 Winchester Rd #145, Murrieta 92563; 951-696-5252; www.theshamrockirishpubandeatery.com

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Wed, Feb 26, in Santa Monica:
7-11 pm  THE GET DOWN BOYS play their every-Wednesday residency at Areal, 820 Main St, Santa Monica.
+
$5 cover. More at www.thegetdownboys.com

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Wed, Feb 26, in L.A.:
7-11 pm  “IRISH TRAD SESSION” is a structured jam at Tom Bergin's Public House, 840 S Fairfax Av, Los Angeles; 323-936-7151.

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Wed, Feb 26, in South Pasadena:
7 pm  Weekly "WINE & SONG" showcase brings a slate of recording artists and performing host BRAD COLERICK, all performing all-acoustic, at Firefly Bistro, 1009 El Centro St, South Pasadena 91030; 626-441-2443; www.WineAndSong.com

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Wed, Feb 26, in Echo Park (L.A.):
7:30 pm  THE WOMEN GROUP presents the official release of “SLUT CHURCH” by EMMA KOFFROTH, at Stories Books & Cafe, 1716 W Sunset Bl, Echo Park (Los Angeles) 90026.
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More at www.thewomengroup.wordpress.com
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No cover.

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Wed, Feb 26, in VC (Simi Valley):
7:30-11 pm  SONGMAKERS twice-monthly “SIMI VALLEY HOOT.” Location and info at www.songmakers.org


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Wed, Feb 26, in Altadena:
8 pm  Oscar- nominated WILL RYAN & THE CACTUS COUNTY COWBOYS, featuring this time only, THE SAGUARO SISTERS, at the Coffee Gallery Backstage, 2029 Lake Av, Altadena 91001; www.coffeegallery.com.
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Venue impresario Bob Stane says, “Get this: red carpet action concerning the vocal chops of Will Ryan, who has more Hollywood credits than about anyone in the business, and just about more than a guy his size can handle. Will he arrive in a limo?”
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NOW OSCAR-NOMINATED! WILL RYAN - as Peg-Leg Pete - battles WALT DISNEY - as Mickey Mouse - and the great RUSSI TAYLOR as Minnie Mouse, in the amazing new animated film “Get a Horse!” It's playing in theaters all over the world before the hit movie “Frozen.” You can even see it in 3-D. Nominated by the Motion Picture Academy as “Best Animated Short Film.”
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WILL RYAN & THE CACTUS COUNTY COWBOYS bring, ”in person,” Oscar nominated "voice over" actor WILL RYAN, winner of 2 Gold Records, BMI's Pioneer Award for songwriting, and self-styled “King of the Radio Cowboys;” WESTY WESTENHOFER, the band’s “Maharajah of Musical Mirth,” and veteran of playing ountless shows at Disneyland; JOHN “PRESTO” REYNOLDS, who Will calls, “Wizard of Wild String-osity!”
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THE SAGUARO SISTERS “are a ‘10’ on the ‘cute scale’,” says Bob Stane. He adds, “the other factor is just as interesting. Will Ryan, a regular at The Coffee Gallery Backstage, is chest deep in an Oscar Nomination, and giving a big break to a cute trio of teen girls.”
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Maybe you hear their singing every week on Pacifica Radio. Maybe you catch their acting on the syndicated series “Adventures in Odyssey.” Now, see 'em an' hear 'em in person, SHONA, KATRIONA and KARONA KENNEDY: THE SAGUARO SISTERS. Combining smooth Western Skiffle harmonies with witty, quirky, off-beat and sensitive lyrics, Will Ryan raves about the Saguaro Sisters, calling them, “The greatest new vocal sound West of the Great Divide.” Tonight, they team-up on a whole slew of new tunes with Will and the band.
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Tix, $18. All ages. Reservations recommended; call 626-798-6236, 10 am-10 pm, seven days. There’s more on the venue’s website, at www.coffeegallery.com

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Wed, Feb 26, in Beverly Hills:
7:30 pm  “BEST DOCUMENTARIES OSCAR NOMINEES” screen tonight at the Samuel Goldwyn Theater, 8949 Wilshire Bl, Beverly Hills 90211.
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The hosted program includes clips from all of the films nominated for "Documentary Feature" and "Documentary Short Subject," and panel discussions with filmmakers from each group, schedules permitting.
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The nominees for "Best Documentary Short Subject" are:
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"The Lady in Number 6: Music Saved My Life"
"Cave Digger"
"Facing Fear"
"Karama Has No Walls"
"Prison Terminal: The Last Days of Private Jack Hall"
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The nominees for "Best Documentary Feature" are:
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"20 Feet from Stardom"
"The Act of Killing"
"Cutie and the Boxer"
"Dirty Wars"
"The Square"
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Event page:
http://www.oscars.org/events-exhibitions/events/2014/01/docs.html
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The Guide ran a News Feature and Ticket Alert weeks ago, before the first day tix were available. You can check your sources for tickets, or take your chances on finding someone with spare tix for sale in line at the theatre. Doors open at 6:30 pm.

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Wed, Feb 26, in Venice:
8 pm  JENNI ALPERT plays her every-other-week residency with tonight’s special guests DEVYN RUSH and CHRIS JOYNER, at Witz End, 1717 Lincoln Bl, Venice 90291.
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Jenni tells us, “Come on down and join the fun. I will be performing several new songs that will be on my my new record which is in the making for later this year. If you are a songwriter, feel free to say hello and I will get you up for a song.”
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She adds, “Also excited to announce some very exciting news that will be taking place in Austin, TX during SXSW so please stay tuned for showcase information.”

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Wed, Feb 26, in SFV (Chatsworth):
8 pm  An undisclosed ALT-COUNTRY / TRAD COUNTRY / AMERICANA BAND plays the Cowboy Palace, 21635 Devonshire St, Chatsworth; 818-341-0166.
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This is L.A.’s last real honky tonk. No cover, full bar, lots of fun. Go early for the nightly free dance lesson.

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Wed, Feb 26, near LAX:
8 pm  Weekly “GUITAROLOGY” at Melody Bar & Grill, 9132 S Sepulveda Bl, Los Angeles 90045; 310-670-1994.



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More, soon, as always.
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♪  The Guide will be making CH-CH-CHANGES – turn, embrace the change -- in 2014. Some folks will like some, others will not. There will be points of departure to make room (and time) for the new. We’ll do what we can, because as always, we operate with the editor’s motto, “One does what one can.”

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Lawrence Wines & Tied to the Tracks.
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The ACOUSTIC AMERICANA MUSIC GUIDE endeavors to bring you NEWS and views of interest to artists everywhere, more specifically to musicians and the creative community, and music makers and fans of acoustic and Folk-Americana music, both traditional and innovative. We provide a wealth of resources, including a HUGE catalog of acoustic-friendly venues, and schedules of performances in Southern California venues large and small. We cover workshops and other events for artists and folks in the music industry, and all kids o’ things in the world of acoustic and Americana and accessible classical music. From washtub bass to musical spoons to oboe to viola to banjo to squeezebox, from Djangostyle to new-fangled-old-time string band music, from sweet Cajun fiddle to pre-bluegrass Appalachian mountain music to proto blues.
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